2/26/2017
Best Foreign Language Oscar Directors Issue Statement On U.S. "Climate Of Fanaticism"
Honestly, this is probably going to be the most political Academy Awards ever, and as someone who has to host an Oscars night party, I'm not happy about it. The night may stretch on through the wee hours of the morning with all of the anti-Trump speeches. And that will especially be the case with the Best Foreign Language Film category, where all of the nominated directors have made their thoughts known early.
As you know, The Salesman director Asghar Farhadi, along with the film's star Taraneh Alidoosti, have decided against attending the awards because of Trump's Muslim ban that he swears isn't a Muslim ban even though he called it a Muslim ban. Well, all of the directors in that category have issued a joint statement speaking out against “the climate of fanaticism and nationalism we see today in the US and in so many other countries, in parts of the population and, most unfortunately of all, among leading politicians”. The statement is signed by Farhadi, Toni Erdmann's Maren Ade, Martin Zandvliet, director of Denmark’s Land of Mine, Swedish director Hannes Holm of A Man Called Ove, plus Martin Butler and Bentley Dean, co-directors of Australia's Tanna.
And if The Salesman wins? Farhadi is sending two inspiring Iranian-Americans to stand in his place; Anousheh Ansari, world renowned engineer and the first Iranian space tourist, and Firouz Naderi, who worked for NASA as its director of Solar Systems Exploration. All the more reason why I think The Salesman will win tonight.
Read the full statement below:
On behalf of all nominees, we would like to express our unanimous and emphatic disapproval of the climate of fanaticism and nationalism we see today in the U.S. and in so many other countries, in parts of the population and, most unfortunately of all, among leading politicians.
The fear generated by dividing us into genders, colors, religions and sexualities as a means to justify violence destroys the things that we depend on — not only as artists but as humans: the diversity of cultures, the chance to be enriched by something seemingly “foreign” and the belief that human encounters can change us for the better. These divisive walls prevent people from experiencing something simple but fundamental: from discovering that we are all not so different.
So we’ve asked ourselves: What can cinema do? Although we don’t want to overestimate the power of movies, we do believe that no other medium can offer such deep insight into other people’s circumstances and transform feelings of unfamiliarity into curiosity, empathy and compassion — even for those we have been told are our enemies.
Regardless of who wins the Academy Award for Best Foreign Language Film on Sunday, we refuse to think in terms of borders. We believe there is no best country, best gender, best religion or best color. We want this award to stand as a symbol of the unity between nations and the freedom of the arts.
Human rights are not something you have to apply for. They simply exist — for everybody. For this reason, we dedicate this award to all the people, artists, journalists and activists who are working to foster unity and understanding, and who uphold freedom of expression and human dignity — values whose protection is now more important than ever. By dedicating the Oscar to them, we wish to express to them our deep respect and solidarity.
Martin Zandvliet – Land Of Mine (Denmark)
Hannes Holm – A Man Called Ove (Sweden)
Asghar Farhadi – The Salesman (Iran)
Maren Ade – Toni Erdmann (Germany)
Martin Butler, Bentley Dean – Tanna (Australia)