It's undeniable there are some surface similarities between
The Maze
Runner and others in the sci-fi fantasy genre; dystopian future, social
commentary, one mysteriously powerful kid who flips the balance of power. Been
there, done that, right? Not so; with its focus on a contentious male-dominated
society and a continuously thrilling mystery in the vein of
Lost (the
early seasons, anyway),
The Maze Runner is an impressive start to what
could be an even better franchise.

Based on James Dashner's bestselling books and directed by first-time feature
helmer Wes Ball, the film gets your heart racing right from the very first moment.
In pitch darkness we hear what sounds like gears of an elevator shaft, followed
by the introduction of Thomas (Dylan O'Brien of MTV's
Teen Wolf) as he
wakes up in a cramped freight with no memory how he got there.

"Rise and shine, greenie.” is the unwelcome greeting he receives from
Gally (Will Poulter), who muscles him out of the transport and into a giant
greenland known as the Glade. There are other boys in the same predicament;
stuck in this place with no idea how they arrived or how to leave. And it's a
veritable Rainbow Coalition of ethnicities, too, another nice change-of-pace.
The leader, Alby (Alm Ameen), takes charge of showing Thomas around, seconded
by Newt (
Game of Thrones' Thomas Sangster). The Gladers, as they call
themselves, have set up their own little community in this place, each with
their own jobs. The toughest job is also the most dangerous, belonging to the
Runners. The Glade is surrounded by a gigantic, shifting maze of which there
seems to be no escape. It's the Runners' job; led by the speedy and brave Minho
(Ki Hong Lee) to map the maze, but only if they can survive the Grievers,
spidery creatures that stalk the labyrinth.

The premise established, Ball and screenwriter Noah Oppenheimer (also a
writer on the
Divergent movies, coincidentally) set about building
tension amongst the group. This being a community built purely of testosterone,
conflict begins almost immediately upon Thomas' arrival. While everyone else is
content to merely endure their predicament, Thomas starts asking the questions
they've all tried to forget. His bending of the rules puts him at odds with
Gally, who fights to maintain the status quo. When the elevator arrives
unexpectedly and drops off Teresa (Kaya Scodelario), the first girl ever in the
Glade, it only signals more trouble on the horizon.

Refreshingly, the introduction of a female into the mix does not mean we're
treated to the typical "love triangle" nonsense. At no point is
Teresa torn between two guys, pining for their attention. The focus is solely
on getting out of the maze, figuring out why they're in the Glade, and what makes
Thomas so special. In one pulse-pounding sequence he gets trapped in the maze
along with Alby and Kinho, helping them do the unthinkable and survive
overnight. The Grievers, which look like the spiders from Lord of the Rings,
are a constant and dangerous threat. But the biggest danger is the maze itself,
made of giant concrete walls and metallic blades that transform at a moment's
notice. Ball built his career with the short film, Ruin, and the visual
expertise he showed on that is brought to brilliant display in his feature
debut.
The Maze Runner isn't flashy but Ball makes the Glade a believably
intimidating place, part
Lord of the Flies with a touch of
The Hunger Games.
Even though we know Thomas isn't taking a dirt nap any time soon, a good job is
done establishing the others so that when some of them die (and many do) we
feel the impact.

Those who have never seen MTV's
Teen Wolf may be caught unawares by
O'Brien but he brings an edge to the role of Thomas. He's surrounded by a cast
full of either unknowns or those taking on new challenges. Poulter, who is
still probably best known for playing nerdy wimps in The Chronicles of Narnia
and We're the Millers, bulks up and makes for a believable bully as Gally.
Ameen exudes confidence and will probably find he’s getting a lot of Hollywood
attention after this and the same goes for Hong Lee who has real presence
despite limited screen time. Scodelario, who was breathtakingly good in
Wuthering
Heights just a couple of years ago, doesn't get much to do as Teresa. It's
likely her role will take on greater importance future movies but for now she's
little more than an important background character. As far as veteran actors
go, Patricia Clarkson appears in brief flashbacks as Ava Paige, whose role is best
left for audiences to discover themselves. Unfortunately, her every appearance
signals the movie's one big weakness. It doesn't take long to figure out who
Paige is and what she has to do with the Glade. The revealing of answers could
have been handled much better, but to be fair that's a problem
The Maze
Runner's peers also have.
What works for
The Hunger Games, other than having a star like
Jennifer Lawrence, is the detailed building of a complex, believable world.
The
Maze Runner may only take place in one small corner of a much larger
apocalyptic society, but it's just as elaborate and full of great characters
that we'll want to see again in the sequel,
The Scorch Trials.
Rating: 3.5 out of 5