It's too low of a set bar to say that The Wolverine is far and away
superior to the last film. What Mangold has done, quite cleverly, is give us a
superhero movie that isn't really a superhero movie, and is all the better for
it. Wolverine is the perfect character for such a film, one that combines
elements of film noir, Japanese samurai epics, and American westerns to make
for one of the most unique comic book films ever made. Certainly it's far more
ambitious and simply better than something like Iron Man 3,
and is considerably more focused than Man of Steel.
That's not to say it isn't without a share of troubling issues, but so much
about The Wolverine is a refreshing break from the norm that it's safe
to call it the best superhero movie of the summer.
Bold words? Maybe, and admittedly I'm an unabashed X-men fanboy, but one has
to appreciate a film that is concerned with taking us into the soul of the
hero, rather than piling on more destruction and bigger explosions. In fact,
the film begins rather quietly in 1945 Nagasaki, as we see a pre-Adamantium
Logan trapped in an underground prison by his Japanese captors. An atomic bomb
is dropped, and ever the hero, Logan puts his mutant healing powers to the test
by protecting a young soldier named Yashida. In keeping with Japanese codes of
honor, Yashida vows to one day repay this life debt, although Logan being
Logan, he'd rather just be left alone.
The samurai code of honor, known as "bushido", is a constant theme
throughout, and we see how it motivates Logan even when he doesn't realize it.
Fast forwarding to the present, Logan is a broken man, still suffering from the
events of X-men:
The Last Stand and the death of Jean Grey (an awkward return by Famke
Janssen), who continues to haunt his memories. Essentially immortal due to his
mutant powers, Logan has seen everyone he loves die, and has decided to retreat
from the world and live in the Yukon wilderness. But the honorable heart of a
hero never really goes away, and as Logan deals with an unruly hunter with no
respect for the animal lives he takes, we learn more about him in five minutes
than most movies can do in two hours. It's the first time we've seen him as
more than just the angry X-man with the unbreakable bones, feral attitude, and
razor sharp claws. Without Professor Xavier to guide him, he's a ronin, a
wandering samurai in need of a new fight. Fortunately, it isn't long before he
finds one to sink his claws into.
A mysterious offer comes in the form of Yukio (Rila Fukushima), a
crimson-haired ninja who could easily be mistaken for a J-pop starlet. The man
Logan saved in Japan has amassed an incredible fortune, but as he lay on his
deathbed, he wishes to finally repay the debt he owes. Recognizing that Logan
no longer wishes to live forever, Yashida offers to remove his healing powers
once and for all, allowing the X-man to finally die. As Logan grapples with the
idea of death for the first time, he's swept up into a deadly game of intrigue
involving Yashida's granddaughter, Mariko (Tao Okamoto), the criminal Yakuza,
and what must be thousands of ninja. In the comics, ninja are basically cannon
fodder ripped to shreds without a moment's notice. But mostly everything about
The Wolverine is taken seriously, and that includes the threat the ninja
represent, especially when the numbers are in their favor, which is always. An
encounter with the venomous Viper (Svetlana Khodchenkova) slows Logan's mutant
powers, making him more vulnerable than ever, although true to form, it doesn't
really stop him from plunging headlong into danger. We've never really been
given a reason to worry about Logan coming through unscathed, it's one of the
dramatic drawbacks of his power, but there are times where the odds seem
insurmountable.
Personal touches aside, the pace is a little uneven and the tone somewhat
confusing as Mangold mixes in some spotty CGI for the biggest action pieces. A
slightly ridiculous but still thrilling battle atop a speeding bullet train is
a definite highlight, but when giant robotic samurai enter in the picture later
on it runs counter to the intimate story we'd been engrossed by for so long.
It's almost as if someone figured the film was just a little too quiet, too
personal, and that there needed to be some big cinematic sizzle because, at the
end of the day, this is still just another summer blockbuster. Whatever the
reason behind it, the tightly-wound foundation that had been set up is done
severe damage by a convoluted and silly finale that would have been better
suited as a deleted scene from X-men Origins: Wolverine.
Utilizing an international cast of Japanese and Korean actors, the
performances are superb and aided by a script that gives everyone a very clear
motivation. The best by far is Rila Fukushima as Yukio, who could have been
written off as just a typical sidekick character, but proves to a strong-willed
and forceful figure more than capable of holding her own. With her unique look
and acrobatic fighting style, she strikes an impressive image, but the script
by Scott Frank and Mark Bomback does a good job of giving her character depth.
From Kitty Pryde to Jubilee to Rogue, Logan has always taken a mentorship role
with the younger X-Women, but we see that Yukio is in every way his equal.
Hopefully this won't be the last time we see them together on the big screen
because the chemistry between Jackman and Fukushima is perfect. 
But of course this is Hugh Jackman's show, and it's amazing to think at one
point people (like me, actually) used to complain that he wasn't the right guy
to play Wolverine. It's now difficult to imagine anybody other than him, and
it's safe to say that he's right up there with Robert Downey Jr. in defining a
superhero immeasurably. The thing about Jackman is that he's such a gregarious
and loudly charismatic guy, whereas Logan is quiet, angry, and exudes a basic
animal magnetism. Jackman's also kept himself in impeccable shape, even as he
hints at growing too old to suit up for the role. He's more physical than ever
this time around, so he's got a few more years left in him for sure.
Technically, Mangold makes the best possible use of the Japanese setting. In
particular he seems interested in capturing the architectural and cultural
divide between old world Japan and the technologically advanced cityscapes of
Tokyo. It makes for a truly distinct atmosphere, and gives the film a look
unlike any we've seen in other superhero movies.If there's something to take away from The Wolverine, it's that Logan can be every bit as interesting as Superman, Batman, Iron Man, or any of the other big screen heavy-hitters. While it may not be the summer's biggest comic book film, The Wolverine has more heart and soul than the lot of them, and proves that the X-men franchise is alive and well.
