Now I’m going to keep it 100 with you readers here: I went
into The Signal not knowing anything about this. I think at most I might’ve seen the
trailer when I was sitting in a Landmark theater before seeing Palo Alto. So
I’m sitting down thinking, "I’m clearly slipping here on my critic game." Luckily, going in blind smacked me with such a wondrous surprise. I got to go in
knowing nothing about The Signal, a tight 95-minute sci fi thriller that starts
nice slow and builds to great conclusion.
The story starts with a trio of friends on a road trip. Nick and Jonah are taking Nick’s girlfriend Haley to California, where she is going to Caltech. Along the journey the two, who are hackers that go to MIT, are searching for another hacker going by the handle of Nomad. They are trying to get some payback as Nomad almost got them expelled from MIT. They end up tracing Nomad to a remote place in the middle of the desert and once they search, things go bad quickly, and soon we just see Nick waking up in some government-looking facility in captivity being questioned by scientist in protective suit named Damon.
I’m not going to lie here: This film is pretty surprising.
The film starts pretty much like a simple relationship drama and then for a
short moment went into found-footage territory that got me scared. See, I find
those films quite laughably terrible, but then right when you think it’s going
in one direction, it completely changes on you again. This is where the film
excels: its ability to shift between genre styles yet still keep its
science-fiction core.
There are not many actors in this film, so the focus is manly
on the four main stars here. Most of the heavy lifting in acting is on Brendon
Thwaites as Nick and Laurence Fishburne as Damon. Each scene with the two of
them has a great back and forth that at points can remind you of Fishburne’s
scenes in the show Hannibal with how much is said with just calm delivery and
facial expressions. Beau Knapp does well as essentially the “best friend with
quips” Jonah. The script doesn’t overdo it at all. The Haley character is
pretty interesting in the beginning of the film, but basically becomes a damsel
in distress that left me very cold. I think Olivia Cooke who plays Haley
could’ve done more if given the chance.
Overall, William Eubank has directed a pretty great little sci-fi film. It gave me the same feeling the films Moon and Chronicle did. Here
is something new and original on the screen with fresh faces that didn’t cost
the GDP of a small country to make. I
hope all you take the time to find and see this summer-time gem of a film because
it’s really worth it.
Rating: 4 out of 5 Guttenbergs