Now we come to the best and the worst of what cinema had to offer this year...no no, we already did our top picks of 2016, I'm talking about the best and worst feelings you can have coming out of a movie theater. Honestly there's nothing better then going into a movie with little to no expectations and coming out blown away. Conversely we've all felt the despair of coming out of a movie that we've been told is the second coming with a feeling like we've been robbed. Well, here it is, the PDC picks the most underrated and most overrated films of 2016.
John Nolan
UNDERRATED: MR. RIGHT

OVERRATED: THE WITCH

I was so damn excited earlier this year when I sat down to watch The Witch. I mean, I don't usually go for poster quotes but with things like "Scariest Movie of All Time" and "Terrifying" being lauded around by respected names in the horror community I was fairly certain I was in for a good time. I was not. What followed the opening credits was like the most messed up episode of Big Brother: Amish Country followed by a 10 second shot of an actual horror film. Watching this film felt like going to a modern art gallery...you walk up to the painting that is essentially just a straight line in black paint wondering what you're missing. I mean all of these people are saying it's genius and breathtaking...it must be me, right?
(Roxana Hadadi)
UNDERRATED: QUEEN OF KATWE
Disney had some massive successes this year -- Zootopia, Captain America: Civil War, Moana, Rogue One: A Star Wars Story -- and they dominated the box office with their animation and Marvel and Star Wars properties. But the movies that got lost in the mix, unfortunately, were the live-action remake of Pete's Dragon and the "based on a true story" Queen of Katwe. Either of those two movies could be my most underrated of the year, but I'll go with Queen of Katwe here, because at least I've been seeing commercials on VOD for Pete's Dragon, and it's time doesn't seem to be totally over yet. Queen of Katwe, however, has seemed to disappear completely -- no awards season recognition, no marketing campaign to discover the movie on home video or streaming. This was a movie that featured stellar performances from David Oyelowo, Lupita Nyong'o, and newcomer Madina Nalwanga; was beautifully shot by director Mira Nair and well-adapted by screenwriter William Wheeler; that featured a diverse cast and an uplifting story about a young Ugandan girl discovering her passion and talent for chess. What the hell happened? How did this movie -- that only cost $15 million to make -- not even make back its production budget? This reminds me of 2015's McFarland, USA, another small sports drama that focused on an unlikely set of athletes, but that movie was a solid success, making $45 million on a $17 million budget. Queen of Katwe couldn't get anything going, and it frustrates the hell out of me that a movie with an A+ CinemaScore and a strong RottenTomatoes rating was so overlooked. Simply put, it just sucks.
OVERRATED: NOCTURNAL ANIMALS
Stylistically, I get why people were into Nocturnal Animals. It makes sense that fashion mogul Tom Ford would have an eye for production design, and he puts together a lot of gorgeous, gross images in his second feature film. The grungy Aaron Taylor-Johnson, tapping his overgrown fingernails on the top of a car, with what is clearly a stolen woman's ruby ring on his finger. How Amy Adams's face transforms when, during a conversation with her traveling husband, she realizes he's cheating on her. Michael Shannon's straightforward appeal to Jake Gyllenhaal to help him kill the men who ruined Jakey G's life. As a series of moments, Nocturnal Animals works, but as a narrative, this whole thing is a cynical, sour mess. Every character is an asshole. The beautiful imagery can't cover up the moral decay at the heart of everyone. And maybe that's the point, I guess? But it's not something I particularly enjoy, and it doesn't make me respect Nocturnal Animals -- or ever want to see it again.
(John Armstrong)
UNDERRATED: RULES DON'T APPLY

You can easily get too comfortable, and believe that you are somehow not subject to the same forces that shape the fates of everyone else in the world, not realizing that you’ve just bought them off for a while, but they’ll be back all the stronger. It’s true whether you’re working for Howard Hughes, or Donald Trump, or even for the “exceptional” United States of America. Any time you think the rules don’t apply, you’re already in trouble.
OVERRATED: MANCHESTER BY THE SEA

