Showing posts with label Keith Stanfield. Show all posts
Showing posts with label Keith Stanfield. Show all posts

12/24/2019

Review: 'Uncut Gems', Adam Sandler Shines Like A Diamond In The Safdies' Chaotic Street-Hustle Thriller


Okay, we can officially retire Punch Drunk Love as the oft-cited example of Adam Sandler's competence as an actor. Sandler is a kinetic force in the Safdie Brothers' wild, breakneck thriller Uncut Gems, a film that races at such a pace, continually raising the stakes to absurd degrees it might be too much for the weak of heart. And Sandler's the guy thriving in the middle of this raging hurricane, delivering the best performance of his career and making it look damned easy.


The Gambler for a new generation, that classic film doesn't conjure up a fraction of the desperation and anxiety created by Uncut Gems.. Set in the New York City diamond district, Sandler plays Howard Ratner, a guy who...frankly, it's really tough to feel sorry for. Howard is that guy you know who just can't keep his mouth shut, he's always in some kind of trouble, usually of his own making. Howard may own a jewelry shop, one frequented by NBA stars such as Kevin Garnett, but he's really just another guy up to his eyeballs in debt. There's scarcely a person in Howard's chaotic existence that he isn't in hock to, and something's got to give.


Claustrophobic cinematography crams us into Howard's shrinking world, and we walk practically in his footsteps through every moment, every risk, every inexcusable high-risk decision.  EVERY decision Howard makes is terrible, by the way, as if he's trying to make his situation worse. It can be exhausting, even when Howard seems to have found a way out, because we quickly learn there is no such thing for a guy like him. His ticket out of this seemingly endless cycle of vigs, threats, hustles, and side-bets is a rare black opal diamond acquired from Ethiopia, literally dug out of the earth by poor miners in a sequence that looks like the beginning of an Indiana Jones movie. Supposedly worth millions, Howard intends to auction the jewel off and strike it rich. But of course, nothing is so simple. Garnett enters the shop, thanks to Howard's associate Demany (Lakeith Stanfield), and becomes entranced by the diamond's mystical qualities. He asks to borrow it, just for one game, believing it to be an inspiration. Howard...well, he's just not a smart guy. He makes the absolute worst decision possible, especially with guy around every corner who want their money and are willing to do terrible things to get it.


As if the streets weren't punishing enough, the Safdies go even deeper and darker when exploring Howard's personal life. Even at home Howard is living one big con. His marriage to Dinah (Idina Menzel) has been on the rocks for ages, and although they've agreed to divorce they've yet to let the kids know. Even Howard's brother-in-law Arno (played by a menacing Eric Bogosian) is after him, and with a pair of mobbed-up goons at his side, too.  And of course, Howard has a side-chick (Julia Fox) as if the pressure wasn't mounting quite enough. All of this ratchets up in ways that are both hysterically pathetic. When a school function for Howard's daughter ends with him naked and locked inside of a car trunk, you think that would be rock bottom...even though you know deep inside that it isn't.


A trailblazing examination of greed at its most toxic, Uncut Gems is also about a guy who is willing to do anything to carve out his slice of the American Dream. Howard risks everything to make his mark, and at times you can almost respect him for always betting on himself to come out on top. Set to an electric soundtrack and the Safdies' dizzying direction, this is a film that will test your mettle like few others do. Somehow more intense than Good Time and twice as haywire, Uncut Gems reveals the Safdies to be filmmakers who revel in the anarchy they cause, and invite others to revel in it right along with them.

4 out of 5

11/14/2019

Spike Lee To Direct Hip-Hop Shakespeare Reimagining 'Prince Of Cats'


Not that Spike Lee has been known for taking a lot of extended breaks between films, he does seem to be moving at an accelerated clip. Following his acclaimed BlackKklansman, Lee has already begun screening his upcoming film Da 5 Bloods with Chadwick Boseman, and has now signed on to the hip-hop infused Shakespeare reimagining Prince of Cats.

I can hardly imagine a more perfect choice than Lee to direct Prince of Cats, a redo of Romeo & Juliet set in Brooklyn's hip-hop culture of the 1980s. Yes, please! The film is based on the 2012 comic book series by Ron Wimbery, who will work with Lee and original screenplay writer Selwyn Seyfu Hinds on a new script.

