'Gravity' "Alternate" Scene Features a Superman Cameo

Alfonso Cuaron's incredible, multiple Oscar-winning film Gravity deserved all of the accolades it received, but it could have been a much shorter movie if there was one simple change, like adding Superman into the mix. A new video, obviously inspired by April Fool's Day, presents a very different opening to the deep space film, one that would change the entire course of the story. Actually, it would solve all of Sandra Bullock's problems pretty quickly if Superman was around to clean up the mess she was in.

Do yourself a favor and watch it all the way until the very end, too. That Clark Kent is such a stinker.

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2014 Oscars: 'Gravity' Wins 7, '12 Years A Slave' Makes History with Best Picture Win

And that's a wrap, true believers. The awards season came to close tonight with the 86th Academy Awards, and it was a show with a few surprises, a lot of lulls in energy, and a spotty G-rated performance by host Ellen Degeneres. Between the jokes about pizza, a slew of "hero" montages, and live musical acts there was just enough time for Alfonso Cuaron's Gravity to emerge the big winner.

Gravity entered the night tied with American Hustle with ten nominations, and Cuaron's deep space thriller dominated with seven total victories, including Best Director and most of the technical awards. On the other hand, American Hustle was left completely shut out, a rare feat for such a high-profile film with nominees in every major acting category.  Steve McQueen's 12 Years a Slave made history by taking home Best Picture, making it the first film from a black director to earn the prize. Lupita Nyong'o was victorious for Best Supporting Actress and John Ridley earned a nod for Best Adapted Screenplay. 

Completing an amazing career 180, Matthew McConaughey defeated a competitive group to win Best Actor for Dallas Buyers Club, while his co-star Jared Leto won Best Supporting Actor. 2004's Mystic River was the last time Best Actor and Best Supporting Actor victors came from the same film.  Cate Blanchett did as expected and won Best Actress for Blue Jasmine, while there was a bit of a surprise when Spike Jonze earned Best Original Screenplay for Her.  Baz Luhrmann's The Great Gatsby also performed well, winning two Oscars for Costume and Production Design.

The full list of winners is below:

Best Picture: "12 Years a Slave."

Actor: Matthew McConaughey, "Dallas Buyers Club."

Actress: Cate Blanchett, "Blue Jasmine."

Supporting Actor: Jared Leto, "Dallas Buyers Club."

Supporting Actress: Lupita Nyong'o, "12 Years a Slave."

Directing: Alfonso Cuaron, "Gravity."

Foreign Language Film: "The Great Beauty," Italy.

Adapted Screenplay: John Ridley, "12 Years a Slave."

Original Screenplay: Spike Jonze, "Her."

Animated Feature Film: "Frozen."

Production Design: "The Great Gatsby."

Cinematography: "Gravity."

Sound Mixing: "Gravity."

Sound Editing: "Gravity."

Original Score: "Gravity," Steven Price.

Original Song: "Let It Go" from "Frozen."

Costume: "The Great Gatsby."

Makeup and Hairstyling: "Dallas Buyers Club."

Animated Short Film: "Mr. Hublot."

Documentary Feature: "20 Feet from Stardom."

Documentary (short subject): "The Lady in Number 6: Music Saved My Life."

Film Editing: "Gravity."

Live Action Short Film: "Helium."

Visual Effects: "Gravity."

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2014 Oscar Predictions: 'Gravity', 'American Hustle', '12 Years A Slave' Vie for Gold

In just a few short days it'll be the 86th Academy Awards, when Hollywood will (mostly) put all of the lobbying and horse-trading behind them and honor the best movies of the prior year. Actually, they'll honor the best movies that had the best marketing campaigns and threw the best parties with the most awesome swag, but that's a discussion for another day. This year we're basically looking at a three film race to take everything: American Hustle, Gravity, and 12 Years A Slave. They've cleaned up on the overlong awards drive leading up to this point, and there's little reason to think that will end now. A few surprises could bubble up in the acting categories, though, thanks to Matthew McConaughey who seems especially tough to keep down.  The same can't be said for Robert Redford, Emma Thompson, or Tom Hanks, who were expected to be contenders but couldn't quite cross the finish line.

Enough jabbering. Here are my picks for who will win, the dark horse, who should win, and in some cases what was criminally left out of the discussion. Feel free to come back here when all is said and done to mock my wild misfires, of which there usually many.

Best Picture
Well, here's where everything will come to a head. A few weeks ago one would have said this was Gravity or 12 Years a Slave's award to win, but the late release of American Hustle was a brilliant bit of chess. Ignore those other six movies on the list; they're only here to bump up Blu-Ray sales. The popular theory is that 12 Years a Slave will win here, with Alfonso Cuaron getting his due in the Best Director category. But I say screw that; Cuaron takes both in a shocker.

Who Will Win: Gravity
Who Should Win: 12 Years A Slave
The Dark Horse: American Hustle
Shoulda Been a Contender: Short Term 12

Best Director
What Steve McQueen was able to accomplish with 12 Years a Slave is truly extraordinary, but nothing compares to the groundbreaking technical achievements of Alfonso Cuaron's Gravity. And let's face it, most people would rather feel like they're in space than at the end of Michael Fassbender's whip. Regardless of who takes it they'll be making history, either as the first African-American or Latino Best Director winner. Again, the only other nominee with any glimmer of hope is David O. Russell for American Hustle, but that was more of an actors' showcase.

Who Will and Should Win: Alfonso Cuaron, Gravity
The Dark Horse: David O. Russell, American Hustle
Shoulda Been a Contender:  Spike Jonze, Her

Best Actor
Wow, no other category is quite as competitive as the Best Actor field, so much so that Tom Hanks, Robert Redford, Joaquin Phoenix, Michael B. Jordan and Oscar Isaac couldn't get in despite many finding them deserving. A few months ago this seemed like a shoe-in for Chiwetel Ejiofor's powerful turn in 12 Years a Slave, but after a string of victories it's looking like Matthew McConaughey may have the edge for Dallas Buyers Club. Matthew McConaughey, Oscar-winner. Yeah, wrap your head around that one. Still, I think Ejiofor edges him out, but just barely. A lot of love out there for Bruce Dern and Nebraska but a long career does not a great actor make, in my opinion. Christian Bale's hair and gut were impressive, but American Hustle belonged to the ladies. Leonardo DiCaprio dropped a ton of F-Bombs in what I think was his finest performance in a string of great ones, and any other year he would easily take it.

Who Will and Should Win: Chiwetel Ejiofor, 12 Years a Slave
The Dark Horse: Bruce Dern, Nebraska
Shoulda Been a Contender: Robert Redford, All is Lost

Best Actress
Probably by default or something, Cate Blanchett seems to be the favorite here for her vastly overrated, modulation-free performance in Blue Jasmine. Despite the presence of Meryl Streep in the mediocre August: Osage County, the only one who may stir things up is Amy Adams for American Hustle. Like Blanchett, she was the best thing about the film she was in, however the difference is that American Hustle is a good film with a tremendous cast, making Adams' performance all the more impressive. Blue Jasmine is a subpar effort stashed with stand-up comedians from Woody Allen, who just so happens to be embroiled in an ugly controversy, the kind of controversy that could keep voters from supporting his film.

