Thursday, April 30, 2009

Damn you Rob Zombie....damn you.



Halloween the Rob Zombie remake was enjoyable. It didn't compare to the original but still....pretty good. My problems with H2 started with the title, unoriginal, lazy, and just down right stupid. They allready had Halloween: H20, and there's a god damned SUV called the H2, but whatever thats just a title. Then the trailer comes out and I'm floored by how far from right Zombie has gone with this flick. Now we have cutscenes showing Myers being coached by visions of his dead mommy....umm, sorry Robbie but I think Friday the 13th beat you to that motivational plot device by about 25 years. One of the main reasons Myers was creppy was that he killed for no apparent reason, not because he had schizophrenic visions of his mommy. We get it Rob, your edgy, you have your own style and MAN is it creepy, now go pound sand and stop f'in with great cinema. The icing on the cake comes today with this set pic of Micheal Myers.





....did I miss something, when he become a down on his luck heroin addict from NYC? What's with the jackets and all the layers...and WHY IS HALF HIS MASK GONE?!?!? This looks ridiculous, another main part of the MM creep factor was how plain and sanatized his look was, it's not hard, blue coveralls and a white mask..DONE. He in no way, shape, or form should resemble the guy who plays the milk crates on the corner of 14th and M. Damn You Rob Zombie...Damn you to hell.

Transformers 2 Leaked Trailer!



UPDATE: Here's the official trailer. Man this movie looks AMAZING, and again how bout that opening scene with Miss Fox

This came out a few days ago but was brought down just as fast. I've found a working link for the video so check it out while you can who knows how long it'll be up, but if you've missed it don't worry it'll be out in full tonight and we'll post it for you as soon as it's out. Some quick notes on the trailer; I think it looks amazing! Bigger, Faster, Better, than the first...everything a sequel should be. The story line looks great and I like that we are seeing different parts of the world though I hope it's not just the desert and suburbia again. Also it looks like they nailed the Megan Fox money shot again, of course you all remember the picture of her leaning over the hood of Bumblebee, well check her out sitting on that bike...there is a God, and he is good!

The Soloist; Fighting

The Soloist



There comes a point in The Soloist where I very nearly walked out of the theater in total resignation, forsaking any chance that there was a credible story with a salient point to be made. In fact, I'm having a hard time figurint out what I was supposed to get out of this thing, other than the fact that Jamie Foxx doesn't know how to differentiate between schizophrenia and going full retard. The Soloist represents everything I hate about these Oscar bait films. It's over dramatic, unfocused, and altogether too serious for it's own good.

Robert Downey, Jr. plays Steve Lopez, a columnist for the LA Times. Steve's the type of wandering, self absorbed character that you typically find in a film of this sort. He's the kind of guy who's just waiting for an epiphany, or a life changing event to happen. He gets that when he meets Nathaniel Ayers, a homeless man playing a broken violin on the city streets for money. Nathaniel's pitiful situation only makes his obvious musical talent more pronounced, and Steve decides to keep track of him in order to do a series of columns on this unexpected genius. Steve and Nathaniel become something like friends, something like scientist and lab rat. Steve is unprepared for the burden that Nathaniel's schizophrenia would become to him. Steve's a selfish guy who's concerns begin and end with the subject of his next story, and taking care of a mentally ill musician doesn't easily fall into his list of priorities.

If I could pinpoint one thing in particular that I loathe about this movie, it's the portrayal of the homeless in LA. I get that a lot of them have mental issues, but The Soloist paints them out as background crazies from Penitentiary 3. Joe Wright, who most recently directed the Keira Knightly led Atonement, is a talented director who has a flair for the dramatic. Unfortunately that's exactly what this film doesn't need. It needs to be grounded in reality, but unfortunately it's as if Wright got a little too swept up in the Beethoven and felt the camera needed to follow. In one of the sequences I like least, Nathaniel plays a cello for Steve out in the city streets, and the camera takes flight into the air like a bird, and from out of nowhere there's this crazy orchestral accompaniment. I thought this was supposed to be about Nathaniel's ability? Give me a chance to hear it, okay? Better yet, don't bother.

The Soloist takes itself far too seriously to be enjoyed. The music that is supposed to be so inspirational and moving never seems to be a source of anything but heartache and pain for the one character we want to root for most. And we never really get any true resolution of that fact. There's simply no narrative focus here, sacrificed in favor of oppressive melodrama. I do like to have a little fun at the movies from time to time.

4/10

Fighting



On the other hand, Fighting is a film that knows exactly what it is. It's a gritty, urban tale of an underdog trying to overcome the odds life has placed before him. Modern day heartthrob, Channing Tatum, plays Shawn McArthur. Shawn lives on the streets of New York, selling random merchandise like CDs and counterfeit Harry Potter books to get by. Shawn seems to adhere to some strict moral code unbefitting a person in his position. When he realizes that the Harry Potter book he just sold to the attractve Zulay, he tries to give her the money back before he's jumped by a few thugs. Shawn handles them with relative ease, impressing Harvey Boarden(Terence Howard), a two bit thug who set the whole attack up in the first place.

Harvey entices Shawn with an offer to make $5000 fighting in an underground street circuit, an offer too sweet for Shawn to pass up. At first glance, Harvey appears to be little more than a pimp, hustling Shawn's fighting prowess for his own mutual gain, but as the two become fast friends we see that he's a little more than that. Shawn's battles bring him instant notoriety amongst the city's fringe element, the people who secretly run things but remain unseen. His fights take him from the back alleys to a lush Asian brothel, and against men who appear to be in a situation similar to his own. All except one: Evan Hailey(Brian White). Evan is a fighter who managed to make his way up into the legit fight game, battling for real money. He and Shawn share a history that has made them bitter rivals. A big money showdown is inevitable.

My initial fear for Fighting was that it would turn into Step Up with a few bare knuckle brawls thrown in. Granted, I thought that based solely on Tatum's presence and the somewhat sappy trailer that was pushed around. I was pleasantly surprised to discover that Fighting knows exactly where it's bread is buttered, finding a way to combine hard knuckle fighting action with just enough of a love story to add some dramatic weight. Tatum is the perfect actor for the role, showing a charisma that I never previously felt. He handles the lead with genuine ease, but still maintains an air of mystery and yes a little danger. He is somone you want to be victorious. You want to see him succeed. Terence Howard's role is a little more standard. It's nothing we haven't seen, but Howard manages to make us actually give a damn a little about this petty hood just trying to make it big. On the other end of the spectrum, what the hell was up with Roger Guenvere Smith's cadence? Was he doing his worst Christopher Walken imitation? It's not as if they couldn't get Walken to play the part if that's what they wanted. I don't think the man's ever turned down a gig.

Amongst a bangin' hip hop soundtrack, Fighting hits strikes most of the right chords. It moves around at a steady pace from brawl to brawl, all with enough stakes to keep you interested. I'm not saying this will suddenly turn me into a Channing Tatum fan, but there's something here worth checkin' out. Ironically, Fighting surprised me just like a swift kick to the gut.

7/10

Wednesday, April 29, 2009

Hilarious Ghostbusters prank!