When first announced by Legendary more than a year ago, Lakeith Stanfield was set to headline as Tybalt, Juliet's hot-headed cousin and the protagonist of this story. Stanfield is no longer attached, which is disappointing, and I'm curious to see who Lee finds as a replacement. Perhaps his BlackKklansman star John David Washington?

This one is still early going but with Lee on board it just became one of the hottest projects around. Stay tuned.

11/01/2019

'The Photograph' Trailer: Issa Rae And Lakeith Stanfield Get Steamy For Valentine's Day


For the longest time representations of black love were all but forbidden on the big screen, which is why films such as Love Jones, Love & Basketball, and Brown Sugar always felt so special. To be honest, it's still extremely rare to find a true romance movie featuring people of color, but it looks like we're getting a good one this Valentine's Day with The Photograph, which features the unbelievable romantic pairing of Lakeith Stanfield and Issa Rae.

Already having made their mark separately in acclaimed movies and TV shows, Stanfield and Rae finally get together for a new film by writer/director Stella Meghie, an up 'n comer who broke out with the teen romance Everything Everything, then followed it up with indie film The Weekend.

The Photograph stars Rae as a woman shattered by the sudden death of her mother. While she tries to come to grips with that loss, she also begins a relationship with a journalist writing a story on her late mother.

Also in the cast are Chanté Adams, Y’lan Noel, and Rob Morgan, Lil Rel Howery, Kelvin Harrison Jr., Teyonah Parris, Chelsea Peretti, and Courtney B. Vance.

SYNOPSIS: On Valentine’s Day, Issa Rae (HBO’s Insecure, Little) and LaKeith Stanfield (FX’s Atlanta, Sorry to Bother You) connect in a romance where a woman must learn from the secrets in her mother’s past if she is to move forward and allow herself to love and be loved. When famed photographer Christina Eames unexpectedly dies, she leaves her estranged daughter Mae Morton (Rae) hurt, angry and full of questions. When a photograph tucked away in a safe-deposit box is found, Mae finds herself on a journey delving into her mother’s early life and ignites a powerful, unexpected romance with a rising-star journalist, Michael Block (Stanfield).

This one's going to be a smash, bank on it. I wouldn't have ever thought of Stanfield and Rae for anything other than comedy, but The Photograph might be the steamiest film to heat up Valentine's Day in years. Check out the trailer below.

10/29/2019

New Trailer For 'Knives Out' Clues You In To The Glowing Reviews


The reviews are in: critics LOVE Rian Johnson's Knives Out. Ever since the star-studded murder mystery debuted at TIFF it has been showered with universal praise, and Lionsgate plans to ride the positive buzz through to its release in just a matter of weeks.

A new trailer for Knives Out doesn't have a ton of new footage, but it does clue you in to all of glowing quotes from critics and that stellar 99% score on Rotten Tomatoes. I saw it recently at Middleburg and also dug it, singing Johnson's praises for an entertaining whodunnit that always keeps the audience on their toes.

Daniel Craig leads the pack as mysterious gumshoe Benoit Blanc, investigating the suspicious death of a wealthy crime novelist, with all of his family as possible suspects. Christopher Plummer, Chris Evans, Ana de Armas, Jamie Lee Curtis, Toni Collette, Don Johnson, Michael Shannon, LaKeith Stanfield, Katherine Langford, Riki Lindholm, Noah Segan, and Jaeden Martell make for an incredible ensemble who are all clearly having too much fun.

Knives Out hits theaters on November 27th, but early screenings are taking place everywhere if you want to see if one is in your town.


9/24/2019

'Uncut Gems' Trailer: Adam Sandler Shines Like A Diamond In The Safdie Brothers' Latest


You couldn't miss the high praise coming out of TIFF for the Safdie Brothers' latest, Uncut Gems. The reviews were glowing, and that went double for the performance of Adam Sandler, who apparently shines like the diamonds his get-rich-quick character hustles on the gritty streets of New York's diamond district. But is the film, and Sandler for that matter, really that good?

A new trailer definitely looks like Sandler has found one of those rare roles that remind us of the actor he could be. I mean, he gets to shove around The Weeknd in this piece of footage here, which already means it gets high marks in my book. Sandler plays Howard Ratner, who gambles, hustles, anything slippery he can think of in the pursuit of higher stakes. If it went well for him, this wouldn't be much of a movie, would it?