Who Will Win: Cate Blanchett, Blue Jasmine
Who Should Win: Amy Adams, American Hustle
Shoulda Been a Contender: Brie Larson, Short Term 12

Best Supporting Actor
If there's one sure-fire lead pipe lock it's that Jared Leto is walking away with some gold this weekend. He's dominated the award season for his transformative performance in Dallas Buyers Club, with the only losses coming when he wasn't even nominated, like at the BAFTAs. If Matthew McConaughey can also sure a win it'll be the first time since Mystic River that Best Actor and Best Supporting Actor victors came from the same movie. There's a lot of love out there for Jonah Hill to get the win he didn't get for Moneyball, and Barkhad Abdi's debut performance in Captain Phillips is a great Cinderella story, but neither has a chance this year.

Who Will and Should Win: Jared Leto, Dallas Buyers Club
The Dark Horse: Jonah Hill, The Wolf of Wall Street
Shoulda Been a Contender: James Franco, Spring Breakers

Best Supporting Actress
Ding ding ding! In this corner we have Lupita Nyong'o, the Kenyan beauty who turned heads with her heartbreaking performance in 12 Years a Slave, her first major acting role. And in this corner is the defending champion and Hollywood darling, Jennifer Lawrence, the firecracker of American Hustle. Really, there are no other contenders in this fight, and the momentum seems to be behind Lawrence after big wins at the Golden Globes and BAFTAs. It's probably hers to lose, but the campaign for Nyong'o has been fierce and persistent. She's been in front of every darn camera on the west coast and attended every awards ceremony big or small, and that definitely has an effect. This one is almost too close to call, but my money is on Lawrence going 2-for-2.

Who Will Win: Jennifer Lawrence, American Hustle
Who Should Win: Lupita Nyong'o, 12 Years a Slave
Shoulda Been a Contender: Octavia Spencer or Melonie Diaz, Fruitvale Station

Best Animated Feature
The world loves legendary animator, Hayao Miyazaki, and his sterling biopic The Wind Rises has more than enough fans to drown out any detractors, but this is Disney's award to win for the Frozen. A beloved smash at the box office with a soundtrack that has parents and kids singing "Let it Go" at the top of their lungs, Frozen would be Disney Animation's first win in this category since...ever. Kind of crazy, huh?

Who Will Win: Frozen
Who Should Win: The Wind Rises

Best Adapted Screenplay
Who Will Win: 12 Years a Slave, John Ridley
Who Should Win: The Wolf of Wall Street, Terence Winter
The Dark Horse: Before Midnight, Richard Linklater, Julie Delpy, Ethan Hawke
Shoulda Been a Contender: Short Term 12, Destin Daniel Cretton

Best Original Screenplay
Who Will Win: American Hustle, Eric Warren Singer and David O. Russell
Who Should Win:  Her, Spike Jonze

Best Foreign Language Film
Who Will Win: The Broken Circle Breakdown
Who Should Win: The Hunt
Shoulda Been a Contender: The Past

Best Documentary Feature
Who Will Win: The Square
Who Should win: The Act of Killing
Shoulda Been a Contender: Stories We Tell

Best Cinematography
Who Will and Should Win: Gravity, Emmanuel Lubezki
The Dark Horse: Inside Llewyn Davis, Bruno Delbonnel
Shoulda Been a Contender: 12 Years a Slave, Sean Bobbitt

Best Production Design
Who Will Win: Gravity
Who Should Win: The Great Gatsby

Best Costume Design
Who Will Win: American Hustle
Who Should Win: The Great Gatsby

Best Film Editing
Who Will and Should Win: Gravity

Best Make-Up & Hairstyling
Who Will Win: Dallas Buyers Club
The Dark Horse: Jackass Presents: Bad Grandpa

Best Original Score
Who Will Win: Gravity, Steven Price
Who Should Win: Her,  William Butler and Owen Pallett
Shoulda Been a Contender: Short Term 12, Joel P. West

Best Original Song
Who Will Win: "Let It Go, Frozen
Who Should Win: "Happy" by Pharrell Williams, Despicable Me 2

Best Sound Editing
Who Will Win: Gravity

Best Sound Mixing
Who Will Win: Gravity
Shoulda Been a Contender: Rush

Best Visual Effects
Who Will and Should Win: Gravity

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New on DVD & Blu-ray: 'Thor: The Dark World', 'Gravity', 'Nebraska'

Thor: The Dark World - Thor is back, sans the Avengers, and is trying to stop a new threat that has the ability to overpower and plunge the world into darkness. In between all this, he gets back with Jane, teams up with Loki on purpose, and of course, tries to save the world in all his blonde, hammer-holding, cape-blowing glory. The film stars Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Idris Elba, Jaime Alexander, and Stellan Skarsgard. 

BUY NOW!

Gravity - I'm sure everyone had a dream of becoming an astronaut at some point in their lives. Well, Alfonso Cuaron has probably shattered the dreams of many when he made this film, but regardless, Cuaron still makes space that much more beautiful, mysterious, and dark. Ultimately, the movie is the story of survival, perseverance in fear, and humanity, with plenty of suspenseful moments packed throughout. The film stars Sandra Bullock and George Clooney. 

BUY NOW!

Nebraska - The lottery is a big deal for aging and confused Woody. He is set on making the trip from Montana to Nebraska just so he can claim the $1 million mega sweepstakes marketing prize. You know, the ones you usually get in the mail and throw away because you know there's a catch and it's not real. Instead of trying to prevent, because he's tried, David takes his dad to Nebraska, but not before coming to terms with certain things about their lives first. The film stars Bruce Dern, Will Forte, June Squibb, Bob Odenkirk, and Stacy Keach.

BUY NOW! 

Blue is the Warmest Color - The winner of the Palme d'Or at the 2013 Cannes Film Festival, La vie d'Adele (the title in French) follows Adele as she explores her sexuality and embarks on a relationship with the free-spirited Emma. The relationship changes Adele as she explores and learns and lives. The film stars Adele Exarchopoulos and Lea Seydoux. 

BUY NOW!  

Harry Potter Hogwarts Collection (Amazon Exclusive) - This 31-disc collection contains all eight Harry Potter movies on Blu-ray, DVD and UltraViolet and more than 45 hours of special features including the Creating the World of Harry Potter documentary series on Blu-ray. What better way to celebrate your love of all things Harry Potter than with this extra special collection! 

BUY NOW!

Mr. Nobody - The movie is about life's choices. How one different decision can alter an entire lifetime as told by 118-year old Nemo, who recounts his tale to a reporter at the three most important stages in his life and possible alterations to his life. The film stars Diane Kruger, Jared Leto, and Sarah Polley.

BUY NOW!

Swan Princess: A Royal Family Tale - The Forbidden Arts entered Earth from the underworld, intent on destroying all of its rivals for power. It learned of a legend that the Swan Princess will bring an age of goodness and evil will lose its power in her presence, but she can be defeated by a magical stone. Princess Odette and Prince Derek adopt a young girl named Alise and must save her when she's kidnapped. 

BUY NOW!

Twice Born - A single mother brings her son to Sarajevo years after his father died in the Bosnian war. The film is shrouded in mystery and tragedy in the wake of some unanswered questions of paternity. The film stars Penelope Cruz, Emile Hirsch, and Jane Birkin.

BUY NOW! 

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Watch Kids Say the Darndest Things while Reenacting Best Picture Nominees

Forget all the lobbying and schmoozing that come with the Academy Awards, it's important to remember that these movies are supposed to be fun. Right? Ok, maybe not in the case of 12 Years a Slave, but even the grimness of Steve McQueen's historical drama can lighten the mood when performed by children. Cinefix have gathered up a bunch of kids, complete with oversized clothes, fake mustaches, and great wigs, to reenact scenes from this year's Best Picture nominees. So you can imagine how they look in vintage American Hustle gear, or giving a childish take on The Wolf of Wall Street. It's all cute and hilarious stuff, and the 12 Years A Slave bit is pretty clever, too. Frankly, I found the most offensive one to be Captain Phillips with a little boy waving a gun around. It's obviously fake but couldn't they have used a NERF or something?