EMBED-Ghostbusters Run Through Classes - Watch more free videos


This isn't exactly movie related, but I had to share it with all of you. Check out this video of 5 college seniors tearing up their campus classrooms in an amazingly funny prank. Oh how I miss school....

Universal Soldier 3 set pics!!!!!!!!!!!!





YES!!! Pics have arrived from the set of the upcoming Universal Soldier 3. Now this may not be exclamation mark worthy for most of our reading audience, but as anyone knows by now I'm a bit of a Van Damme fanboy (check out J.C.V.D. if you haven't seen it allready, definitely worth a watch). We get to see JCVD and Dolph Lundgren as well as some of the supporting cast in full costume and make-up, from the looks of one of these pics it appears the USOL's are more terminator like in this flick. Anyone else looking forward to this?

'The Expendables' set footage!!



Here is the first set footage to hit the net from The Expendables. Unfortunatley nothing we haven't seen stills of allready, but still pretty cool stuff. If you're like me and a film buff not only in watching movies but of watching them made than this is a particularly cool set vid. It's amazing to me that Sly was percieved as such a meathead for so long but really the guys a genious. Acting and directing has got to be a hard task to accomplish and I love how passionate he seems about the whole things, just makes my hopes even higher for this flick. Don't prove me wrong Sly....please!

Drop Dead Fred remake in the works....wait...what?


Word has gotten out that Universal is having a new adaptation written for it's cult(?) flick Drop Dead Fred. I loved the original, I'll admit that, I'll also admit that I was 8 when I loved the original. I don't see any good reason to remake this flick unless they are planning on taking the premise and going completely away from the original. Taking the role of Fred will be Mr. Love Him or Hate Him, Russel Brand, personally I can't stand the guy but he's getting offers left and right so he must have something. Sadly Phoebe Cates, the girl of my pre-pubescent dreams, is not set to make her comeback with this remake. Anyway I guess we can be looking forward to remakes of Stay Tuned or Mom and Dad Save the World soon as it appears the remake pool has been drained and we are only cleaning out the filters now.

No Mixed Emotions Here, Buddy! Wall Street 2 Will Suck Ass


Seriously, who greenlights this stuff with any hope of success? 20th Century Fox has decided that now, of ALL times, is the time to bring back the most infamous heel of the 1980's. No, not the Ewoks. Gordon Gekko, an iconic character who so perfectly modeled the greedy excesses of the time in Oliver Stone's Wall Street. Somehow, Stone has been coerced into directing the unwanted unnecessary sequel, creatively titled Wall Street 2. I'm not kidding. Michael Douglas is back too, I'm assuming signing on with a loaded revolver pressed against his temple. To make matters worse, it's going to star Shia Labeouf. He's not the bad part. It's the plot. Wrongly assuming that America LOVES greedy bankers and right now, Gekko is now going to be the tragic hero here, as he mentors Shia in hopes of one day reconnecting with his long lost daughter. What the hell?? It sounds like a bad joke, ore a belated April Fool's Day prank. But apparently they are serious. And to cap it off, Alan Loeb, the guy who actually managed to make me hate a film about Blackjack(2008's 21) is on script duty. Oh my God. Shoot me now.

Latino Review has the inside look at the script for this turd nugget.

Royal Kill; The Informers

Royal Kill




Every now and again I let myself get whisked away in a frenzy over something that seems great on the surface. I'm very easily distracted by bright, shiny objects as well, much like the giant grub in Monsters vs. Aliens. Last Friday morning I ran across a movie titled Royal Kill. It sounded perfect in a weird way. A movie about an assassin sent to America to kill a royal princess, starring former WWE Women's Champion Gail Kim(whooaahhh!!!), Pat Morita, and Eric Roberts. It sounded perfect. A movie I'd never heard of and a genre I can't deny. Match made in Heaven? More like a match made in Sci-Fi Channel...excuse me, SyFy Channel Hell. Or better yet, the less competent cousin of SyFy. This movie makes Sasquatch Mountain(a sci-fi channel "fave") look like a cinematic tour de force by comparison.

Gail Kim stars as the Terminator-like Nadia, a killer from a small country with a name too lame to bother remembering. The film is set in a current America. Everything seems the same, except for this one fictional little country that keeps waging war with it's neighbors. The 7th princess of the king of one of those conquered countries was secretly spirited away to America to be raised by Julia Roberts' brother. Not sure why he was chosen. He ain't really a warrior. He's just a saggy lookin' old dude. But now that everyone in her line is dead, she is meant to rule. However, Nadia's people don't want that to happen, so she is sent to hunt her down. Standing in her way is just a regular soldier(we know this because they keep pointing out how ordinary he is) dedicated to defender the princess' life. Pat Morita, in his final performance sadly, shows up for a couple of quick sequences as some sort of mentor/trainer/Stick-like figure.

There's nothing good at all to say about this. It's poorly shot, with the lighting so dark and muddy that it's almost impossible to know what's going on. The acting is shoddy at best. Eric Roberts, looking puffier and more disheveled than ever, barely seems to know where he is half the time. I think the script was tacked on the wall in front of him to be recited. Gail Kim, whom I love as a wrestler, channels all the character charisma that she brings to the squared circle. None. And Alexander Wraith, a dude with a name that should be reserved for a Roman Gladiators and super-powered mercenaries from the future, is so emotion deprived that they deliberately have him recite half his lines with his back turned to the camera. To top it off, the action is brief and far between. Not that I could see what was going on anyway. Stay away.

2/10

The Informers




I don't blame Brett Easton Ellis for how awful The Informers is. It's director Gregor Jordan's fault, that much is clear. He changed the tone of the entire film. Ellis hated it. The actors themselves hated it. And boy did I hate it. Ellis's films typically revolve around the supposed social elite in the 1980s. The rock stars, the directors, the actors, and their inner circle of hot chicks and coattail riders. It's a time of free, open sex and random drug use. The spoiled are getting everything they want at the expense of the normal people, and nobody seems to give a shit. Common ground for an Ellis story, who covered the same ground in virtually every novel he's ever written and every film that's ever been adapted of those works.

However, whereas the other films have atleast held on to the flavor of the source material, The Informers completely misses the boat and devolves into intolerable, excruciating soup that made me want to vomit. Random, meaningless interconnected stories about people with no redeeming value whatsoever. Normally I like movies about terrible people, but this film gives us no reason to care. What do I care if Amber Heard's character bangs every guy she sees? We're given no reason to feel anything for her. Not even contempt. She's not interesting enough to even loathe. The same goes for the rest of the cast. Billy Bob Thornton shows up as a TV director who's having an affair with a news reporter played by Winona Ryder. Thornton is trying to patch things up with his wife, played by Kim Basinger. Why do I care? We're given no context for any of this. We don't see any good times between any of these characters, so why care? It's all a waste of time. Even Mickey Rourke, Hollywood's prodigal son, seems to be falling back into old habits making poor career choices. He plays a transient, who basically will do anything for money. Even if it means kidnapping innocent kids for ransom. It fits nowhere. It feels like it should be in another movie.