The film co-stars Lakeith Stanfield, Idina Menzel, Julia Fox, Kevin Garnett, Judd Hirsch, Eric Bogosian, and more, but clealy this is an Adam Sandler joint with some already predicting some love for the guy who was most recently seen in Murder Mystery.  The swings, the extreme highs and lows of Sandler's career, are like a gambler riding the streaks as they come.

SYNOPSIS: From acclaimed filmmakers, Josh and Benny Safdie comes an electrifying crime thriller about Howard Ratner (Adam Sandler), a charismatic New York City jeweler always on the lookout for the next big score. When he makes a series of high-stakes bets that could lead to the windfall of a lifetime, Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides, in his relentless pursuit of the ultimate win.

Uncut Gems opens December 13th.



9/18/2019

'Knives Out' Trailer: Daniel Craig Is On The Case In Rian Johnson's Star-Studded Mystery


Following its world premiere at TIFF, Rian Johnson's star-studded whodunnit Knives Out has earned some of the best reviews of the year. As if the anticipation for his followup to Star War: The Last Jedi could get any higher, a new trailer takes us further into the murder mystery and teases the colorful group of suspects without giving away anything crucial.

The less said about the plot, the better, but we know it involves the mysterious death of a wealthy author, with his dysfunctional family seen a the obvious suspects. Johnson really dig into his Facebook friends for this one, casting Daniel Craig, Lakeith Stanfield, Toni Collette, Jamie Lee Curtis, Christopher Plummer, Chris Evans, Don Johnson, Katherine Langford, Michael Shannon, Ana de Armas, Jaeden Martell, and more.

This trailer gives us a look at the dark humor Johnson's bringing to the table, with a tone that that resembles the cult favorite, Clue.

SYNOPSIS: Wealthy crime novelist Harlan Thrombrey invites his extended dysfunctional family to his mansion on his 85th birthday in hopes of reuniting them all. However, during the birthday party, Harlan is found dead and Detective Benoit Blanc is called to investigate the case. Soon enough, everyone in the family becomes a suspect.

Knives Out hits theaters on November 27th.

7/02/2019

'Knives Out' Trailer: Rian Johnson Breaks From 'Star Wars' With A Big Name Whodunnit


When your Star Wars movie is the most polarizing ever, and you're due to return to that world of screaming toxic fandom, what's a good way to chill out and do something a little different? Star Wars: The Last Jedi director Rian Johnson returns to the crime genre with his star-studded whodunnit, Knives Out, and it looks like an absolute blast.

Described as a tribute to the classic Agatha Christie mysteries, Knives Out looks like anything but a traditional whodunnit. Daniel Craig and Lakeith Stanfield play detectives who arrive at a manor where a family patriarch, celebrating his 85th birthday with the rest of his family, has been murdered. And these folks don't seem to give two craps about the investigators, throwing nothing but shade in their direction with every single question.

Johnson has always been able to attract good casts but he's really outdone himself here. Along with Craig and Stanfield are Toni Collette, Christopher Plummer, Chris Evans (free to curse like a sailor after years of playing Captain America), Ana de Armas, Katherine Langford, Jamie Lee Curtis, Don Johnson, and Michael Shannon. Damn, and that's just the beginning.

This is Johnson's return to the crime/mystery genre after his breakout film, Brick, turned film noir on its ear with a fresh approach. That film reinvigorated my passion for film noir, showing me that it still had so much relevance today. It looks like Johnson is right in his comfort zone, and I can't wait to see more.

Knives Out hits theaters on November 27th.







6/25/2019

Susan Johnson To Direct Olivia Cooke & Lakeith Stanfield In A Fairy Tale For Disney+


There were some upset folks when Susan Johnson didn't return to direct Netflix's sequel to her breakout rom-com To All the Boys I've Loved Before, and the reasons are valid. There are only so many great franchise gigs for female directors, and Johnson reducing her presence on that film to a producer felt like a step backwards. So what's a good way to make up for it? How about developing a new original fairy tale for Disney+ that stars Olivia Cooke and Lakeith Stanfield?

Deadline reports Johnson will direct Cooke and Stanfield in an untitled fairy tale primed for Disney+. Damn. While details are scarce, the script is by Cat Vasko, who some may recall was a member of Legendary's Godzilla vs. Kong writer's room. She also wrote the script for Queen of the Air, Margot Robbie's biopic on legendary trapeze artist Lillian Leitzel.


