Any hope of seeing the Transformers millions of fans grew up watching on
Saturday morning long ago dashed, Michael Bay's films are now little more than
a licensing expo masquerading as a Hollywood blockbuster. The fourth film in
the franchise, the aptly named
Transformers: Age of Extinction is a
thundering assault on the aural and visual senses and a marketing agent's wet
dream of product placement overload. In other words: same energon, different
chassis, right? In terms of sheer brazen spectacle Bay delivers maximum action;
big and loud as ever but also lacking the passion he usually brings to every
single project.
It wasn't that long ago Bay had planned for
Dark of the Moon to be his final
time chronicling the ongoing war between the heroic Autobots and evil
Decepticons, but a last-second deal with the studio got him back for at least
one more. And part of that deal was he would get to direct his passion project,
the crime comedy
Pain & Gain, before jumping into 'Age of
Extinction'. That bit of arm twisting may have done something to Bay
enthusiasm, or at least it feels that way. The result is a film that sees Bay
burning through his usual bag of tricks at an accelerated pace and employing a
visual style best described as uninspired. Surely, a Transformers movie that
doesn't look all that good would be an utter disaster, right? Well, not
exactly, because Bay and franchise scribe Ehren Kruger have come up with a
story that is surprisingly effective, easy to follow, and tailor made for new
star Mark Wahlberg. That's right, no more of Shia LaBeouf's stuttering and
getting pushed around by Megan Fox, this film has a genuine tough guy in
Wahlberg and it's a drastic improvement.

Not quite a reboot but forging a new path forward, the story takes place a
few years after Chicago was devastated in the prior movie. The city has been
rebuilt remarkably well, almost as if nothing happened at all. In fact it looks
exactly same. In the time since, the world has cooled on the idea of giant
killer robots hanging around, and that includes Optimus Prime and his Autobot.
Kelsey Grammer plays Harold Attinger, one of those non-descript government guys
who always have some black ops unit doing their own thing behind the
President's back. He's been out there slaughtering Autobots, including some old
favorites, with the help of Lockdown, a mercenary Transformer who desperately
wants to find Optimus. In exchange, Attinger will receive a
giant Macguffin
"the seed", a powerful object responsible for the destruction of the
dinosaurs and not the "Big Bang". Trust that this reworking of
history is only there to introduce the fan-favorite Dinobots and not as any
part of the story that matters in any way. What's Attinger's deal? Plain old
human greed as he's hoping to gain a big payoff by working alongside Joshua
Joyce (Stanley Tucci), the temperamental head of KSI Industries who have begun
building superior models of Transformer for military use.

Wahlberg, playing the same sort of homegrown lunk/intellectual he played in
The Happening, is lowly robotics expert Cade Yeager. His Paris, Texas business
has been hit hard by what looks like the worst economic depression ever, and
he's basically struggling to make ends meet while keeping track of his hot and
rebellious daughter, Tessa (Nicola Peltz). She's got a thing for bad boys,
though, and has secretly been dating a race car driver (Jack Reynor) whose
skills come in handy when everything goes to Hell in a hand basket. And it
takes a good stretch of time before that happens as we're treated to the
Yeagers' financial woes and familial squabbling; even though we know it will be
forgotten once Bay starts blowing stuff up. When Cade buys a beat-up old truck
at a bargain it turns out to be an in-hiding Optimus, bringing Attinger's goons
and Lockdown to his doorstep.

There's never been an excuse for how convoluted the earlier movies have
been, especially since...HELLO!!!....this is Transformers and the primary audience
is kids. So it's somewhat refreshing to have a story that's fairly simple and
straight forward with Optimus looking to protect a humanity that has constantly
stabbed him in the back. Does he finally reject humanity and leave them to
their fate? He'd be justified to do it, and the dilemma raging within him is
probably the most interesting development of the entire series.

But as stated before, nobody comes to these movies for insightful character
development. They want to see stuff blowed up real nice, and as stated before
Bay just doesn't seem all that into it. Sure, there's more slo-mo and
gratuitous flag waving than ever before, not to mention an abundance of glass
buildings ready to be shattered, but what else? You can count on two hands the
number of times the Transformers do the "drop and roll" maneuver and
Bay shoots them exactly the same way every time. Same cars getting bowled over,
same skyscrapers toppling, it all just gets repetitive and deadening after a
while. By the time the action heads to China for the final stretch you've seen
it all, ad nauseum. Every critic on the planet is going to talk about the 165
minute runtime so why bother joining in? You know it's too long. I know it's
too long. The only one who doesn't know it and doesn't care is Michael Bay.
There are a couple of great scenes that really leap off the screen, both car
chases set in the middle of falling debris, leaping robots, blasting lasers,
and everything else Bay could think of. There's still that difficulty in
finding something for the humans to do while the Autobots fight, and for the
most part Peltz and Reynor are left to hide in the background, occasionally
stopping to make out. Wahlberg wasn't brought in to be on the sidelines and is
wisely thrown in the middle of every battle, something they simply couldn't do
believably with LaBeouf.
Some curious decisions were made in the choice of Transformers to follow
this time, too. While the Dinobots have been demanded by fans since the
beginning, they're more monstrous than any previously seen version. Ken
Watanabe voices the samurai-esque Autobot, Drift, while John Goodman is the
cigar chewing Hound, neither of which you'd call "first stringers".
Hardly any Decepticons appear at all but the one who does is the only one that
really matters, setting the stage for the second chapter in what is to be a
brand new full-metal trilogy. Every Transformers movie has been a greater
success than the last and even if this one doesn't continue the streak this
franchise isn't going anywhere for a long time. That will make a ton of fans
very happy but everyone else may want to stock up on Excedrin.
Rating: 3 out of 5