Just having a thought about Ellis movies in general, I think that if any of them are going to succeed in the future they need to be updated for a more modern audience. I can watch American Psycho and Rules of Attraction everyday, because they don't feel like films stuck in a certain time period. The Informers is so thoroughly entrenched in the 80's that it was almost hard to take it seriously. It started to look more like a parody than a true representation. Everyone's hair was out of control; the rock music was loud and obtrusive as if they were trying to say "Doesn't this remind you of 1980whatever?" Not really, no. It's just annoying. Waste of a good book, waste of some seriously prime acting talent.

3/10

Tuesday, April 28, 2009

Rodriguez Stalks New Predator Franchise


Robert Rodriguez, the visionary auteur behind such great films as El Mariachi and Sin City, is preparing to bring back the baddest hunter in the known universe. Rodriguez is relaunching the Predator franchise, kicking things off with "Predators", which I assume will have the multi-gadgeted death dealer back on earth and hunting down humans. Rodriguez has already written the script, but no word has been released on when the film is set to hit theaters, as Rodriguez is pushing around multiple projects at the moment.

Ok, I'm probably the biggest fan of the original Predator film. There's no simpler concept than the idea of one man vs. an unstoppable killing machine. But that film sported an amazing cast featuring the Governator, Carl Weathers, Bill Duke, amongst others. The sequel I was not all that invested in, with Danny Glover's old ass limpin' around fighting off the Predator with a standard revolver. Whatever! The Alien vs. Predator movies have been disappointing also, and at this point of so many years without a quality Predator film I'm a little bit skeptical about this project. The fact that Rodriguez is handling it gives me confidence, as the guy knows how to draft a mean script and will certainly give the film a certain visual flair. I am interested in knowing who the Predator's main adversary will be. If it's just a bunch of no-name kid like in the AVP movies then they might as well forget it.

Monday, April 27, 2009

Obsessed


I remember back in 2001 sitting in a theater with a couple friends to watch a movie called "O", starring Mekhi Pfifer, Josh Hartnett, and the lovely Julia Stiles. I remember thinking that I liked the film, but couldn't figure out why. I own that movie, and in subsequent viewings have come to realize that it's actually a pretty standard film. The only thing that truly sets it apart are the underlying themes of race, particularly the taboo of a big strong black guy bangin' the cute, saintly white chick. Josh Hartnett was the embodiment of every white dude who says "What the hell...?" when he sees some hot blonde chick walkin' around with a guy who looks like Mark Henry.

Obsessd plays upon those same themes, although tossed into a fairly conventional Fatal Attractions scenario. Idris Elba(The Wire) plays Derek Charles, a VP at a prestiguous asset management firm. Derek is the typical office hotshot. He's a good dude, but he flirts and is the apple of all the ladies' eyes at work. But he's also happily married to Beyonce. Er, wait, her name's Sharon. She just acts exactly like Beyonce always acts. My bad. They have a kid, who's name escapes me so let's just call him Stringer, Jr. All seems fine in the world until Derek gets himself a new temp at the office, a sexy go-getter by the name of Lisa, played by Ali Larter. Her arrival amps the sexual tension level in the joint up to 11, as Derek has a bit of reputation for mackin' on the office talent. In fact, Sharon once worked in the office until Derek scooped her up and made an honest woman out of her. So Sharon knows Derek's rep first hand, and upon seeing Lisa in the office immediately knows there could be trouble.

Lisa for her part, is less than subtle about her intentions. She seems to show up everywhere Derek goes. Derek, who is either an insatiable flirt or the biggest idiot on the planet, is way too outgoing towards her. He consoles her when she's down, he indulges her when she compliments him. He becomes her office champion. Not that I blame him. Check it:



vs.



I know who I'm rooting for, and it's the chick sporting her own real hair.

Lisa's obsession with Derek eventually starts to affect his marriage. Lisa throws herself at Derek in a parking lot. She turns up at a work retreat and O.D.'s in his bed, usually a telltale sign that somebody's got some 'splainin' to do! Lisa, who by now has ceased any rational brain function, begins breaking into the happy family's home, an act which brings her into direct confrontation with the Mighty Beyonce in a catfight that could've only been better if someone had lathered them both up in oil and had them duke it out in a tub full of cream corn.

And really that's all this film was about. Clearly, the people who made this dreck didn't care about anything except getting us to that slugfest, because it's the only bit that feels remotely inspired. The build up here feels remarkably familiar. If you've seen Fatal Attraction, or even Disclosure then you know the routine. But there is a certain racial element thrown in that they are less than subtle about. Amongst the African-American community(of which I'm a loyal member since '77) there has always been a sortof inner hatred amongst black women in regards to white women stealing their men. To take it even further, the idea of white women raising a black man's child is especially egregious.

This film incorporate every one of the black woman's fears and smushes them into a big ball. Sharon represents those women's collective paranoia, instantly painting Lisa out as the troublemaker without provocation(the fact that she was right makes no diff). This movie is made for those women with a certain outlook on black male/white woman relationships, and that outlook is decidedly negative. Sharon represents all that is good, and pure about black women. She's painted as being utterly flawless, both in appearance and in personality. In fact I'm hard pressed to think of a more made up, prettied up mother taking care of her kid in the morning. My mom never woke up in the morning lookin' like she just stepped out of a Dark 'n Lovely commercial. Lisa, on the other hand, is a shameless skank tarting around the office throwing herself at Derek with impunity. She has no redeeming qualities, no room for remorse. She's just there to be an object of the audience's scorn. It makes the whole situation less than interesting. You could even rangle some sympathy for Glenn Close in Fatal Attraction. She had atleast been done wrong and was rightly angry. Here, Lisa is just evil pure and simple. Derek? Derek is just a moron. He kinda goes with the flow of what's happening around him. He's the least interesting factor in this entire equation. Although, I must admit that being a black guy who's madly in love with Ali Larter and despises the weeds that grow beneath Beyonce's feet as she walks allowed me to identify with Derek just a little. Ofcourse it was just me projecting what I would've done in the same situation and hoping Derek would do the same, which is kick Sharon to the curb and shack up with the hot crazy chick. Alas, I was disappointed.

I thought, due to her actually doing a good job as Etta James in Cadillac Records, that Beyonce had turned a corner as an actress, but I see I was sadly mistaken. She's incapable of expressing any emotion other than extreme happiness or extreme anger, and can't stop herself from looking like she's posing when the focus isn't on her character. It's like she's modeling for the cover of Jet magazine or somethin'. Idris Elba, yeah I know the ladies love him and he's really not all that bad here given the weak material he has to work with. To be fair, Beyonce gives him nothing to work with, either. Not even my darling Ms. Larter can be spared, although again I blame the script. Lisa goes too rapidly from office flirt to murderous vixen with no middle ground whatsoever. Larter plays the role well enough, her smile both terrifying and strangely inviting.

Obsessed would've been better served with a better script, which doesn't do enough to make us care for anybody involved this little triangle. My hope was that maybe it would atleast rise to the level of "guilty pleasure", and maybe to some degree it reaches that point. I can atleast say that it was fun to watch, even if it was for all the wrong reasons. Reasons like this...



5/10

Top Shelf at the Box Office for 4/27/09

This has been a busy weekend. Not only did I crank out mucho bucks seeing Obsessed, Royal Kill, and The Informers, but I also found time to cram in Death Note in preparation for watching the sequel on Wednesday. In terms of the box office, this one came as no major surprise to me, as Obsessed kicked the ass of that pretentious looking The Soloist tripe and even managed to whup the arse of a film ironically called Fighting.