Assuming Cooke and Stanfield are the lead pair, this is already shaping up to be a different kind of fairy tale. Cooke is probably best known for her roles in Ready Player One, the series Bates Motel, and indie Me and Earl and the Dying Girl. Stanfield's short but prolific career includes a stellar 2018 in which he appeared in Sorry to Bother You, Get Out, and The Girl in the Spider's Web, not to mention his regular role on FX series Atlanta.

Two of my favorite actors in a fairy tale for Disney? Yes, please. I'm curious to see how this works out, and if Stanfield is maybe becoming Disney's next Prince Charming with Cooke as his Princess? Disney+ launches this November and will be jam packed with too many shows and movies to list here.


3/06/2019

'Someone Great' Trailer: Gina Rodriguez Has One Wild Night With Her BFFs


The promise of starting a new life elsewhere is often tempered by the pain of leaving behind those we love. Not the happiest premise for Netflix's new romantic comedy, Someone Great, but stars Gina Rodriguez, Brittany Snow, and DeWanda Wise seem to be making the best of it because this movie looks like a lot of fun.

The breakup comedy hails from the producers of Bridesmaids, and the sisterhood vibe is very similar between the three lead characters, best friends who are faced with separation when Rodriguez's character gets her dream job in San Francisco. But before she moves out of New York for the west coast, there's one last wild night of fun to be had.  Lakeith Stanfield co-stars as Rodriguez's longtime boyfriend, who doesn't believe in long distance relationships, while Rosario Dawson also has a role.

Rodriguez, Snow, Stanfield, and Dawson in the same movie? Yes please. Netflix has been killing it with their rom-coms lately, but they've mostly been of the teen variety. Good to see them aging things up just a tad and putting such an immensely watchable and diverse cast together for this one.

Directed by Jennifer Kaytin Robinson, Someone Great hits Netflix on April 19th.

2/20/2019

Daniel Kaluuya And Lakeith Stanfield Eye Black Panther Drama Produced By Ryan Coogler


Daniel Kaluuya will probably return as the traitorous W'Kabi in Black Panther 2, but first he'll have a role in a very different Black Panther movie that has nothing to do with Marvel. THR reports Kaluuya and his Get Out co-star Lakeith Stanfield are in talks for Jesus Was My Homeboy, which is being produced by Black Panther director Ryan Coogler.

Directed by Shaka King (Newlyweeds) who co-wrote the script with Will Berson, the film would star Kaluuya as Fred Hampton, a prominent activist and member of the Black Panther Party who was assassinated in 1969. Hampton was an Illinois-born Honors student, brilliant at negotiating pacts between rival gangs which added to the size and strength of the Black Panther Party. It was while he was on the verge of just such a union that FBI agents and Chicago police officers raided his apartment and murdered him with two point blank shots to the head. Stanfield would play William O'Neal, an FBI informant who infiltrated the Black Panthers and drugged Hampton just before the raid began. The story of Hampton's rise will be seen largely from O'Neal's perspective.

Assuming deals are worked out this is a pretty exciting pair on a story I don't think a lot of people know about. Hampton's been talked about in a couple of documentaries but no major efforts to bring his story to the screen have ever happened until now, and I hope it's done the justice it deserves.

1/29/2019

Lakeith Stanfield May Star In Jordan Peele's 'Candyman' Film


Jordan Peele's Candyman movie is going to have at least one more familiar component from his hit directorial debut, Get Out.  Lakeith Stanfield is being eyed to star in the horror, a spiritual sequel to the classic genre flick that starred Tony Todd.

Stanfield isn't expected to play the titular baddie, though. That role has yet to be cast. Stanfield is said to be playing Anthony, who is investigating the Candyman legend, when people around him start turning up dead.

Behind the camera will be Nia DaCosta (Little Woods) with Peele co-writing the script. Candyman opens on June 12th 2020. [SuperBroMovies]

11/06/2018

Review: 'The Girl In The Spider's Web', Claire Foy Takes Lisbeth Salander In An Exciting New Direction


If you're going into The Girl in the Spider's Web expecting anything similar to David Fincher's The Girl with the Dragon Tattoo, be prepared. Not to be disappointed, just for a very different experience. While the icy atmosphere and blood-curdling violence remain, there's a forward momentum and turn towards Bond-esque action that director Fede Alvarez has brought to what looks to be a revitalized franchise. It's a move that works in delivering a more exciting Dragon Tattoo movie, albeit one that loses something from an artistic point of view.