Yes, it’s good — not Lonergan’s best, mind you — but it’s hardly the greatest-thing-ever-in-cinema that it’s being made out as. Affleck is solid, but it’s the same solid character he’s been working since Ain’t Them Bodies Saints. Williams is somehow getting high praise and Oscar buzz for a handful of scenes she cedes to Affleck. And the backstory is nakedly, inartfully, Lifetime-level manipulative.
Whatever it has to say about the permanence of sufficiently traumatic events, it does by lionizing a drunken, violent lout who even before his tragedy gave off a real self-centered, short-tempered, domestic-abuser vibe. Passengers was pilloried for less. And to think we’re being told we need to spend even more time understanding this guy and indulging his mood swings in order to move the country forward.
(Travis Hopson)
UNDERRATED: BATMAN V SUPERMAN: DAWN OF JUSTICE & SUICIDE SQUAD
Yeah, I'm bringing both DCU movies onto the pedestal with me, because both got railroaded faster than a speeding bullet. I'm not going to say both movies are without flaws, because obviously they have a ton of problems. But I do think they were hurt by a concerted effort to diminish anything that isn't Marvel. Both movie kicked Doctor Strange's ass at the box office, but I don't hear anything about Marvel dropping the ball.

OVERRATED: HIDDEN FIGURES

(Mae Abdulbaki)
UNDERRATED: DON’T THINK TWICE
Mike Birbiglia’s Don’t Think Twice, about a group of improv comedian friends who are trying to make it big in NYC, but realize belatedly that not everyone is going to be successful, is really, really neglected. It was generally well-received by critics and has a high with a 99% Rotten Tomatoes score and a 74% audience score. So I just don’t understand how this film didn’t get more love or coverage. It has strong performances, deals with the realities of trying to make even so much as a dent in the comedy world, and shows us how the artists really live before they get to a place where they can start making a substantial amount of money. But that’s a big if. Don’t Think Twice will make you laugh and cry and has an amazing cast that includes Keegan-Michael Key. It very thoroughly examines trying to follow your dreams in a harshly realistic way and deals with the fallout of friendships in the wake of success. Frankly, it should be given more attention.
OVERRATED: THE EDGE OF SEVENTEEN

(Khalil Johnson)
UNDERRATED: HARDCORE HENRY
Thanks to duds like Warcraft and Assassin’s Creed, we still haven’t made a good video game movie. It seems like that genre will never break its curse. However, it’s arguable that Hardcore Henry was the first awesome video game movie. Although it is not based on any video game property, the film very much is a video game movie, right down to the first person viewing and having “boss-level” fights as the movie progressed.

Although the plot isn’t exceptional, the film is a technical brilliance. Continuing the visual style from the excellent music video “Bad Motherf*cker” by Russian rock band Biting Elbows, singer, and director Ilya Naishuller directed the first ever full length, first-person sci-fi action movie. The film’s technical skill and style haven't been duplicated since, and probably won’t for quite some time. Some excellent fight choreography, and balls-to-the-wall action and gore made fans cheer watching the film. Like I said, not a film that would win any dramatic awards, but you will most certainly have a great time watching it!
OVERRATED: SUICIDE SQUAD
For the life of me, I cannot understand how this movie became one of the highest box office films this year!

Many fans are split on if this is a great film or not, but audience goers went, again and again, to make this movie a bona fide blockbuster, guaranteeing a sequel. Hopefully, the sequel won’t be edited by a trailer company and instead by an actual director so we can have a better end result.
(Zack Walsh)
UNDERRATED: HAIL, CAESAR!

Seriously, why are we not talking about this movie anymore? It’s great! There’s so much to love! Every single actor knocks it out of the park. The dialogue is endlessly quotable (“Would that it were so simple”) and perfectly satirizes the tropes of the time period. With all respect to Moana and La La Land, Channing Tatum’s gay sailor tap number “We Ain’t Gonna See No Dames” is my favorite song of the year. Not to mention the brilliant twist ending that I swear I’m still laughing at. It’s just a really solid movie, and I’m sad to see it so forgotten. If you never got around to seeing it, I definitely suggest you check out Hail, Caesar! (and seem to be one of the only people left doing that.)
OVERRATED: THE JUNGLE BOOK
I really didn’t get why everyone loved this. The animation was beautiful, that’s for sure. But past that, it was just kind of okay. Why is this such a huge thing? What did I miss?

Was it truly just the visual effects that people freaked out over? I just don’t get the hype.