The oddly-titled Cake is just as odd of a nut to crack. At times it's so bleak and humorless that to watch it can be a real drag, but then the next moment it resembles a snarkier version of Spanglish, which is about as lame as that sounds. Aniston takes a break from the lame rom-coms and gives an intermittently powerful performance as Claire Simmons, a woman scarred in just about every way imaginable. Both physically and emotionally she is a damaged woman, who hides her pain by the constant taking of prescription pills and a "who gives a crap" attitude about everything. That includes her treatment of loyal housekeeper Silvana (Adrianna Barrazza), who functions as a sort of cheerful enabler to Claire's negativity. Claire is so terrible she's lost just about everyone: her husband (Chris Messina) has long since moved on; her support group wants her to seek help elsewhere; and even her physical therapist (Mamie Gummer) thinks she's given up.
While the story of an extreme depressive's turn towards redemption can be a
powerful one if told with an honest accounting of struggles involved, Cake
takes an unnecessarily quirky route and never quite recovers. After nearly
killing herself on drugs, Claire begins to see visions of and have combative
conversations with Nina (Anna Kendrick), a former member of her self-help group
who committed suicide. Nina becomes obsessed with Nina's life, visiting her
former home and encountering her widowed husband Roy (Sam Worthington), who
seems remarkably open to being stalked by an unstable woman. He doesn't seem to
mind that she keeps showing up out of the blue, and Claire doesn't mind using
him to make herself feel better. She doesn't mind using anybody, for that
matter. Claire is a user, first and foremost.Claire is also not especially likable. She's not nearly as funny as the screenplay wants her to be, and every attempt to make her so comes across as mean-spirited and selfish. There isn't enough consistency in her character to make us pity her, and it's a complete disservice to Aniston who dives into Claire's grief with both feet. We've never seen her play a character this unhappy, this sour, this defeated by life, and it's startling given the sexy comedic roles she's had of late. While it doesn't rank with some of the more challenging female performances that did get Oscar nominations, Aniston has set herself up for greater dramatic roles in the future. With the warm, comforting Barrazza they make for an interesting oil & water duo to watch when not tripped up by shapeless screenplay. Unfortunately, Cake is an unsatisfying meal too unsure tonally and lacking in any serious revelations on breaking free of despair.
Rating: 2.5 out of 5