Your enjoyment of The Girl in the Spider's Web will largely depend on your view of Claire Foy as vigilante computer hacktivist Lisbeth Salander. While she lacks Noomi Rapace's physicality and pitilessness, Foy is certainly more comfortable in the role than Rooney Mara, who always seemed to be putting on a show for Fincher since he vouched for her over studio objections. Foy's take on the character has power, with anger bubbling beneath the surface, but she's asked to show a more vulnerable side to Lisbeth than we're accustomed to seeing. She can still kick butt, and her hacking ability, along with a near-supernatural foresight, make her virtually unstoppable.


There isn't a lot of meat on the bones of this story, counting on our fascination with Lisbeth to carry us through. Skipping over the last two books in Stieg Larsson's Millennium trilogy, the film is based on the fourth book penned after the author's death. So it makes sense that it should feel a little bit different, and after a very theatrical opening credits sequence it becomes clear that James  Bond is indeed the model they're going for. This particular Dragon Tattoo story finds Lisbeth hired by fired computer genius Frans Balder (Stephen Merchant) to steal back a dangerous program, one with nuclear capability, from the American government.  Stealing it is the easy part, although it puts her at odds with NSA agent Edwin Neeham (Lakeith Stanfield) who is in a desperate search to get it back. Lisbeth suddenly becomes the target of thugs who want the program for their mysterious leader (Blade Runner 2049's Sylvia Hoeks), a woman from Lisbeth's tortured past.


Gone is the psycho-sexual tension between Lisbeth and Millennium journalist Mikael Blomkvist, played in this film by Borg/McEnroe's Sverrir Gudnason. He's basically reduced to a supporting role here, and not much above tagging along while Lisbeth does most of the dirty work. So the film is instantly less sexy as a result, and in its place is a greater emphasis on stylish action sequences. Other than an opening scene (one teased mightily in the trailers) we don't see much of Lisbeth as the girl "who hurts men who hurt women". Her character has been thinned out, so to speak, just as this film is designed to be a lean, easily accessible chapter. If you hadn't seen The Girl with the Dragon Tattoo you'd be perfectly fine not knowing anything that happened previously, and if you did see it none of that stuff really matters. What echoes through both films is the legacy of violence committed by men against women; we see past trauma's reflected in Lisbeth's eyes, and her enemy is riddled with similar wounds. Those aspects could use deeper exploration if only to give the disappointing final showdown greater emotional impact.


Alvarez made his bones with the ambitious Evil Dead remake and his tense thriller Don't Breathe. This is his biggest film by far and he puts an undeniable stamp on this series and the Lisbeth Salander character. The Girl in the Spider's Web may look, even feel like a James Bond movie, but it's a welcome turn for an enduring and unique heroine of the page and screen.

Rating: 3 out of 5

9/13/2018

Lakeith Stanfield Joins Adam Sandler In 'Uncut Gems'


The last couple of years you'd have to make a special choice to avoid a Lakeith Stanfield movie. On top of his notable work on FX's Atlanta, he's starred in eight movies with one more, The Girl in the Spider's Web, on the way. In rapid time he's become one of the most recognizable and sought after stars around, and his addition to any film is a plus. That bodes well for The Safdie Brothers who have just cast Stanfield in their upcoming film, Uncut Gems.

Stanfield will join the previously-cast Adam Sandler, Eric Bogosian, and Judd Hirsch in the duo's followup to the acclaimed crime drama, Good Time.  As the title suggests, Uncut Gems takes place in New York City's diamond district, where Sandler plays a jewelry store owner with mounting gambling debts and juggling two relationships. Stanfield will play a friend to one of the store's famous clients.

More good news, as Netflix has come aboard as Uncut Gems' distributor internationally. A24 will handle things on the domestic side, just as they did with Good Time.  [Deadline]

8/02/2018

Lakeith Stanfield Is Legendary's 'Prince Of Cats'


Sorry to Bother You and Atlanta's Lakeith Stanfield as feline royalty? Yes, please! Huh? Oh...sorry, Prince of Cats won't feature any of that, as amazing as that might have been. Fortunately, the film is an adaptation of Ron Wimberly's terrific graphic novel, one of the most successful attempts at making Shakespeare cool.