1. Obsessed- $28.5M

In the three movies I saw this weekend, I couldn't help but notice the surge of people that seemed to be cramming their way into this rather generic thriller, so I knew early on that this was going to be the top dawg when all was said and done. Apparently people really wanted to see Beyonce kick Ali Larter's ass, which to me is like rooting for a spray painter to deface the Mona Lisa. Obsessed actually boasts the highest grossing opening weekend ever for a psycho thriller such as this, which is no small feat given it's company(Fatal Attraction, anyone?). Ofcourse those movies lacked the obvious racial element, which I'll expound upon at a later date. Let's just not get ahead of ourselves and start thinking Beyonce has any kind of future as a box office draw, ok? As exhibit A in my case I would ask that the court refer to The Fighting Temptations, if you can stomach it.



Now that's something I could stomach. All day.


2. 17 Again- $11.7M/$40M

Last week's champeen fell about 51%, bring it's total to $40M over ten days. That's not bad for a throwaway film with a marginal cast with a tired concept. That being said, it's second week number is better than 13 Going on 30's was. However I think the upcoming Ghosts of Girlfriends Past and X-men Origins: Wolverine will tag team this film into oblivion this week.

3. Fighting- $11.4M

Ironically, 58% of the audience who went to see Fighting were dudes. Say wha...? Either a bunch of gay groups got together for a Channing Tatum Film Festival or we are seriously overestimating homeboy's appeal to the fairer sex. Although this drew less than half the numbers of Obsessed, this still has to be something of a positive showing for a gritty drama of this type. It's doing better than Never Back Down, anyway.

4. The Soloist- $9.71M

As further evidence to my point that big names no longer equal big box office, the combination of Robert Downey and Jamie Foxx got shellacked this week. The extremely heavy looking plot combined with Foxx's George Jefferson haircut no doubt did this film in. Originally this film was scheduled to be released around Oscar time, but was pushed back. A sure sign of a lack of support from the studio.

5. Earth- $8.55M/$14.2M

Disney's foray into nature themed documentaries opened solidly, surpassing the opening of critical and audience favorite, March of the Penguins(which sucked, btw). Opening on Earth Day, the film tells the tale of three animal families as they...I dunno, walk across ice, swim through seas, fall from trees, whatever animals do in these things. I actually thought about seeing this until I remembered how badly I had been burned by other supposed "great" animal docs, like Winged Migration and the aforementioned Penguins. Never again, I tell you. Never again.

6. Monsters vs. Aliens- $8.52M/$175M

As expected, the animated feature had the tiniest drop amongst all returning films at only 36%. Expect this one to hang on in the top ten for a couple more weeks atleast.

7. State of Play- $6.89M/$25.1M

I got a scoop for ya: State of Play was a complete flop. Story on page A18.

8. Hannah Montana: The Movie- $6.37M/$65.6M

Now that this has surpassed the total take of the first Hannah Montana movie, I'm left to assume that someone other than ten year old girls(and John Nolan) went to see this thing. You know who you are, and you should be ashamed.

9. Fast & Furious- $6.06M/$145M

Now the highest grossing entry in the franchise! Congratulations! Ofcourse nobody else involved has any future outside of this series of bad car films, but that's besides the point. Celebrate!

10. Crank: High Voltage- $2.4M/$11.5M

Friday, April 24, 2009

The To-Do List: 4/24/09

What the hell kinda week is this? I get it, Hollywood doesn't want me to have a life so they dump all these movies in my lap knowing I can't resist any of them. In fact I got started early by checkin' out Sin Nombre last night, which wasn't too bad. Even the ones that look awful have the sweet stink of "guilty pleasure" all over 'em.

Speaking of guilty pleasures, the film I'm most looking forward to is Obsessed, starring Idris Elba's cockney ass. Yes, ladies. I know he was a hardened thug in The Wire, but if I blindfolded you and forced you to listen you'd swear he was Colin Firth. He sounds like he belongs on the teaching staff at Hogwarts. Whatever, the ladies love him, and I love Ali Larter. The perennial #1 Draft Pick stars as a temp who develops an obsession with Mr. Elba, which might cause a problem considering he's married to Beyonce in this. Obviously in real life this is a no-brainer but for dramatic purposes we must all believe that Beyonce is a credible option. This movie looks like a thinly veiled attempt to play up racial taboos, the black man cheatin' on the sista with some skinny white chick. I don't care. This looks horrible and hella fun.

I've kinda been excited to see Fighting ever since John put up the trailer all those months ago. I'm a sucker for gritty stories like this, even when there's an obvious candy coated center like this one has. Channing Tatum, who I must confess doesn't urk me as much as he probably should, appears to be in his element playing a street kid who finds himself embroiled in the world of illegal fighting. Terence Howard rounds out the cast as his duplicitous manager. Brian J. White, who I think shows his abs in every movie somehow, looks to be Channing's top rival.

On to a movie I have no faith will be any good at all: The Soloist. Sure, it's got the acting chops of Robert Downey, Jr. It's good the supposed(read: overrated) talent of Jamie Foxx. It's directed by Joe Wright, who recently directed the much loved Atonement. But this movie REAKS of Oscar bait. The premise is absurd, the trailer is overly melodramatic, and Jamie Foxx looks like he's trying too hard. The same way he's tried too hard in every film since Ray, which by the way was just him doing an unfunny version of his Ray Charles impersonation. No, this looks awful. I'll see it, but I'm not expecting much.

Amongst the films hittin' theaters this week that aren't playing in the DC area are Mutant Chronicles, a sci-fi film starring Thomas Jane and Ron Pearlman; and Tyson, a documentary on the controversial former world heavyweight champion. Hopefully both of these will hit DC/VA soon, especially Mutant Chronicles which I posted the trailer for here on the site not too long ago. Looks awesome.

Brett Easton Ellis is a douche. Sure, he wrote some of my favorite books which turned into two of my favorite films, American Psycho and The Rules of Attraction. Let's not forget he also did the 1980's classic, Less Than Zero. But now the latest film from the Ellis archive to be brought to the big screen is The Informers, which if you know the plot of his other films then you know the plot of this one. A bunch of shallow people treating eachother badly in the oh so spoiled 1980's. The reason Ellis a douche? Because I've been waiting years for the Glamorama film to come out that we were teased with in Rules of Attraction. Where is it? Hello? Beuller? This one is in limited release, and if all falls into place I'll be seeing it later on tonight. It's playing at AMC Shirlington, AMC Georgetown, and strangely enough at Hoffman Center. What the...?

While rifling through the showtimes this morning, I ran across a movie called Royal Kill. I don't need to know anything about it, but the cast includes Eric Roberts, Pat Morita, and WWE superstar diva Gail Kim! I'm there! It's about an assassin sent to America to kill a schoolgirl? Holy cats!! Where the hell was this movie hiding at? It's only playing at AMC Hoffman Center in the area.

