Following her fan-favorite performance as Harley Quinn in Suicide Squad, Margot Robbie has been lining up one project after another. Ignoring the eventual spinoff featuring the deranged DC Comics character, she also has Goodbye Christopher Robin, a voice role in Peter Rabbit, Lillian Leitzel biopic Queen of the Air, film noir Terminal, thriller Bad Monkeys, and a biopic in which she'll play infamous skater Tonya Harding. Somehow that still isn't enough, and she's found one more film to keep her busy.
Robbie and her production company LuckyChap Entertainment have agreed to produce for Warner Bros. an adaptation of Gin Phillips' upcoming novel, Beautiful Things, which doesn't hit shelves until May 2017. That said, Phillips has dropped a detailed synopsis, and it kinda sounds like Room meets We Bought a Zoo.
The zoo is nearly empty late one afternoon as Joan and her four-year-old son, Lincoln, soak up the last few minutes of the day. They are playing in a sandpit, half-hidden by tall trees, with the shadows and sunlight shifting over the gravel paths as Lincoln’s action figures announce evil plans and secret weapons. It is something close to perfect. So when Joan hears shots crack through the air, it seems foolish to think the distant sounds are anything other than construction work or practice fireworks for a Halloween celebration.
But as Joan rushes to the zoo exit to make it through the gate before closing time, she freezes at the sight of limp bodies on the ground and a lone, dark figure with a gun. She grabs her son and runs. And for the next three hours—the entire scope of the novel—she keeps on running. She races through the thatched roofs and bamboo fences of the African exhibits, eventually discovering an almost-perfect hiding place. With each passing minute, she deals with distracting a four-year-old at the same time that silence and stillness are essential to survival. It is the first time she has ever felt that keeping her child happy might be at odds with keeping him alive.
Eventually she’s driven into a moonlit zoo full of animal carcasses and glowing moss and the sound of a baby crying. Along the way, she crosses the paths of fellow survivors. And then there are the gunmen themselves, who Joan is determined to analyze and solve. Perhaps if she dissects them thoroughly, she can figure out how to outsmart them.
Ultimately, this story is about the bond between a mother and child. It’s a look at what it means to be a parent—and what it means to be human. It is, more than that, a look at the ways we are bound together, whether we are strangers or family.
At this point it's unclear if Robbie will star or simply stick to a producer role. Obviously it would stand a better chance of getting made with her as the face of it, but with her schedule who knows if there will be time. [THR]