An '80s hip-hop take on Romeo & Juliet set in Brooklyn, the story is actually centered on Juliet's cousin, Tybault, who was actually described in the original text as a "Prince of Cats".  Stanfield will get to let out any violent urges as the title character,with Selwyn Sefyu Hinds adapting the script. Hinds, a former editor-in-chief at The Source, most recently edited HBO's post-apocalyptic drama Who Fears Death.

Legendary won a fierce bidding war for the Prince of Cats rights, and now let's hope they find the perfect director to fit with the material.

7/05/2018

Review: 'Sorry To Bother You', Lakeith Stanfield Sells Out In Boots Riley's Merciless & Bizarre Satire


*NOTE: This is an edited reprint of my review from the Sundance Film Festival.*

If you know the name Boots Riley then you know his rap group, The Coup, and the pro-black anti-establishment message that became one of their hallmarks. Riley brings that same attitude, and The Coup's  funky baselines, to his bizarre, overly-stuffed satire Sorry to Bother You, which is like Livin' LargeHollywood Shuffle, and Putney Swope all rolled into one.

Plus an army of genetically altered....well, I'll keep that a secret or the studios will fillet me.


Suffice it to say there are a lot of unexpected surprises in the oddball reality Riley has created. It's like the freakazoid cherry atop a satirical sundae of racism,  gentrification, capitalism, slavery, and good old fashioned selling out to the man. Lakeith Stanfield plays Cassius Green, an Oakland native who we meet as he's trying to bullshit his way into a much-needed job. If it were anything else the lies he's caught telling would get him thrown out, but it's only a telemarketing gig. "You have initiative, and you can read", he's told by his new boss. Cassius doesn't care about the super low expectations, he just needs the work. He's living out of his uncle's (Terry Crews) garage along with his activist/artist girlfriend Detroit (Tessa Thompson), who ekes out a living twirling signs on street corners.


Cassius sucks at his job, though, at least in the beginning. With every cold call he gets a quick hang-up, which is no way to make money at a commissions-based job. Plus, there's the promise of becoming a Power Caller, the elite big money earners who sit atop the corporate structure. They even have their own elevator. Everything startst to turn around for Cassius when a veteran caller (Danny Glover) tells him to use his white voice. "Not Will Smith white", he says. It's about projecting confidence, and that Cassius' white voice sounds a lot like David Cross (because it is David Cross) seems to work because soon he's racking up sales and becoming a Power Caller.


All of this comes at the chagrin of Detroit and Cassius' buddies who are trying to force his employer to give them better wages. In essence, the film is a simple story of a guy selling out his friends and everything he holds dear for the promise of wealth and power. But did I mention WorryFree yet? Riley's commentary on slavery and capitalism involves WorryFree, a company that promises three meals a day and a place to live ("Three hots and a cot") for a lifetime of employment. They're all the rage and CEO Steve Lift (Armie Hammer, in gonzo territory) is one of the most powerful men in the country. He takes a liking to Cassius and helps him rise up the corporate ladder, which leads to other bizarre occurrences. As Cassius slips further into becoming an Uncle Tom, a hilarious bit has him forced by Lift into rapping, to which he entertains the all-white crowd with a chorus of "Nigga shit!!" to rapturous ovation. This after Lift tries to entice Cassius to tell gangsta stories because all black people must have them.


Anyone who has heard The Coup's lyrics knows Riley has a lot to get off his chest, but he unloads too much of it here. I haven't even gotten to his commentary on the media and our YouTube generation, which finds Cassius going viral when an activist's soda can hits him on the head. The most popular TV show is " I Got The Shit Kicked Out Of Me" which is exactly as the title suggests. And still we haven't come close to those horse/human hybrids. There's just so much to wade through that the film doesn't seem to be going anywhere, stuck as Riley gets sidetracked with a brand new observation.


For his debut feature, Riley already has more creativity and style than directors with ten times his experience. In an early scene, as Cassius is failing miserably to make sales, each of his calls finds him magically transported into the homes of those he's disrupting. And of course he's calling at the worst times; a couple having sex, an older woman dealing with her husband's cancer diagnosis. Riley peppers each scene with enough sight gags and visual cues to warrant a second viewing, and they help set up a crackpot world where we aren't completely shocked by the sudden introduction of something truly freakish into the narrative. Why and how they exist is something best discovered on your own because it's just another notch on the wacko scale.