Last but not least, Lymelife finally hits the metro area after being in limited release the last couple of weeks. It's one of those quirky, independent coming-of-age stories that tend to scare me off a little. Rory Culkin stars as a 15 year old boy who's life is turned upside down when an outbreak of Lyme disease hits his town. Alec Baldwin, Cynthia Nixon, Timothy Hutton, and Jill Hennessy also star. It's only playing at Landmark E Street Cinema if you're dying to check this one out. I want to see it, but it's got a lot of competition for my time and dollars this week.

Thursday, April 23, 2009

The Brothers Bloom in 7 Short Minutes

A few months ago I posted about Rian Johnson's follow up to Brick, the noir classic that has already become something of a cult favorite since it released in 2005. That film is The Brothers Bloom, something of a comedy con movie mixed with Johnson's unique, auteuristic stylings. It stars Rachel Weisz(a personal favorite), Adrien Brody, Mark Ruffalo, and Rinko Kikuchi(Babel) in a bit of inspired casting.

Those who remember my post back then might recall how upset I was that the film had been pushed back. Originally set to release in January, it will now debut in limited release on May 15th and go wider on May 29th. I can hardly friggin' wait!

As if they could tell I was crawling out of my skin in anticipation for it, the first 7 minutes of The Brothers Bloom is available to be previewed. Judging by the look of it, I can already tell I'm going to love it. I love a good con movie, especially ones that don't take themselves too seriously. This looks like it's going to more on the fun side. And the Ricky Jay narration? Perfect.

Anyway, enjoy the first 7 minutesof what is sure to be one of the best films of 2009.

Sin City 2 Being Shopped Around?


The fate of the sequel of 2005's Sin City has been up in the air for quite some time. Director Robert Rodriguez has often said how much he wants to do a sequel to the film, which brought in over $150M worldwide. Frank Miller was up for a sequel as well, even though his stock has plummeted after the dismal showing The Spirit made this past Christmas.

In recent weeks there have been some stories leaking out that the rights to Sin City might have lapsed, and that the Weinstein Company might have lost them altogether. The Weinsteins/Dimension have been on record stating that they believe they still own the rights and intend to produce the sequel. However, it's now being reported that the rights to Sin City are being shopped around to producers by agents representing the Frank Miller estate. What the heck? He ain't dead! Although he might've offed himself after reading reviews of The Spirit....

Sin City has languished in development Hell for the last four years, even though Angelina Jolie has expressed interest in joining the project. It's not clear at this point how this affects Robert Rodriguez, who is very closely affiliated with both the project and the Weinsteins.

Wednesday, April 22, 2009

Crank: High Voltage


If it were possible for WWE Smackdown and Grand Theft Auto to mate, Crank: High Voltage would be the flaming, bacon wrapped spawn they'd produce. Little more than a bevy of weird ideas thrown against a wall and not worrying about whether they stick, Crank isn't a film that should be seen, it needs to be experienced. And not experienced by just anyone. If you didn't enjoy the first Crank, in which Chev Chelios races around town fighting off a lethal Chinese poison in his system, then you probably won't like this one either. Did I fail to mention that Chev plummeted hundreds of feet to his death at the end of that one? Well, in what I guess is now typical Crank fashion, he was literally scraped off the pavement and rushed away to have his organs harvested. Somehow still alive, his captors replaced his heart with a mechanical one, and in order to keep upright he needs to have a constant flow of electricity in his system.

There's a reason the opening credits are presented to us in digitized video game format. Chev frantically goes from stage to stage, battling an odd assortment of weirdos and effed up stereotypes. Jason Statham's Chev is quiet, laconic, vicious and oozing with machismo. He'd fit right in as one of the 300 Spartans in the battle of Thermopylae, only without the long hair and tendency to screw boys. Dwight Yoakem re-emerges as his loyal Microchip, Doc Miles, able to fix any situation regardless of how absurd it might be. If Chev can reclaim his mighty heart, Doc is reasonably certain he can put it back in. This forces Chev to cut a bloody swath through an array of mid-bosses, from cackling Chinese Triads to tatted up Puerto Ricans carrying samurai swords.

Amy Smart returns as Chev's extremely hot girlfriend, Eve. If you remember the first Crank, she bangs Chev in public in order to keep his adrenaline going. Now, having become more...open, with her sexuality she's become a pole dancer. Oh, and she's dating Corey Haim. Yes, that Corey Haim. License to Drive Corey Haim. Again, she finds herself wrapped up in Chev's plight, and this time manages to get screwed in another uncomforable place(word to Mallrats!), this time to produce enough static electricity to keep Chev pumpin'. Amy Smart? Awesome. Amy Smart gettin' done in in the middle of the racetrack while the horses are runnin'? Doubly awesome.

I was a big fan of the first Crank, and eagerly anticipated this one. My biggest fear was that they'd take the controlled wackiness of that film and amp it up too far, and that seems to have happened here. It's literally as if they just said "Fuck It" and put anything they could think of in here: full body terret's victim riding a motorcycle? Check. Bai Ling playing a gun toting Asian hooker who sounds mysteriously like the "$10 me sucky sucky" chick from Full Metal Jacket? Check. Porno stars picketing and rioting in the streets of LA(featuring the likes Lexington Steel{my hero!}, Jenna Haze, etc.)? Check. It's simply too much at times, and while I appreciate any film that doesn't take itself too seriously there is a limit. When Chev and one of his random rivals suddenly transform into giant Godzilla-style monsters slugging it out in the middle of a power plant(I'm not joking) I finally had to throw my hands up in resignation.

That's not to say it's a bad film. It's a lot of fun, which is really the only thing that matters. I do hope that the next Crank, and there WILL be one, tones it down just the tiniest bit. I still want gangsters chopping off eachothers elbows and copious amounts of T & A and blood and guts and more Doc Miles(dude needs his own movie!), but maybe just a little less Bai Ling and a lot less Godzilla. Mmmkay? If not, that won't be cool, and Doc Miles might just haveta choke a bitch.

5.5/10

State of Play


To paraphrase one of the classic X-men titles I've always loved, "Welcome to the world of journalism, hope you survive the experience!" State of Play is a political thriller, but it's core conceit is the supposed ambiguity of journalists. Russell Crowe plays Cal McAffrey, an old school streetwise investigative journalist for The Washington Globe. Cal believes in working the story from the ground up, the way the old timers used to do it; following the clues no matter where they may lead. So ofcourse he has a problem with hot shot blogger Della Frye, played by The Notebook's Rachel McAdams. Cal believes bloggers are a blight on the business, believing(and rightly so at first) that all they do is present opinion with little basis in fact. However, Cal finds his own values thrown into question when a young, upstart, female aide to Congressman Stephen Collins(Ben Affleck) winds up murdered. See, Cal and Stephen are old friends, and the clues are pointing towards Stephen having something to do with it.

Cal reluctantly teams up with Della to uncover the truth about the crime. Cal at first appears to be in this solely to rub her face in the reality of what being a journalist entails, but as Cal begins to dig deeper and his own actions are thrown into question, it's Della who finds herself the lead dog in a case involving a wide ranging conspiracy involving a prominent defense contractor, drugs, and murder. Throughout all this, the writers seem to be saying something about the true nature of the newspaper biz in today's society. Once, newspapers were the eyes and ears to the world for most people. Dwindling sales and an increased irrelevance thanks to the internet(and blogs), have forced most papers either to compromise their integrity for the sake of a quick buck or fold altogether. Helen Mirren plays Cameron Lynne, fierce editor of The Washington Globe who finds herself in the position of having to appease her bosses with eye-catching, TMZ style headlines in lieu of real, fact-based journalism.