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'Gravity' Big Winner at 2014 BAFTAs; '12 Years A Slave' Wins Best Film

The last big awards ceremony before the Academy Awards, the BAFTAs have been an increasingly reliable indicator of how the Oscars will turn out. If that holds true this year then Alfonso Cuaron's Gravity is in line to take a lot of golden statues in a couple of weeks. The sci-fi thriller was the big winner of the night, taking six awards including Best British Film (a controversial nomination, to say the least), Best Director, Best Cinematography, and most of the technical awards. Steve McQueen's 12 Years A Slave won Best Film, while Chiwetel Ejiofor took home Best Actor.

Meanwhile, in what may be a sign of things to come, Jennifer Lawrence's performance in American Hustle beat out Lupita Nyong'o for Best Supporting Actress. Captain Phillips' Barkhad Abdi won Best Supporting Actor, and Cate Blanchett, the clear favorite in the Best Actress category, won for Blue Jasmine.

You can find the full list of winners below:

Best Picture – 12 Years a Slave
Best Director – Alfonso Cuarón, Gravity
Best Actor – Chiwetel Ejiofor, 12 Years a Slave
Best Actress – Cate Blanchett, Blue Jasmine
Best Supporting Actor – Barkhad Abdi, Captain Phillips
Best Supporting Actress – Jennifer Lawrence, American Hustle
Best Adapted Screenplay – Philomena, Steve Coogan and Jeff Pope
Best Original Screenplay – American Hustle, Eric Warren Singer and David O. Russell
Best Cinematography – Gravity, Emmanuel Lubezki
Best Documentary – The Act of Killing
Best Animated Feature – Frozen
Best Music – Gravity, Steven Price
Best British Film – Gravity
Best Editing – Rush
Best Production Design – The Great Gatsby
Best Costume Design – The Great Gatsby
Best Sound – Gravity
Best Visual FX - Gravity
Best Hair & Make – American Hustle
Best British Short, Live Action – Room 8
Best British Short, Animation – Sleeping with the Fishes
Outstanding British Debut – Kelly & Victor
BAFTA Rising Star – Will Poulter

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2014 Oscar Nominations: 'American Hustle' and 'Gravity' Lead with 10 Each

Today is the day that every filmmaker, actor, producer, and studio rep has been building towards. It's the day Hollywood wakes up early and reveals the nominees for the 2014 Academy Awards, and in one of the most crowded fields in recent memory there were a number of surprises, shocks, and snubs.

David O. Russell's political caper American Hustle led with 10 nominations, surpassing the 8 he earned for Silver Linings Playbook just a year ago. Alfonso Cuaron's Gravity also earned 10, followed closely behind by 12 Years a Slave with 9.

Surprisingly, Tom Hanks was left out of the Best Actor race for Captain Phillips, when he had seemed like a shoe-in for months. That's probably due to the late surge by Leonardo DiCaprio in The Wolf of Wall Street. Saving Mr. Banks was left on the outside looking as it failed to make the final Best Picture field, and star Emma Thompson missed the Best Actress cut in another surprising move. The Coen Brothers' folk music drama Inside Llewyn Davis vastly underperformed, even in the musical categories where it was expected to do wwell. Sentimental pick James Gandolfini did not earn a nomination for Enough Said, as some expected, with Jonah Hill likely taking his place for The Wolf of Wall Street.

The Academy Awards will be held on March 2nd. The full list of nominations are below.

Best motion picture of the year
“American Hustle” Charles Roven, Richard Suckle, Megan Ellison and Jonathan Gordon, Producers
“Captain Phillips” Scott Rudin, Dana Brunetti and Michael De Luca, Producers
“Dallas Buyers Club” Robbie Brenner and Rachel Winter, Producers
“Gravity” Alfonso Cuarón and David Heyman, Producers
“Her” Megan Ellison, Spike Jonze and Vincent Landay, Producers
“Nebraska” Albert Berger and Ron Yerxa, Producers
“Philomena” Gabrielle Tana, Steve Coogan and Tracey Seaward, Producers
“12 Years a Slave” Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen and Anthony Katagas, Producers
“The Wolf of Wall Street” Nominees to be determined

Performance by an actor in a leading role
Christian Bale in “American Hustle”
Bruce Dern in “Nebraska”
Leonardo DiCaprio in “The Wolf of Wall Street”
Chiwetel Ejiofor in “12 Years a Slave”
Matthew McConaughey in “Dallas Buyers Club”

Performance by an actor in a supporting role
Barkhad Abdi in “Captain Phillips”
Bradley Cooper in “American Hustle”
Michael Fassbender in “12 Years a Slave”
Jonah Hill in “The Wolf of Wall Street”
Jared Leto in “Dallas Buyers Club”

Performance by an actress in a leading role
Amy Adams in “American Hustle”
Cate Blanchett in “Blue Jasmine”
Sandra Bullock in “Gravity”
Judi Dench in “Philomena”
Meryl Streep in “August: Osage County”

Performance by an actress in a supporting role
Sally Hawkins in “Blue Jasmine”
Jennifer Lawrence in “American Hustle”
Lupita Nyong’o in “12 Years a Slave”
Julia Roberts in “August: Osage County”
June Squibb in “Nebraska”

Best animated feature film of the year
“The Croods” Chris Sanders, Kirk DeMicco and Kristine Belson
“Despicable Me 2” Chris Renaud, Pierre Coffin and Chris Meledandri
“Ernest & Celestine” Benjamin Renner and Didier Brunner
“Frozen” Chris Buck, Jennifer Lee and Peter Del Vecho
“The Wind Rises” Hayao Miyazaki and Toshio Suzuki

Achievement in cinematography
“The Grandmaster” Philippe Le Sourd
“Gravity” Emmanuel Lubezki
“Inside Llewyn Davis” Bruno Delbonnel
“Nebraska” Phedon Papamichael
“Prisoners” Roger A. Deakins

Achievement in costume design
“American Hustle” Michael Wilkinson
“The Grandmaster” William Chang Suk Ping
“The Great Gatsby” Catherine Martin
“The Invisible Woman” Michael O’Connor
“12 Years a Slave” Patricia Norris

Achievement in directing
“American Hustle” David O. Russell
“Gravity” Alfonso Cuarón
“Nebraska” Alexander Payne
“12 Years a Slave” Steve McQueen
“The Wolf of Wall Street” Martin Scorsese

Best documentary feature
“The Act of Killing”Joshua Oppenheimer and Signe Byrge Sørensen
“Cutie and the Boxer” Zachary Heinzerling and Lydia Dean Pilcher
“Dirty Wars” Richard Rowley and Jeremy Scahill
“The Square” Jehane Noujaim and Karim Amer
“20 Feet from Stardom” Nominees to be determined

Best documentary short subject
“CaveDigger” Jeffrey Karoff
“Facing Fear” Jason Cohen
“Karama Has No Walls” Sara Ishaq
“The Lady in Number 6: Music Saved My Life” Malcolm Clarke and Nicholas Reed
“Prison Terminal: The Last Days of Private Jack Hall” Edgar Barens