Sorry to Bother You shows Riley to be a filmmaker with a ton of promise. He has a point of view, something to say, and a distinct way of saying it. What I'm torn about is whether or not he needs to narrow the focus to make clearer points. As long as Boots keeps being Boots I'm going to be intrigued to see what his future as a director holds.

Rating: 3 out of 5

6/22/2018

Review: 'Izzy Gets The F*ck Across Town', Mackenzie Davis Goes On A Not-So-Epic Journey


It should come as no surprise Mackenzie Davis is the best thing about Izzy Gets the F*ck Across Town, a lopsided, punk rock road trip movie without much road. She's a rockstar; has been since her breakout in Drake Doremus' Breathe In, and has brought an edgy, indie street cred to everything she's in, including her more mainstream stuff like Blade Runner 2049 and Tully. And she's a perfect fit as the frazzled, desperate Izzy, making a stained caterer's jacket look like high fashion. But the one-note film with all of its amateurish aesthetic flourishes by director Christian Papierniak don't do her any favors.


Only Davis could make someone like Izzy likable. She's selfish, self-destructive, unhappy, and generally a jerk. An aspiring rocker who had a Spotify hit years ago, that dream went kaput went the band with her sister (Carrie Coon) broke up. Izzy hasn't worked much since and has basically ping-ponged through life. We meet her already at a low ebb, waking up naked in a stranger's (Lakeith Stanfield, in his most random role ever) bed with no idea how she got there. Throwing on her stained work clothes from the night before she embarks on a quest to get from Santa Monica to Los Feliz to break up her ex-boyfriend Roger's (Alex Russell) engagement to her former best friend. Not exactly a cross-country journey. Take the bus, yo. But it proves to be quite the epic odyssey full of wacky characters, scrambled life lessons, and multiple modes of transport.


Papierniak keeps details about Izzy at bay; we know nothing of her past, only her chaotic present and undoubtedly destructive future. What we learn about her is that she's a perpetual bull in a china shop, steamrolling through life and whoever gets in the way. She seems to know a lot of people but none of them appear to be friends. There's the auto mechanic (Brandon T. Jackson) who has been working on her car for weeks with no end in sight; there's the oddball (Haley Joel Osment) she does odd jobs for to get paid; plus her married and pregnant "friend" Casey (Meghan Lennox) who kicks Izzy out of the house for overstaying her welcome. These encounters, along with a couple of other incidental diversions fill in the blanks a little bit. Izz's got problems, and as Casey suggests maybe this plan to get back together with Roger isn't such a good idea. Clearly things with him weren't great, and Izzy's rose-colored glasses about the relationship may have scuff marks. She doesn't treat any of the people she meets particularly well, either insulting them, cussing them out, blowing smoke in their face, or worse. And yet...well, Mackenzie Davis. She sands down some of Izzy's rough edges and shows just enough vulnerability that we want to root for her, despite our gut telling us she doesn't really deserve it. She doesn't seem to believe in much except it's her destiny to get to this engagement party and blow up the spot.


Left on its own, this might have been an off-kilter, art house version of the "one wild night" scenario, in which a character bounces from one misadventure to the next over the course of a few hours. Those movies are always fun, and Davis proves she'd be great in one. Maybe bring along Carrie Coon and make it a duo? The two share a bizarre but captivating duet that is undoubtedly the film's emotional highlight. You hope it's a springboard to Izzy learning a few things and growing as a character because that is sort of the point of a road trip movie, for characters to progress. But Papierniak's disappointing and sudden conclusion leaves one to think Izzy is as screwed up as when the journey began. And maybe that's why the director papers over so much of the film with needless window dressing: dream sequences and subtitled chapter breaks that look cool but add nothing to whether Izzy gets the f**k across town or not.

Rating: 2.5 out of 5

6/07/2018

'The Girl In The Spider's Web' Trailer: Claire Foy Impresses As The New Lisbeth Salander


The role of Lisbeth Salander in David Fincher's The Girl with the Dragon Tattoo was a career-changer for Rooney Mara. Fincher fought Sony hard to get her, and the girl he worked with in The Social Network underwent an impressive transformation for it, and things have never really slowed down for her since. Unfortunately, the film was a disappointment and the idea of sequels almost died with it. Eventually, the decision was made to move forward on The Girl in the Spider's Web, based on a book outside the core Millennium trilogy and with a completely different cast. Claire Foy gets her shot at playing the rebel computer hacker, and now we're getting our first look at her in action.