Perhaps the most entertaining thing about State of Play is that about 1/3 of it was filmed in DC. Georgetown was the setting for the brutal opening chase sequence, and Crystal City's American Hotel figured prominently in the final acts. And as is standard nowadays we get the usual group of prominent Washington reporters playing minor bit parts: Frank Herzog pops his face in as part of some sub-committe, Margaret Carlson, and ofcourse Bob Woodward who probably has an IMDB credit list as long as my arm at this point. In order to shoot the murder which sparks the film's story, Rosslyn Metro was used as the locale. You'd think with all the headaches I went through trying to get home during their filming(it slowed down multiple friggin' lines) they'd give me a credit or something. A day's scale pay, but nooooooo....all I got was the chance to maintain my wavering balance in a packed metro car.

My beef with this movie lies in the fact that it never seems to reach the lofty perch that it set for itself. It aims to have something to say on a variety of topics, but the main one is the rivalry between real journalists and the blogger culture that is rapidly overtaking them. This was set up pretty well initially, but then the idea is dropped in favor of a rather straight forward thriller. At the end there appears to be a feeble attempt to cram home the idea that the day of the gumshoe reporter is dead and buried, but they might as well have left it out. I'm not sure whether they are saying that bloggers are the new reporters and that we're better for it or not. Frankly, I stopped caring right around the time the movie stopped caring about it. Also, is it just me or are defense contractors getting shelled on both film and TV lately? According to both, they're all staffed with looney, gun-toting thugs who'll kill anybody who threatens to their sacred company. I've worked for defense contractors my entire life, and let me tell ya there's always another company to move on to. No need for indiscriminate murder to save your sweet gig.

State of Play is a meaty, weighty thriller that won't disappoint. It's a bit heavy handed at times, but I believe the performances of Crowe and Mirren more than make up for any deficiencies. Ben Affleck was strong, once again proving that the man can act despite some questionable choices in roles. Rachel McAdams was a little disappointing in that she didn't have nearly enough to do for such a major character. And don't even get me started on Jason Bateman, who I guess had a hole in his schedule he needed to fill. State of Play probably won't do as well in the box office as it's star power would demand, which leads me to wonder if we aren't just seeing the death of the journalist but the death of the big budget political thriller as well?

7/10

Monday, April 20, 2009

1st Glimpse of Russell Crowe as Robin Hood

Russell Crowe is an actor with an almost chameleon-like ability to melt into any role. In particular when he works with Ridley Scott, who seems to recognize this in Crowe, as he's played wildly different characters in each of their collaborations that demanded a near total body shift for the actor. After working together previously in 2000's Gladiator and in 2006's A Good Year, the two join forces again to tackle the epic tale of Robin Hood, with Crowe in the title role. Well now we're getting our first look at the Aussie actor in action, and while it's not much it's enough to whet the appetite.



I still think Crowe's a little old for the role, but he still looks pretty cool. It also features the talents of Vanessa Redgrave, Cate Blanchett, and William Hurt. Robin Hood is set to be released in May 2010.

Top Shelf at the Box Office for 4/20/09

The wind's are changing, my friends. For the second week in a row the #1 slot found itself occupied by one of Hollywood's impish upstarts. Last week it was Miley Cyrus, this week it's the Tiger Beat heartthrob Zac Efron. I'm beginning to think that the age of the $20M dollar veteran actor/actress is over, and that a new age of young, "hip", stars rehashing creatively bland material is here.

1. 17 Again- Body swapping films like this are a dize a dozen. They are a familiar premise and are almost always reliable at the box office, no mattter who fills the shoes of the lead character. This time around it's Zac Efron, the guy who bangs Vanessa Hudgins. I think he dances or something, too. Even though I personally believe that Efron's staying power as a major star will be brief, it's hard to deny the fact that he's had three major hits in a row. My major reason for hating this film is that it gives studios another reason to think that Matthew Perry is worth putting in more movies, and that should be a crime in and of itself. I'm starting to see a trend here where major studio films starring the "old guard" of established veteran actors are pulling in less money than expected, while cheapie movies like this starring marginal talent in tired old premises are kicking mucho arse.

2. State of Play- $14.1M

The Russell Crowe/Rachel McAdams political thriller fell within expectations by analysts, but still this has to be somewhat disappointing for a cast this powerful to fall behind a relative newcomer. This is still a better opening weekend than last year's Body of Lies, which only managed to rake in $39M domestically. However with a slew of heavy hitting films coming up, I expect this film to plummet rather quickly and struggle to come close to matching even that tally.

3. Monsters vs. Aliens- $12.9M/$163M

As expected, MvA held on to one of the top spots, based on the strength of IMAX and the strength of the film itself. MvA is now the highest grossing film of the year so far. Even with all of the films coming out this week, I expect this will still manage a top 5 spot next weekend.

4. Hannah Montana: The Movie- $12.7M/$56.1M

Ouch. Last week's numero uno dropped 61% and looks to be tanking fast. No doubt the emergence of the equally teen-centric and family friendly 17 Again had a lot to do with that, as they both appeal to similar audiences. Or it could be that people saw this once, regretted it and told others how much it blows chunkage.

5. Fast & Furious- $12.3M/$137M

6. Crank: High Voltage- $6.51M

The Jason Statham action absurdity debuted at nearly $4M less than it's predecessor, which doesn't surprise me one bit. As much as I dig the franchise, it never should've been a franchise to begin with, and I think audiences realized that one Crank was more than enough. There's something to be said for audiences possibly being pulled away by the somewhat similarly themed Fast & Furious, but that probably has less to do with it than people seeing that this sequel was wholly unnecessary. Even the trailer looked a bit too familiar to the original Crank. That doesn't give people a ton of incentive to see it.

7. Observe & Report- $4.05M/$18.7M

Another Seth Rogen clunker. It's starting to look like Rogen minus the genius of Judd Apatow might not be the superstar we thought he was. After two weeks this movie is now on a track to earn less than Zack and Miri Make a Porno, and that's saying somethin'.

8. Knowing- $3.48M/$73.7M

I can't believe this is still here and making loot. Obviously word of mouth has been very strong, and deservedly so.

9. I Love You, Man- $3.37M/$64.7M

10. The Haunting in Connecticut- $3.15M/$51.9M

Also: Remember Dragonball Evolution? Probably not, since apparently only me and a handful of others actually saw it. Even after it's paltry debut last week it still managed to find 67% to drop, down to $1.6M for the week. Pitiful. American Violet, the true story of a poor woman falsely accused of drug trafficking, debuted in only 61 theaters and hauled in $257,000 for one of the largest per site averages of the week. Not bad. It'll probably expand to more theaters based on these numbers.

Friday, April 17, 2009

The To-Do List for 4/17/09

This past week was arguably the worst of the year so far, with a bored looking Seth Rogen leading the pack closely followed up by Chow Yun Fat phoning one in, also. So it's only fair that Hollywood do us a solid and drop a couple of heavy hitters on us. One of these in particular is a film that both John and I have been anxiously awaiting since we first posted the redband trailer for it a few months ago. I'm sure you can guess which film that is.



