With Mission:
Impossible- Rogue Nation, Kingsman:
The Secret Service, and the upcoming James Bond film Spectre, 2015 is already lousy
with spy movies. Does anybody really need another one? Much less another remake
of a 1960s TV series that is remembered fondly because of its offbeat tone?
Turns out the answer is a resounding "yes", we definitely need one
more if it's the super-cool The
Man from U.N.C.L.E, a suave
piece of summer fun full of sweet gadgets, international espionage, and the
real emergence of Henry Cavill as a bonafide leading man.
Sure, Cavill has already earned big bucks
by flying around as Superman but that's a role which requires a certain level
of restraint. Superman doesn't do charming. Cavill, it turns out, is incredibly
magnetic when given the opportunity, and director Guy Ritchie affords him
plenty of that in the role of American spy, Napoleon Solo. A small-time crook
and con artist forced into government service at the height of the Cold War
with Russian, Solo's greatest weapon is a smile that could melt the cold heart
of any Russkie. His task is to safely extract Gaby Teller (the ubiquitous
Alicia Vikander), the daughter of an East German nuclear scientist, out of East
Berlin. The fear is that her father is helping to build a nuke for evil-doing
socialites Alexander (Luca Calvani) and Victoria Vinciguerra (Elizabeth
Debicki). Also afraid of the world going boom are the Russians, who send
stone-faced operative Illya Kuryakin (Armie Hammer) to join in on the mission
to stop them.
Of course both governments have their own
agendas which include killing the other if they get in the way. Those
parameters are put to the test immediately in the film's most thrilling action
sequence in which the vaguely superhuman Kuryakin pursues on foot a fleeing
Gaby and Solo as they speed off. It's the kind of bombastic set piece that
Ritchie thrives at, but this amounts to really the only scene where he gets to
show that off. For the most part he's unexpectedly restrained, focusing his
energy on comic mood rather than explosions, or better yet, comedy in the midst
of extreme violence. It's something he's always relished in, look at his
Sherlock Holmes movies for example, and he remains committed to making this a
purely fun spy movie.
Part of keeping the tone light in the face
of nuclear devastation involves some friendly macho sparring between Solo and
Kuryakin, with each guy looking to prove, in any way possible, that he's the
superior man. Sometimes that involves a brief but destructive tussle, which
Solo will come away from grinning while Kuryakin maintains his grim-faced
stare. Surprisingly, they aren't really at odds over who will win Gaby's heart.
There's no real love triangle here, although she and Kuryakin share a
flirtation that threatens to pierce his armor. By necessity Hammer's role is less
dimensional than the others, while Vikander creates a wonderfully colorful
character out of Gaby. She proves to be as mentally and physically tough as her
male counterparts, yet still is spirited enough to literally dance circles
around them.
Problems arise when Ritchie needs to flip
the switch and take the finale into serious mode. As the stakes are raised,
people start dying, and the world is on the brink of nuclear disaster, it's
hard to treat it with the necessary gravity. In one critical scene, Solo
literally takes a sandwich break while Kuryakin is running for his life. The Man from U.N.C.L.E. often times looks like an ad for a
fashion magazine, and there's nothing wrong with that. It's ultimately a silly
and weightless film, too, but you'll be too distracted by how beautiful
everyone is to care.
Rating: 3.5 out of 5