Achievement in film editing
“American Hustle” Jay Cassidy, Crispin Struthers and Alan Baumgarten
“Captain Phillips” Christopher Rouse
“Dallas Buyers Club” John Mac McMurphy and Martin Pensa
“Gravity” Alfonso Cuarón and Mark Sanger
“12 Years a Slave” Joe Walker

Best foreign language film of the year
“The Broken Circle Breakdown” Belgium
“The Great Beauty” Italy
“The Hunt” Denmark
“The Missing Picture” Cambodia
“Omar” Palestine

Achievement in makeup and hairstyling
“Dallas Buyers Club” Adruitha Lee and Robin Mathews
“Jackass Presents: Bad Grandpa” Stephen Prouty
“The Lone Ranger” Joel Harlow and Gloria Pasqua-Casny

Achievement in music written for motion pictures (Original score)
“The Book Thief” John Williams
“Gravity” Steven Price
“Her” William Butler and Owen Pallett
“Philomena” Alexandre Desplat
“Saving Mr. Banks” Thomas Newman

Achievement in music written for motion pictures (Original song)
“Alone Yet Not Alone” from “Alone Yet Not Alone”
Music by Bruce Broughton; Lyric by Dennis Spiegel
“Happy” from “Despicable Me 2”
Music and Lyric by Pharrell Williams
“Let It Go” from “Frozen”
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez
“The Moon Song” from “Her”
Music by Karen O; Lyric by Karen O and Spike Jonze
“Ordinary Love” from “Mandela: Long Walk to Freedom”
Music by Paul Hewson, Dave Evans, Adam Clayton and Larry Mullen; Lyric by Paul Hewson

Achievement in production design
“American Hustle” Production Design: Judy Becker; Set Decoration: Heather Loeffler
“Gravity” Production Design: Andy Nicholson; Set Decoration: Rosie Goodwin and Joanne Woollard
“The Great Gatsby” Production Design: Catherine Martin; Set Decoration: Beverley Dunn
“Her” Production Design: K.K. Barrett; Set Decoration: Gene Serdena
“12 Years a Slave” Production Design: Adam Stockhausen; Set Decoration: Alice Baker

Best animated short film
“Feral” Daniel Sousa and Dan Golden
“Get a Horse!” Lauren MacMullan and Dorothy McKim
“Mr. Hublot” Laurent Witz and Alexandre Espigares
“Possessions” Shuhei Morita
“Room on the Broom” Max Lang and Jan Lachauer

Best live action short film
“Aquel No Era Yo (That Wasn’t Me)” Esteban Crespo
“Avant Que De Tout Perdre (Just before Losing Everything)” Xavier Legrand and Alexandre Gavras
“Helium” Anders Walter and Kim Magnusson
“Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)” Selma Vilhunen and Kirsikka Saari
“The Voorman Problem” Mark Gill and Baldwin Li

Achievement in sound editing
“All Is Lost” Steve Boeddeker and Richard Hymns
“Captain Phillips” Oliver Tarney
“Gravity” Glenn Freemantle
“The Hobbit: The Desolation of Smaug” Brent Burge
“Lone Survivor” Wylie Stateman

Achievement in sound mixing
“Captain Phillips” Chris Burdon, Mark Taylor, Mike Prestwood Smith and Chris Munro
“Gravity” Skip Lievsay, Niv Adiri, Christopher Benstead and Chris Munro
“The Hobbit: The Desolation of Smaug” Christopher Boyes, Michael Hedges, Michael Semanick and Tony Johnson
“Inside Llewyn Davis” Skip Lievsay, Greg Orloff and Peter F. Kurland
“Lone Survivor” Andy Koyama, Beau Borders and David Brownlow

Achievement in visual effects
“Gravity” Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould
“The Hobbit: The Desolation of Smaug” Joe Letteri, Eric Saindon, David Clayton and Eric Reynolds
“Iron Man 3” Christopher Townsend, Guy Williams, Erik Nash and Dan Sudick
“The Lone Ranger” Tim Alexander, Gary Brozenich, Edson Williams and John Frazier
“Star Trek Into Darkness” Roger Guyett, Patrick Tubach, Ben Grossmann and Burt Dalton

Adapted screenplay
“Before Midnight” Written by Richard Linklater, Julie Delpy, Ethan Hawke
“Captain Phillips” Screenplay by Billy Ray
“Philomena” Screenplay by Steve Coogan and Jeff Pope
“12 Years a Slave” Screenplay by John Ridley
“The Wolf of Wall Street” Screenplay by Terence Winter

Original screenplay
“American Hustle” Written by Eric Warren Singer and David O. Russell
“Blue Jasmine” Written by Woody Allen
“Dallas Buyers Club” Written by Craig Borten & Melisa Wallack
“Her” Written by Spike Jonze
“Nebraska” Written by Bob Nelson

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'Gravity' Leads 2014 BAFTA Nominations

The awards season rolls along, and before the Academy Awards, the British Academy of Film and Television Arts have revealed the 2014 BAFTA nominations, and there were a couple of decisions that may have future implications. Alfonso Cuaron's Gravity leads the field with eleven nominations, with American Hustle and 12 Years A Slave with ten apiece. Not surprisingly, Brit favorite Philomena did well with five nominations, and of course Judi Dench turned up in the Best Actress category. Surprises? Robert Redford and Matthew McConaughey totally missing out for Best Actor, and Meryl Streep not getting in for Best Actress in August: Osage County.

The full list of nominees are below.

BEST FILM
12 YEARS A SLAVE Anthony Katagas, Brad Pitt, Dede Gardner, Jeremy Kleiner, Steve McQueen
AMERICAN HUSTLE Charles Roven, Richard Suckle, Megan Ellison, Jonathan Gordon
CAPTAIN PHILLIPS Scott Rudin, Dana Brunetti, Michael De Luca
GRAVITY Alfonso Cuarón, David Heyman
PHILOMENA Gabrielle Tana, Steve Coogan, Tracey Seaward

OUTSTANDING BRITISH FILM
GRAVITY Alfonso Cuarón, David Heyman, Jonás Cuarón
MANDELA: LONG WALK TO FREEDOM Justin Chadwick, Anant Singh, David M. Thompson, William Nicholson
PHILOMENA Stephen Frears, Gabrielle Tana, Steve Coogan, Tracey Seaward, Jeff Pope
RUSH Ron Howard, Andrew Eaton, Peter Morgan
SAVING MR. BANKS John Lee Hancock, Alison Owen, Ian Collie, Philip Steuer, Kelly Marcel, Sue Smith
THE SELFISH GIANT: Clio Barnard, Tracy O’Riordan

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
COLIN CARBERRY (Writer), GLENN PATTERSON (Writer) Good Vibrations
KELLY MARCEL (Writer) Saving Mr. Banks
KIERAN EVANS (Director/Writer) Kelly + Victor
PAUL WRIGHT (Director/Writer), POLLY STOKES (Producer) For Those in Peril
SCOTT GRAHAM (Director/Writer) Shell

FILM NOT IN THE ENGLISH LANGUAGE
THE ACT OF KILLING Joshua Oppenheimer, Signe Byrge Sørensen
BLUE IS THE WARMEST COLOUR Abdellatif Kechiche, Brahim Chioua, Vincent Maraval
THE GREAT BEAUTY Paolo Sorrentino, Nicola Giuliano, Francesca Cima
METRO MANILA Sean Ellis, Mathilde Charpentier
WADJDA Haifaa Al-Mansour, Gerhard Meixner, Roman Paul