The long-awaited first trailer for The Girl in the Spider's Web is here, and this thing is has a completely different energy than the heavy metal vibe of Fincher's movie. Evil Dead director Fede Alvarez takes over and he's got the creepy, disturbing atmosphere of the novels, which are known for their grotesque violence towards women, down to a science. As for Foy, she's virtually unrecognizable from the Golden Globe winner we're used to watching on The Crown.

Joining Foy is an incredible ensemble that includes Sverrir Gudnason (Borg vs McEnroe), Sylvia Hoeks (Blade Runner 2049), Claes Bang (The Square), Cameron Britton (Mindhunter), LaKeith Stanfield (Atlanta), Vicky Krieps (Phantom Thread), and Stephen Merchant (Logan).  Wow.

The Girl in the Spider's Web opens November 9th!









6/06/2018

Lee Daniels Lines Up Billie Holiday Biopic; Andra Day And Lakeith Stanfield May Star


With Fox series' Empire and Star, Lee Daniels has found the acclaim on the small screen that has mostly eluded him on the big. It's been five years since he directed The Butler, and now he appears to be ready to get back behind the camera for Billie, a biopic on legendary jazz singer Billie Holiday.

Variety reports Daniels will direct and produce the film which has a script by Pulitzer Prize-winning author Suzan-Lori Parks. "Rise Up" singer/songwriter Andra Day is in talks to play Holiday, with Altanta's Lakeith Stanfield also eyed for the male lead.

Holiday, also known as "Lady Day", was known for her strong, improvisational vocal style heavily influenced by jazz instrumentalists. She broke out in the Harlem jazz scene of the early 1930s and would go on to perform with all of the era's greats. But Holliday also lived a fast, turbulent life and it was her alcoholism that led to an early death in 1959 at the age of 44. Hollywood previously told the story of her life in the 1972 film Lady Sings the Blues starring Diana Ross, as well as the 1986 play Lady Day at Emerson’s Bar and Grill.

The hope is to get production started by the end of the year.

5/17/2018

'Sorry To Bother You' Red Band Trailer: Lakeith Stanfield Makes It Big By Selling Out


How does one of the most surreal and macabre movies to debut at Sundance ever not have a red band trailer? For too long we had to contemplate that with Boots Riley's absurdist comedy Sorry to Bother You, but contemplate no more.

Lakeith Stanfield, Tessa Thompson, Armie Hammer, Steven Yeun, Terry Crews, Danny Glover, and Omari Hardwick star in the directorial debut by The Coup frontman Boots Riley, a bizarre update on what it means to "sell out" in today's world. Stanfield plays a stuggling telemarketer who becomes the best by using his white voice (which is David Cross) and ignoring his friends. But it gets him into a very special club run by a coke-snorting, gun-waving Armie Hammer, who is hiding secrets that when are one giant "WTF" moment.

This joint is crazy weird, but that's part of its charm. Riley has a distinct visual style and an aggressive attitude, and comes up with some brilliant sight gags, like Stanfield's character literally dropping in on the people his cold calls are disrupting. Riley has a bright future ahead of him no matter what, but I really want to see how people respond to this.

Sorry to Bother You opens July 6th.

3/21/2018

'Come Sunday' Trailer: Chiwetel Ejiofor Preaches That Hell Doesn't Exist


Netflix didn't make a huge splash at Sundance this year, but they earned some of the festival's best reviews with Come Sunday. Most of the praise was heaped upon star Chiwetel Ejiofor's impassioned lead performance as real-life Bishop Carlton Pearson, whose views on the afterlife cause controversy within his congregation.

Directed by Joshua Marston, best known for Maria Full of Grace, the story centers on Pearson who hears a voice from God and comes to believe that man has already been saved and there is no reason to fear Hell. This belief in universal reconciliation got him labeled as a modern day heretic. It's a slightly different exploration of faith than we're used to seeing on the big screen, and again, Ejiofor looks like he is at his best.

Also starring Martin Sheen, Jason Segel, Lakeith Stanfield, Condola Rashad, and Danny Glover, Come Sunday hits Netflix on April 13th.