3/20/2014

Ryan Gosling to Produce, Possibly Direct and Star in Busby Berkeley Biopic


The name Busby Berkeley isn't one necessarily a household name anymore, but lovers of old Hollywood recognize it and the influence he has had on film. Berkeley was a prominent choreographer and director during Hollywood's golden era, known for his musicals and elaborate dance numbers seen in movies like 42nd Street, Hollywood Hotel ( known for the movie anthem "Hooray for Hollywood"), and many more. I would say some of the kaleidoscopic party scenes in Baz Luhrmann's The Great Gatsby show a little Berkeley influence. And now a biopic on Berkley is on the way, put together by none other than Ryan Gosling.

Gosling is set to produce an adaptation of Jeff Spivak's book, Buzz: The Life and Art of Busby Berkeley, which the actor could take the lead role in and possibly direct. It would be an interesting step forward for Gosling, coming off recently-wrapped directorial debut How to Catch a Monster.  This is still very early on and a decision may not be made until a writer comes aboard, but the prospect of Gosling on a project like this is certainly intriguing. Will he sing and dance, too? One can only hope.

Here's the book's official synopsis:

 Spivak’s well-written biography of the Hollywood choreographer and director, famous for the complicated, kaleidoscopic dances he choreographed for such films as 42nd Street and Gold Diggers of 1933, has scholarly depth yet is gracefully accessible. Spivak’s writing is especially strong when he discusses Berkeley’s trademark style—playful, visually arresting dances, packed with large numbers of chorus girls dancing in lockstep—and his myriad artistic influences, which include his mother, who was in the theater and silent movies; and a stint in the military, where he drilled soldiers to march in formation. In his prime, Berkeley worked extremely long hours like a man possessed, driving himself and his dancers to the brink of collapse and, in Berkeley’s case, beyond, into an alcoholism that eventually all but destroyed his career. Cineastes will enjoy Spivak’s close attention to Berkeley’s obsessively detailed planning and execution processes, and Spivak’s no-less-detailed descriptions of the final films. And for those who like movie gossip, there’s Berkeley’s wild, dysfunctional private life (which included parties, love affairs, and multiple marriages, all fueled by too much alcohol).