DOCUMENTARY
THE ACT OF KILLING Joshua Oppenheimer
THE ARMSTRONG LIE Alex Gibney
BLACKFISH Gabriela Cowperthwaite
TIM’S VERMEER Teller, Penn Jillette, Farley Ziegler
WE STEAL SECRETS: THE STORY OF WIKILEAKS Alex Gibney

ANIMATED FILM
DESPICABLE ME 2 Chris Renaud, Pierre Coffin
FROZEN Chris Buck, Jennifer Lee
MONSTERS UNIVERSITY Dan Scanlon

DIRECTOR
12 YEARS A SLAVE Steve McQueen
AMERICAN HUSTLE David O. Russell
CAPTAIN PHILLIPS Paul Greengrass
GRAVITY Alfonso Cuarón
THE WOLF OF WALL STREET Martin Scorsese

ORIGINAL SCREENPLAY
AMERICAN HUSTLE Eric Warren Singer, David O. Russell
BLUE JASMINE Woody Allen
GRAVITY Alfonso Cuarón, Jonás Cuarón
INSIDE LLEWYN DAVIS Joel Coen, Ethan Coen
NEBRASKA Bob Nelson

ADAPTED SCREENPLAY
12 YEARS A SLAVE John Ridley
BEHIND THE CANDELABRA Richard LaGravenese
CAPTAIN PHILLIPS Billy Ray
PHILOMENA Steve Coogan, Jeff Pope
THE WOLF OF WALL STREET Terence Winter

LEADING ACTOR
BRUCE DERN Nebraska
CHIWETEL EJIOFOR 12 Years a Slave
CHRISTIAN BALE American Hustle
LEONARDO DICAPRIO The Wolf of Wall Street
TOM HANKS Captain Phillips

LEADING ACTRESS
AMY ADAMS American Hustle
CATE BLANCHETT Blue Jasmine
EMMA THOMPSON Saving Mr. Banks
JUDI DENCH Philomena
SANDRA BULLOCK Gravity

SUPPORTING ACTOR
BARKHAD ABDI Captain Phillips
BRADLEY COOPER American Hustle
DANIEL BRÜHL Rush
MATT DAMON Behind the Candelabra
MICHAEL FASSBENDER 12 Years a Slave

SUPPORTING ACTRESS
JENNIFER LAWRENCE American Hustle
JULIA ROBERTS August: Osage County
LUPITA NYONG’O 12 Years a Slave
OPRAH WINFREY The Butler
SALLY HAWKINS Blue Jasmine

ORIGINAL MUSIC
12 YEARS A SLAVE Hans Zimmer
THE BOOK THIEF John Williams
CAPTAIN PHILLIPS Henry Jackman
GRAVITY Steven Price
SAVING MR. BANKS Thomas Newman

CINEMATOGRAPHY
12 YEARS A SLAVE Sean Bobbitt
CAPTAIN PHILLIPS Barry Ackroyd
GRAVITY Emmanuel Lubezki
INSIDE LLEWYN DAVIS Bruno Delbonnel
NEBRASKA Phedon Papamichael

EDITING
12 YEARS A SLAVE Joe Walker
CAPTAIN PHILLIPS Christopher Rouse
GRAVITY Alfonso Cuarón, Mark Sanger
RUSH Dan Hanley, Mike Hill
THE WOLF OF WALL STREET Thelma Schoonmaker

PRODUCTION DESIGN
12 YEARS A SLAVE Adam Stockhausen, Alice Baker
AMERICAN HUSTLE Judy Becker, Heather Loeffler
BEHIND THE CANDELABRA Howard Cummings
GRAVITY Andy Nicholson, Rosie Goodwin, Joanne Woodlard
THE GREAT GATSBY Catherine Martin, Beverley Dunn

COSTUME DESIGN
AMERICAN HUSTLE Michael Wilkinson
BEHIND THE CANDELABRA Ellen Mirojnick
THE GREAT GATSBY Catherine Martin
THE INVISIBLE WOMAN Michael O’Connor
SAVING MR. BANKS Daniel Orlandi

MAKE UP & HAIR
AMERICAN HUSTLE Evelyne Noraz, Lori McCoy-Bell
BEHIND THE CANDELABRA Kate Biscoe, Marie Larkin
THE BUTLER Debra Denson, Beverly Jo Pryor, Candace Neal
THE GREAT GATSBY Maurizio Silvi, Kerry Warn
THE HOBBIT: THE DESOLATION OF SMAUG Peter Swords King, Richard Taylor, Rick Findlater

SOUND
ALL IS LOST Richard Hymns, Steve Boeddeker, Brandon Proctor, Micah Bloomberg, Gillian Arthur
CAPTAIN PHILLIPS Chris Burdon, Mark Taylor, Mike Prestwood Smith, Chris Munro, Oliver Tarney
GRAVITY Glenn Freemantle, Skip Lievsay, Christopher Benstead, Niv Adiri, Chris Munro
INSIDE LLEWYN DAVIS Peter F. Kurland, Skip Lievsay, Greg Orloff
RUSH Danny Hambrook, Martin Steyer, Stefan Korte, Markus Stemler, Frank Kruse

SPECIAL VISUAL EFFECTS
GRAVITY Tim Webber, Chris Lawrence, David Shirk, Neil Corbould, Nikki Penny
THE HOBBIT: THE DESOLATION OF SMAUG Joe Letteri, Eric Saindon, David Clayton, Eric Reynolds
IRON MAN 3 Bryan Grill, Christopher Townsend, Guy Williams, Dan Sudick
PACIFIC RIM Hal Hickel, John Knoll, Lindy De Quattro, Nigel Sumner
STAR TREK INTO DARKNESS Ben Grossmann, Burt Dalton, Patrick Tubach, Roger Guyett

BRITISH SHORT ANIMATION
EVERYTHING I CAN SEE FROM HERE Bjorn-Erik Aschim, Friederike Nicolaus, Sam Taylor
I AM TOM MOODY Ainslie Henderson
SLEEPING WITH THE FISHES James Walker, Sarah Woolner, Yousif Al-Khalifa

BRITISH SHORT FILM
ISLAND QUEEN Ben Mallaby, Nat Luurtsema
KEEPING UP WITH THE JONESES Megan Rubens, Michael Pearce, Selina Lim
ORBIT EVER AFTER Chee-Lan Chan, Jamie Stone, Len Rowles
ROOM 8 James W. Griffiths, Sophie Venner
SEA VIEW Anna Duffield, Jane Linfoot

THE EE RISING STAR AWARD (voted for by the public)
DANE DEHAAN
GEORGE MACKAY
LUPITA NYONG’O
WILL POULTER
LÉA SEYDOUX

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The PDC Staff Picks the Most Underrated/Overrated Movies of 2013

To call something overrated or underrated is usually pretty controversial, but especially when you're a critic. What it tends to mean is that you're battling back against the popular opinion of learned colleagues, and those discussions can get pretty heated. It's not as simple as saying "Hey I like this better", what you're saying is a certain movie doesn't deserve the respect it's getting, or another is deserving of more than your colleagues are willing to give. There's a little bit of personal criticism that comes with it that can't really be avoided.

We here at the Punch Drunk Critics engage in our share of disagreements (Julian is dead wrong about Man of Steel and he knows it!!) in which one of us has had to face an uphill climb to back or rip a certain film we feel strongly about. And so we got together to list the movies we felt were underrated or overrated during 2013, and as usual it turned out pretty interesting. Enjoy. And no, Anchorman 2 isn't on anybody's list, but it probably should be.