Crank: High Voltage is most obviously the film that I've been dying to see. You didn't seriously think it'd be some Zac Efron shit, did you? Taking place immediately following the sudden death ending of the first Crank, this one continues the improbable story of a Chev Chelios. In the last film, Chev had to keep the adrenaline pumping in order to counteract a fatal poison running through his veins. In this one, Chev is dead, but apparently that can all be fixed with an artificial heart. I guess somehow that negates the poison that was already...there? Whatever, I'm thinking too much about this already. All I care about is whether or not they keep the action level pumped up to 11. Mix that up with plenty of Amy Smart pole dancing; copious amounts of hot broads, big guns, F Bombs and Dwight Yoakem and I'm there for the ride. This one's out pretty much everywhere, so go run out and see it, but make sure you check the first Crank beforehand.



Woe is the investigative journalist. State of Play, a political thriller about a journalist investigating the murder of a prominent politician's intern, features one of the best casts of the year. And even though the trailer looks great, these types of films tend to all fall into the same category for me. I dig them, but never ever watch them a second time. Starring Russell Crowe, Helen Mirren, Ben Affleck, and the lovely Rachel McAdams, it's based off a BBC miniseries from back in 2003. Judging from some early reviews, it spends a lot of time lamenting the fall of the newspaper and the rise of bloggers as the new journalists. It's a lesson I'm not all that interested in listening to, so let's just hope it's not too heavy handed.



See if you've heard this before: Dull, boring middle aged dude who regrets his life suddenly wakes up as his 17 year old former self. Given the sudden opportunity to relive his life, he jumps at every chance to make himself and the people he knew as an adult happy. Sound familiar? Like every other body switching movie ever made? That's what 17 Again, starring the most unfunniest of unfunnies Matthew Perry and some guy named Zac. Have you ever known anybody named Zac(or Zack) who wasn't a douche? Didn't think so. This movie is about as appealing to me as a cold sore. No way in hell I'm seeing it.

Also of note: Landmark E Street has picked up The Mysteries of Pittsburgh, an indie film about a slacker guy who apparently needs to grow up. I've heard awful things about it, but the cast has me intrigued: Sienna Miller(whooahhhh!!), Nick Nolte, and Peter Saarsgard. I have a hard time believing that cast made a film that bad.

American Violet has expanded to more theaters...all indie ones. The true story of a poor woman falsely accused of drug trafficking and finding herself trapped in a corrupt legal system has been drawing rave reviews. After I've made sure to have my mind appropriately turned to mush by Crank, I'll have it pieced back together with a film like this. It's now playing at Landmark E Street, AMC Shirlington, and Cinema Arts Theater in Fairfax.

Thursday, April 16, 2009

Underworld Creator to Bring Frankenstein to Big Screen


Kevin Grevioux, the writer/creator of the Underworld series of vampires vs. werewolves movies is dipping his hands into the classic monster pool once again. He'll be bringing his upcoming Dark Horse comic I' Frankenstein to the big screen alongside Patrick Tatopoulos. Tatopoulos directed Underworld Evolution earlier this year. I Frankenstein is a modern take on the classic mythos. Now Frankenstein finds himself going into pitched battle against a who's who of legendary figures such as The Hunchback of Notre Dame, Dracula, and The Invisible Man.

The idea sounds pretty intriguing, and I've become a huge fan of Grevioux's movies(not necessarily his comics). But what has me worried is that this film has been optioned based on potential alone. The comic itself hasn't even been released yet and already studios have snapped it up. What if it stinks? Does that even matter anymore or are ideas enough nowadays? I think Hollywood's obsession with comic books is starting to reach a critical mass.

Wednesday, April 15, 2009

New 'The Brother's Bloom' trailer!



Here's the new trailer for Rian Johnson's The Brother's Bloom. I get more excited for this flick with every bit of media I see. I'm not really seeing any possible downside so far. It's got a really cool premise, a great cast, and now after seeing this trailer I know that it was beautifully shot. I do have a weakness for films shot in European towns but I'm pretty sure I'm not being biased in saying that the views here are breathtaking.

WOLVERINES!!!! Red Dawn Remake Gaining Steam!

If you were a kid in the 80's like I was you probably remember the movie, Red Dawn. It was an uber-patriotic war film about what happens to a small town when the Russians and Cuba decide to invade American soil. A small group of kids gather up their weapons, their daddy's pick up trucks, and tie their favorite bandanas around their heads and decide to fight back! It starred a virtual who's who of young Hollywood at the time: Patrick Swayze, Lea Thompson(pre-tongue kissing Howard the Duck)Jennifer Grey(pre Baby in the corner!), Charlie Sheen, and C. Thomas Howell. The film made absolutely no sense at all if you give it even the slightest thought, but even to this day I still love it. Inside my mind I still shout the rallying cry of "WOLVERINES!!!" everytime I feel my personal space being invaded. Yes, even my innermost thoughts are nothing more than random movie quotes and comic book battle cries.

Well it's been known for some time that a remake was in the works. It's slated to be directed by first timer Dan Bradley, who's previous credits include working on a bunch of films I thought were awful: Spider-Man 3, Indiana Jones and the Crystal Skull, and Quantum of Solace amongst others. Latino Review has a script review which includes some surprising choices for the opposing forces this time around. I must say that I am intrigued.

You can find the full story and script review by clicking right......here.

Tuesday, April 14, 2009

First look at Micheal Myers from 'H2'


Besides the horrible title, I'm looking forward to Rob Zombie's Halloween sequel H2. I am a huge fan of Carpenter's original and was pleasently suprised how well Zombie's reboot turned out. I was one of the few people who really thought that the story benefited from the extensive background given to Myer's instead of just leaving him shrowded in mystery, but that's the way I am. When I become a fan of something I like to know every little bit about it. For anyone that didn't know shooting is underway for the sequel which is due out later this year, the storyline is set to follow immediatley after the close of the last film much the way of the original sequel. I do not know if it is a direct remake of the original sequel or not, that much remains to be seen (Man all this remake, sequel and remake of a sequel is getting confusing!). Anyway here is the first pic of masked Myers on set from the new flick. I like the look it goes with the grungy motif that is Rob Zombie films, however don't get too attached as word is that Myer's spends much of the movie unmasked.

More Expendables Set Pics




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Here are some more pics from the set of The Expendables courtesty of Ethelmae's Blog. Nothing really ground breaking but a cool pic of Sly and Jason Statham walking around disguised as tourists. Is it just me or is Statham bigger than usual?

Ghostbusters 3 or Police Academy 8?


I am extremely excited for the upcoming Ghostbusters video game, it's visually stunning and really seems to capture the theme and feel of the original movies. I wish the same could be said for the new movie that's in development. We have heard everything from Ghostbusters in space to the Judd Apatow crew taking the reigns and honestly we have yet to hear one promising bit of information save for the fact that the original crew is set to return. Well it looks like that Jr. Ghostbuster's club rumor may be true according to Ray Stantz himself, Dan Akroyd, who was quoted by /Film saying the following:

“There will be a whole new generation that has to be trained, and that whole new generation will be led by an individual who you’ll all love when you meet him but I’m not going to tell you anything yet,” teased Aykroyd. “They’ll be lots of cadets, boys and girls, who’ll be learning how to use the psychotron, the accelerators and all the new stuff, the neuron splitter, which is going to be the interplaner, interceptor and all these great tools that they’re going to have, to flip from dimension to dimension.”


