2/05/2015

Review: 'Seventh Son' starring Jeff Bridges, Julianne Moore, and Ben Barnes


Predicting which young adaptation will be a hit is a fool's errand most of the time, but occasionally one gets a bit of help. Seventh Son has struggled to get out of the gate for years, getting its release date knocked around like the tic-tac brains of some mythical creature, and getting swapped between studios. Finally the film has been dropped unceremoniously into February, and right out of the gate it feels years past its expiration date. Sadly, the only thing it's likely to be remembered for is being part of a trivia question about the biggest YA flops with the most Oscar winning stars.

Based on Joseph Delaney's book series, "The Wardstone Chronicles", Seventh Son stars Jeff Bridges as Master Gregory, a marble-mouthed cuss of a wizard, or a "spook" as he's referred to here. He's sortof a wizard in the Gandalf mold, only more ornery, more drunken, and considerably less intelligible. When we first meet him he's just locked away the evil witch Mother Malkin (Julianne Moore), only to have her escape ten years later more powerful than ever. In the process she kills his most recent apprentice (a rather big star in a barely-there role), and now he must find another one by seeking out a seventh son of a seventh son. What he finds is Tom (Ben Barnes), the son of seemingly normal farmers, and soon the two are on a crash course in defending the world from evil.

During the few moments when you can make out what Bridges is saying (seriously, it's like he's eating cornmeal mush the whole time), he's typically rattling off the names of one mythical creature or another, or telling Tom how useless he is. Truthfully, Tom is pretty lousy but he has the protection of a magical stone given to him by his mother (Olivia Williams), an object Malkin desperately seeks before the all-powerful Blood Moon arrives. Apparently she gets stronger or something when the Blood Moon arrives.

Seventh Son isn't exactly dull, which is a good thing, but there's nothing about it that stands out from the pack. The director is Sergei Bodrov, who may not be a household name but some will recognize his work from the excellent historical epic, Mongol. The rocky, sword 'n sorcery world he creates bares many of the same aesthetic touches until he slathers on so much CGI that it becomes unrecognizable. Every villainous character can transform into some other creature, and they transform often....even when it seems they don't really need to. Moore's character turns into a dragon...there are a few dragons, actually...while another turns into a bear and another a panther. It grows tiresome pretty quick, especially since it distracts from some solid character work from Bridges and Moore. Bridges seems to have taken his True Grit, Tron: Legacy, and The Big Lebowski characters and combined them into one memorable mess. Moore is the latest A-list actress to strut her stuff in a showy role as an evil witch. It's not her strongest suit going big in such a way but she makes the most out of a hammy role. Certainly she's more impressive than the bland Barnes or underwhelming Alicia Vikander, who plays a love interest for Tom and possibly a traitorous witch. She's overcome some bad roles before (most recently in Son of a Gun) with her raw sensuality and presence, but she has little to work with this time. Others who pop up for no apparent reason are Oscar winner Djimon Hounsou, Antje Traue, and Jason Scott Lee.

So will there be a chance to see the Seventh Son's further adventures? That's hard to predict, as said before. Who would have thought The Maze Runner would be a hit? Or that The Golden Compass would be a dud? Seventh Son seems to have more in common with the latter. While there's potential in what could come next, the first film is so flawed the franchise probably won't get that far.

 Rating: 2.5 out of 5