Roxana Hadadi

UNDERRATED

Teens in 2013: The Kings of Summer, The Bling Ring, The Spectacular Now

When did everyone stop caring about movies starring teenagers, unless they were Twilight or The Hunger Games? The ‘80s and ‘90s were full of great coming-of-age films, and yet it feels like the 2000s have been shortchanged when it comes to the genre—which was especially frustrating when 2013 saw the release of some great teen-centric films that were slapped with R ratings, isolating them from the younger audiences who really should have been seeing them. No surprise, then, that the three movies were promptly forgotten by moviegoers. The summer releases of The Kings of Summer, The Bling Ring, and The Spectacular Now went largely unnoticed by the general public—bringing in about $1.5 million, $19 million, and $6.8 million, respectively—which is frustrating given how well-acted, emotionally true, and affecting they all were. If Emma Watson licking her lips and dancing seductively in a club couldn’t get people out for Sofia Coppola’s “Bling Ring,” then The Kings of Summer (about three boys who rebel against their parents and run away) or The Spectacular Now (about young love between a teen alcoholic and his too-kind-for-her-own-good classmate) didn’t have a chance. And yet these are movies that you need to see, to remember how those ages felt and to wrap yourself in the yearning and desire and freedom that went along with adolescence. We shouldn’t forget those feelings, or these films.

OVERRATED

Gravity

Sure, Alfonso Cuarón’s film starring Sandra Bullock and George Clooney was undeniably beautiful—to look at. But can we all admit that the story was lacking; the dialogue sometimes clunky and frustrating; and the final plot twist obvious and expected? Bullock’s and Clooney’s performances were solid and the tension omnipresent, but the fantastic visual effects, for me, didn’t engross me in the story; they kept me outside, looking in. Instead of feeling engrossed, I felt like an interloper. Gravity is a visual achievement for sure, but let’s not pretend it was the best film of 2013.

+Julian Lytle 

UNDERRATED
Rush

Man I don’t understand why there isn’t more people talking about one of the best films I’ve seen all year and clearly the best sports film all year. Let’s be honest here movies about the actual sport of car racing are pretty much boring. For me the greatest film in the car racing genre is Talladega Nights. Now you can say “Julian don’t you love The Fast and Furious franchise” and I say “ Man that ain’t about no sports, that’s about awesomeness”  but seriously Rush got me so involved in this story of these two men James Hunt and Niki Lauda probably got me the most invested in two characters this whole year. It let me see Chris Hemsworth as something other than Thor and it showed me just how good of an actor Daniel Bruhl is. Between this and Cinderella Man, Ron Howard has the lock on making dude movies that make dudes cry.

OVERRATED
The Butler

Man I don’t really even get how this movie is doing so well. This movie is essentially "Black Forrest Gump" in terms of the way it handled its main character’s travel through history. I think for me main issue with the movie is how it’s far too loose with the facts for to completely sell itself on being a TRUE story. For all the acclaim for Oprah’s performance I think what bothers me the most is that her character arc makes no sense at all. It didn’t work for me and it’s one of the few times where I don’t get how or why it worked for many others. I think this half decent movie is being boosted by the situation of Hollywood neglecting an audience.

+Travis Hopson

UNDERRATED

Blue Caprice

I don't shock easily; nor do many movies come out of nowhere and punch me in the face quite as hard as Alexandre Moors' Blue Caprice. One of the very first films I saw this year back before it ever had a hint of distribution, the subject matter was both worrying and intriguing. The Beltway Sniper shootings of more than a decade ago are still an open sore here in the District, and other movies on the matter have done a good job of sensationalizing it. But not Moors, who instead turns it into a terrifying character study on killer John Allen Muhammad, played with unsettling efficiency by Isaiah Washington, and the forces that turned him into a monster. Moors and writer R.F.I. Porto delve deep into Muhammad's twisted, "me against the world" psyche, but the real trick is how they make us understand without sympathizing. They're also quick to show how quickly Muhammad's sickness can be spread as he takes on a fatherly role to the wayward Lee Malvo (Tequan Richmond), the two forming a deadly and disturbed pair taking out their frustrations with the world on total strangers. But this isn't about the shootings themselves; it's about the shooters, and by the time they finally do take up arms we are sufficiently shaken to our boots. I turn up my nose every time I hear someone listing the likely Best Actor contenders because Washington's name is never mentioned when it needs to be in the discussion.

OVERRATED
Blue Jasmine
Two movies with Blue in the title? Guess what my back-up choice would have been? Yep, Blue is the Warmest Color. So overrated. But no, Woody Allen's Blue Jasmine wins it, mainly because it sits at a staggering 91% right now on Rotten Tomatoes, which boggles my mind. You ever ask anybody what they like about the film? The answer is always the same: Cate Blanchett. Well, first of all nobody should be surprised by that. But second, she's not that damn good, and the problem with her can be laid at Allen's feet. Allen has never been the type to hover over his actors and give them notes on how to play a scene (unless they're playing a role he would've done himself), and there were a handful of times when someone needed to rein Blanchett's twitchy self in just a little bit. Tone it down a notch, take it up a notch, whatever. She's good, but let's not go overboard because she insults a lot of people and always has a drink in her hand. Speaking of insults, Allen's ruminations on class divisions  are amateurish at best. Whether it's the blue collar working stiffs or the high-minded rich everybody falls neatly into caricature, and Allen doesn't seem the least bit interested in exploring what really makes these people tick. Throw in a couple of extraneous characters; you could merge Bobby Cannavale and Andrew Dice Clay and the story wouldn't miss a beat; and what you've got is another decent if uninspiring Woody Allen effort. Can he go back to just touring us through Europe, please?

+Mae Abdulbaki 

UNDERRATED
Rush

Like Julian, I'm surprised that this film kind of came and went and never really got the attention it deserved. People just seemed to forget about it and it flew right under the radar, becoming overshadowed by its competitors. What's great about Rush is that you don't have to know that much about race car driving because Ron Howard chooses to focus on the film's main characters and their rivalry and interactions with each other. It's a film for everyone really, and is able to balance great drama and emotion, sprinkled with lighter moments throughout and, of course, race cars. Daniel Bruhl and Chris Hemsworth are both fantastic in their roles as real race car drivers Nikki Lauda and James Hunt, respectively, and make the movie all the more worthy of watching.  Overrated Captain Phillips The first time watching this film didn't really do anything for me. Sure, it's Tom Hanks, but really Barkhad Abdi is much more entertaining as a character than Captain Phillips ever was. Yes, I also know that it's based on a true story, but the whole film was underwhelming, Tom Hanks' performance only great in the last few minutes of a film that goes on for far too long and doesn't carry enough emotion. Watch A Hijacking. It's not based on a true story, but its premise is generally the same and is a much higher quality film.

OVERRATED
Captain Phillips

The first time watching this film didn't really do anything for me. Sure, it's Tom Hanks, but really Barkhad Abdi is much more entertaining as a character than Captain Phillips ever was. Yes, I also know that it's based on a true story, but the whole film was underwhelming, Tom Hanks' performance only great in the last few minutes of a film that goes on for far too long and doesn't carry enough emotion. Watch A Hijacking. It's not based on a true story, but its premise is generally the same and is a much higher quality film.

John Nolan

UNDERRATED
Disconnect

As per usual I go against the rules…or rather misunderstand the rules. I had to put in my due diligence before choosing Disconnect here and the consensus on RottenTomatoes.com holds this flick at a fresh 68%, so the issue here isn't’t really that people were saying it was bad…it was more that they weren't saying it was good loud enough for the audience to hear. The genius of this movie is that it works on two totally different levels, one of which the director did not intend (though I’m not sure how he didn't see this aspect of the interpretation coming). Disconnect is a movie of intertwining story lines, ala Crash, all revolving around the dangers of the internet… be it identity theft, online bullying, or underage webcam sex workers, this is the description the film’s director,  Henry Alex Rubin, hates. He prefers to think of it as a film about innocent lies with dire consequences, the realization that our preconceived notions are extremely off, and the odd way we can connect anonymously with people whom we would never associate with face to face. It’s win win, you can watch this film on a surface level and be extremely entertained, if not a bit freaked out. You can also watch it on the deeper meaning level and have your world view…or at least certain specific views, brought into question. A film that never got the attention it deserved and will sadly fall into the void of overlooked films Disconnect is easily my most underrated film of the year.

OVERRATED
Inside Llewyn Davis

I’ll just get this out of the way, Oscar Issac is amazing in the film, that part of this movies hype is deserved. This movie was very Drive-like in that there are a lot of silent and awkward scenes, the biggest difference is that Issac says more with a look than most do with their complete faculty’s… even with that the awkward feel is overbearing. The best way I can describe my feelings on this flick is to compare it to something you’d see in an art gallery. You know the old cliché where all the rich ladies in their mink coats with their monocled husbands standing close by, checkbook in hand, talking about the genius of a particular work. Then you walk up to see said work and it looks like someone sneezed on a canvas with a bloody nose and called it something catchy like “Eternalus” or some other pretentious made up word…yeah that’s how I felt about Llewyn Davis outside of Issac’s performance. You need only know that there was talk of a best supporting actor nomination for John Goodman, who I normally love, who’s entire performance consisted of acting like a stoned whacked out weirdo who spoke nonsense randomly for 5 minutes in the middle of the movie. I. JUST. DON’T. GET. IT.

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Travis Hopson's 15 Best Movies of 2013

When it comes to ranking the best or worst of anything, I'm a total obsessive about it. The process begins with day one of the new year and runs all the way through to the end. That doesn't make it any easier, mind you, in fact it makes sorting through the many movies I see each year (nearing 230 at the time of this post) all the more difficult. And 2013 has been especially tough because this has been one of the most stacked movie years I can remember, and it has nothing to do with the summer blockbuster season, which in general was a massive disappointment. By contrast the typically dreadful winter season was full of high-quality gems which sadly will be overlooked come Oscar time (but not by me!), and because of that there are more brilliant movies than ever to choose from. Which is just one reason why I've expanded my Top 10 to 15...that and to cut down on the usual flood of emails asking "How could you leave (insert movie here) off your list?!?!” Hey, if my list isn't good enough then maybe you'll be more interested in our Best Overlooked Films, Best (and Worst) Onscreen Kisses, and Hottest Leading Ladies as we tie a neat little bow on 2013.

Enough rambling, let's just jump right in.

15. The Place Beyond the Pines
Director: Derek Cianfrance
Cast: Ryan Gosling, Bradley Cooper, Eva Mendes, Dane DeHaan, Ray Liotta

How is it that everybody has forgotten Derek Cianfrance's sprawling The Place Beyond the Pines? Never mind that it features the only good performance by Ryan Gosling this year, overshadowing Bradley Cooper just as he was overshadowed by other superior talents in American Hustle, but the film is a truly ambitious look at the legacy of violence wrapped in complicated narrative structure few directors would even dare.

14. The Act of Killing
Director: Joshua Oppenheimer

Like horror movies? Great, then you need to check out Joshua Oppenheimer's chilling documentary The Act of Killing.  You won't see Hollywood celebrating this "movie about movies", which offers probably the clearest look at the impact of our violent movie culture. Oppenheimer, who had gone to Indonesia for totally different reasons, ended up meeting Anwar Congo and a number of other movie-loving gangsters who had committed wholesale genocide of Communists and other enemies of state back in the 1960s, and have been living for decades as heroes, unabashedly boastful of their murderous actions. Convincing them to reenact the slaughter in the style of their favorite movies, the film becomes a deeply disturbing, darkly comic (which is even more unsettling) film about redemption and the power of cinema.

13. The Wind Rises
Director: Hayao Miyazaki

If The Wind Rises truly is Hayao Miyazaki's final movie, the legendary Studio Ghibli founder has gone out on top.  Setting aside his impressive resume of fantasy classics, Miyazaki has been living in the real world more often of late, co-writing the post-WWII drama From Up on Poppy Hill and now with The Wind Rises he explores a similar time in Japan's difficult history. As complete and fully-realized as any biopic that emerged this year, the film tells the story of engineer Jiro Hirokoshi, a dreamer who would ultimately design the Zero Fighter plane used during the war. The aeronautical details are fascinating in and of themselves, but so is Hirokoshi's personal story as an obsessive artist in love with his craft and the one woman who accepted him for who he was. There's been a lot of controversy over what the film doesn't say, but none of that matters in the long run. All I know is when the movie was over I spent the next couple of hours online reading literally everything I could find on Hirohoshi. That never happens.

12. The Hunger Games: Catching Fire
Director: Francis Lawrence
Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Philip Seymour Hoffman, Jena Malone

Comparisons to The Empire Strikes Back have been flying around pretty easily, but for once they actually make a bit of sense. Catching Fire isn't just a better movie than The Hunger Games, it's bigger, handles the social and political themes with more nuance and raises the stakes in a way that changes the tenor of the franchise. And of course right at the center of it is the quietly confident Jennifer Lawrence (so different than her chaotic role in American Hustle), aided by great supporting cast that only got better with the additions of Philip Seymour Hoffman, Jeffrey Wright, and the ferocious Jena Malone.

11. Fast & Furious 6
Director: Justin Lin
Cast: Vin Diesel, Paul Walker, Dwayne Johnson, Luke Evans, Jordana Brewster

Okay, let's be honest: these movies are dumb as bricks, but nothing else can be counted on to deliver bigger bang for the buck and more "holy shit!" moments than Fast & Furious. The latest is a cornucopia of improbable car chases, crashes, and mid-air battles, led by an ethnically-diverse superstar cast that we've come to look at as family. As silly as they may be on screen, the genius of these movies is that they treat their audience with respect and give them exactly what they want year in and year out.

10. The Kings of Summer
Director: Jordan Vogt-Roberts
Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman

Jordan Vogt-Robert's impressive directorial debut The Kings of Summer may take some of its cues from 1980s childhood classics The Goonies and Stand By Me, but it quickly becomes apparent this quirky, funny little gem is doing its own thing. This timeless and slightly surreal comedy stars a handful of unknowns in Nick Robinson, Gabriel Basso, and the goofy Moises Arias, as friends eager to get out from under their parents' shadows (including the gruff and hilarious Nick Offerman) by building their own home in the woods and living off the land. Subverting the genre and shattering preconceived notions all the way, the adults and kids are given equal consideration without a hint of irony, taking us on a journey that is both funny and poignant. But more than that, it's refreshing to see a comedy that doesn't take the cinematography for granted, and The Kings of Summer is a genuinely beautiful movie with big, sweeping sun-kissed images that will burn into your memory.

9. Trance
Director: Danny Boyle
Cast: James McAvoy, Rosario Dawson, Vincent Cassel

When Danny Boyle wasn't busy plotting the most recent Olympics, he was figuring out way to make mincemeat out of our brains with Trance. While it seems to have been overlooked since it came out early this year, there were few experiences I had more fulfilling than Boyle's delirious, pulsing heist thriller, with all its twists, turns, and palpable sexual energy. James McAvoy, Rosario Dawson, and that darn smirking Vincent Cassel have never been better in their careers in ever-shifting roles that constantly reframe who we think is worth trusting. The simple answer is "nobody".

8. Before Midnight
Director: Richard Linklater
Cast: Ethan Hawke, Julie Delpy

Before Ethan Hawke embarrassed himself later in the year with Getaway, he would find much greater success in the continued 20-year collaboration with Richard Linklater and Julie Delpy in Before Midnight. The third film in the dialogue heavy series gives fans everything they think they've wanted for so long, finding Jesse and Celine married with kids, and as argumentative as ever. For two breathtakingly gorgeous hours walking with them through the Greek Isle, they discuss love, sex, family, and more in a way that feels remarkably natural. But true to this series' nature, their conversations don't go where we expect them to, veering down a dark path that forces us to question whether they were truly meant to live happily ever after.

7. Spring Breakers
Director: Harmony Korine
Cast: Selena Gomez, Ashley Benson, Vanessa Hudgens, James Franco, Rachel Korine

James Franco gives head to a gun at one point in Harmony Korine's wild, neon spectacle Spring Breakers. Reason enough for me to put it in my Top 10, along with Franco's unforgettable drawl "Spring break forever, ya'll!" that is unquestionably the quote of the year. Some have been quick to write off the film as just another look at teen rebellion and excess, and while those are indeed factors there's a lot more going on beneath the surface. Looking like it was set on fire by candles made of Starbursts, the film and its army of half-naked starlets tosses aside any notions of normalcy and rips away at the facade of American culture. There's nowhere safe from the corrupting influence of sex, drugs, and violence; and while these are familiar ideas for Korine we've never seen them presented quite like this.

6. Gravity
Director: Alfonso Cuaron
Cast: Sandra Bullock, George Clooney

Full disclosure: Gravity had been sitting in my top 3 until only recently, which just goes to show how strong the last few weeks of movies have been. That's not taking anything away from what Alfonso Cuaron accomplished with Gravity, a film that endured a troubling production process to become one of the year's biggest hits, and an experience I think defines what going to the movies is all about. If movies are designed to take us into a world we can never hope to experience ourselves, then Gravity is the closest any of us will ever get to being in space. Cuaron captures the terrifying beauty of space in all its glory, fully immersing us into the impossible journey home of two stranded astronauts, played Sandra Bullock and George Clooney. What Cuaron accomplishes is so far-reaching that it's easy to overlook the contributions the actors make, but Clooney's reservoir of charm is the perfect balance to Bullock's desperation.

5. The Wolf of Wall Street
Director: Martin Scorsese
Cast: Leonardo DiCaprio, Jonah Hill, Kyle Chandler, Margot Robbie, Rob Reiner, Jon Bernthal

My first thought after the credits rolled on Martin Scorsese's 3-hour symphony of greed and depravity was, "How in the hell did this not get an NC-17 rating"??? Seriously, there are so many heinous acts committed in this constantly hilarious film, by none other than Hollywood golden boy Leonardo DiCaprio, that you need to see it multiples times just to properly sort them all out. When midget tossing is on the low rung of the immoral totem pole then that's really saying something, but let's just say cocaine gets snorted out of more orifices than I think it was ever meant to. While Goodfellas is clearly the model here in just about every respect, the film treads its own path in the story of Wall Street whiz kid Jordan Belfort, who starts from nothing before becoming top don at the craziest brokerage firm in the world. Besides DiCaprio, the film is bolstered by great supporting turns by Jonah Hill, Rob Reiner, and a chest-thumping Matthew McConaughey.

4. American Hustle
Director: David O. Russell
Cast: Christian Bale, Amy Adams, Jennifer Lawrence, Bradley Cooper, Jeremy Renner

Another film taking its cues from Goodfellas, David O. Russell's American Hustle is the most fun you'll have being conned all year. Very loosely based on the political Abscam scandal of the late '70s, which Russell knows you don't really give a fig about, this glitzy messy crime caper is a whirl of double-crosses and broken hearts, told through the questionable lens of a con-couple played by Christian Bale and Amy Adams. Throw in Jennifer Lawrence as Bale's chaotic wife, Bradley Cooper (and his curly 'do) as a scheming FBI agent, not to mention a game Jeremy Renner and you have the recipe for a film that is so dynamic it's easy to look over the plot's significant flaws.

3. 12 Years a Slave
Director: Steve McQueen
Cast: Chiwetel Ejiofor, Lupita Nyong'o, Michael Fassbender, Brad Pitt, Benedict Cumberbatch

One does not really enjoy a movie like 12 Years A Slave. You endure it. You experience it, and Steve McQueen's harrowing drama is the most unflinching look at the slavery era we've ever seen captured on film, TV, anywhere.  McQueen brings his aloof approach to the unbelievable true story of Solomon Northrup (Ejiofor), a free black man kidnapped and forced into brutal slavery under the whip of masters ranging from coldly dismissive to sadistic. If Alfonso Cuaron's cast us adrift in the darkness of space, McQueen entraps us into the horrors of the antebellum South and never lets us escape its grip even for a moment.

2. The Spectacular Now
Director: James Ponsoldt
Cast: Shailene Woodley, Miles Teller, Brie Larson, Kyle Chandler, Mary Elizabeth Winstead

When I get asked why I make it a point to attend the Sundance Film Festival every year, the answer is because of movies like The Spectacular Now. One of the very first things I saw way back in January, after my glowing review I remarked that it was almost a certainty to be at or near the top of my 'Best Of..." list, regardless of how many great movies may follow it. And that has held true, obviously. Good to know I'm a man of word in this case. What struck me right off the bat was how far it sets itself apart from other teen romances. The teens all look and sound like normal everyday people, not the easily recognizable stereotypes we see perpetuated constantly in any number of similar movies. Showing the emotional range he displayed opposite Nicole Kidman in Rabbit Hole, Miles Teller plays life-of-the-party high school senior Sutter Keely, with Shailene Woodley as the shy and disarmingly beautiful Aimee Finicky. We're treated to their courtship, which evolves naturally from mentorship, to friendship, to eventual romance, but from there it goes into unexpected territory as Sutter's personal demons threaten to engulf them both. Directed with an observant eye by James Ponsolt, it's probably the closest any film has come to matching the sincere tone of those great John Hughes movies we all love. The Spectacular Now deserves to be in the same conversation with all of them.

1. Short Term 12
Director: Destin Cretton
Cast: Brie Larson, John Gallagher Jr., Keith Stanfield, Rami Malek, Kaitlyn Dever

The top two picks on this list are pretty much interchangeable for me, and if asked what my favorite movie of the year is tomorrow I may have the positions swapped. But right this very second Destin Cretton's masterful Short Term 12 sits at the top. It's a small film with big hopes, big ambitions, and big emotional stakes as we follow the mentors and charges at a foster care facility for at-risk teens. At the center of it is Grace, played with vulnerability and passion by one of my favorite actresses, Brie Larson. Her perfectly nuanced performance ranks as one of the year's finest, even if I think the Academy will ultimately overlook her. The script by emerging star Destin Cretton is a thing of beauty, hitting on all of the right emotional beats as it skillfully studies the devastating effects of abuse on its survivors. And while sometimes that exploration can get pretty bleak, Cretton never lets us totally give up hope, imbuing the film with an everlasting humanist spirit.

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