I may be misreading this, but I got in my head a visual of Ghostbusters meets Police Academy, if that's the case I'd rather they not make the film. Honestly at this point I don't think they should make the film at all and only further the story through other mediums like the video game. I mean honestly have you seen Harold Ramis, Bill Murray and Dan Akroyd latley? Not that they were ever Alpha male type action stars, hell that was part of the joke, but they have really hit the wall at this point and would probably just look pathetic in the jumpsuits. Ernie Hudson's probably the only one that would remain convincing. I'll end this post by saying I love the Ghostbusters, even Ghostbusters II, and I'll pray that I'm wrong about this third installment. Until then here's hoping that the franchise isn't ruined for some late career paychecks.

Observe & Report, Buck Howard, Dragonball Evolution, Sunshine Cleaning

It's been a rough few days, so I've only got time for a few capsule reviews. I'm sure John will do a much more thorough review of Observe & Report, or at the very least we will run through these films on the show this weekend.

Observe & Report

The Seth Rogen honeymoon is over. Kinda sad considering I've been a huge fan of his ever since the flu episode of Undeclared(which he wrote). Here, Rogen plays bipolar mall cop Ronnie Barnhart, who takes his job just a tad too seriously. When the cosmetics girl(Anna Faris) he's fallen for has her life seemingly threatened by a flasher, Ronnie goes overboard cranks the violence level up to 11. If that sounds eerily similar to Paul Blart, it's because the plot is almost the same. The execution is much darker and somewhat disturbing. This is not your typical comedy. Frankly it's a pretty disgusting film at times, and Ronnie is no hero deserving of our support. In fact, it goes way too far at times, pushing way beyond the boundaries of comedic violence and into some pretty criminal territory(you'll know it as soon as you see it). Observe & Report seems to not know what it wants to be, comedy or black indie drama, and excels at neither. It's still better than the miserable Paul Blart, although Rogen's character isn't nearly as likeable. 5/10

The Great Buck Howard

The story of a past his prime mentalist who used to be big on the late night circuit of the 60's and 70's is full of potential, and John Malkovich does his best to make Buck a compelling flawed character. He's a little self absorbed, ornery, dismissive, and more than a little jealous of those more famous than him, although he'd never admit it. Colin Hanks plays his somewhat conflicted assistant who caters to Buck's every whim. Emily Blunt is the publicist forced to put up with Buck's arrogance, and ultimately finds a kindred spirit with Hanks. Writer/director Sean McGinley based the film off his own experience as a road manager for The Amazing Kreskin, which makes me wonder if he imagines himself as dull and lifeless as Hanks is. The younger Hanks doesn't have a tenth of his father's charisma, which is painfully obvious during one of the two brief appearances Tom makes in the story. Also, if this was McGinley's experience on the road then it must've been pretty damn boring and unfulfilling. A lot of wasted talent and potential here. 5/10

Dragonball Evolution

I knew it'd be bad. That was a given. But rather than just being an awful film, they had to go ahead and try to make it good yet fail so miserably. I'll admit that I was interested in this completely whitebread rendition of the Japanese anime classic for the first few minutes, but gave up once it started taking itself far too seriously. Chow Yun Fat continues his slow descent into film irrelevance, while James Marsters dresses up as walking head of lettuce with a chimp sidekick and Bai Ling replica robot. Oh, that was actually Bai Ling. Whatever. Fans of Dragonball won't recognize anything that made them love the anime, and newbies will have their brains turn to mush trying to sort out why they should give a damn. On the plus side: Emmy Rossum is friggin' hot as Bulma. 4/10

Sunshine Cleaning

I actually saw this almost two weeks ago but never wrote about it. I remember being disappointed in the utter lack of laughs and the poor comparisons it was getting to Little Miss Sunshine. Now having seen it for a second time, I've come to appreciate more the understated performances of Emily Blunt and Amy Adams, who's sisterly bond is the driving force here. Adams plays a former high school prom queen, the type of woman who every girl wanted to be. But as normally happens when school ends and life takes over, things did not quite go as planned. Now, a single mother working as a maid, she jumps at the opportunity to start her own business cleaning up crime scenes alongside her erratic sister. Meanwhile her father, played by Alan Arkin, is a man who continues to struggle to live up to the high expectations he feels his kids(and grandson) have for him. I felt he was channeling a bit too much of his Miss Sunshine character, but in general everyone here is very strong. Especially Clifton Collins, who is consistently one of my favorites in every film he's featured in, as the cleaning supply shopkeeper who takes an interest in their fledgling business. Before I said that this film was "No Little Miss Sunshine", and I meant that in a negative way, but I can honestly say now that it's a good thing. It's not supposed to be that film, it more than stands on it's own, and in some ways is even superior. 7/10

Monday, April 13, 2009

Punch Drunk Podcast: Episode #20

The Countdown to our 25th episode begins!!

This week on the Punch Drunk Podcast..

1. John and Trav rev up their engines for a review of Vin Diesel's latest, Fast & Furious!

2. The review of Adventureland turns out be more than just another day at the park!

3. Doubt is out on DVD? SO WHAT!? Donkey Punch is the DVD event of the year, monkeys!

4. News on the Wolverine leak...and a bid to become the unofficial sponsors of The Expendables. It's only fair.

5. In honor of Adventureland, our Top 5 Coming-of-Age films with a couple of surprising additions!

We hope you'll join us for another fun hour(or so). You can find The Punch Drunk Podcast on Itunes or any of the finer podcast directories. Or you can subscribe to the show directly right........here.

Stone Cold + Eric Roberts + Explosiony Goodness = The Expendables


I don't think I have to say anything else. Just dig the first real action shot coming from the greatest movie yet to be released, The Expendables. It looks like Stone Cold might be trying to best John Cena's The Marine for most scenes of him leaping away from fiery explosions.

New 'The Brothers Bloom' poster!


Here's a new poster for the upcoming Rian Johnson film The Brothers Bloom starring Mark Ruffalo, Adrien Brody, and the beautiful Rachel Weisz. What a different/awesome looking one sheet. Nowadays there is little to no originality when it comes to movie posters...I mean we've all seen the same 4 templates used for every movie. This is a nice departure from that, very vaudevillian in it's look. The flick is basically a con/heist movie that I know Trav and I are both eagerly anticipating. If you haven't yet had the chance check out Johnson's last flick Brick its an AWESOME noir type mystery movie that does not dissapoint so go check it out allready!

Scott Pilgrim site Officially Opens


I've been neglecting to talk about the upcoming Scott Pilgrim film. The buzz from the fangeeks has been so loud and so....crazed, that I didn't want to associate myself with it. I like to think I'm above that sort of thing. I prefer to reserve my geekiness for big budget action films featuring a cavalcade of action icons. Director Edgar Wright has been posting numerous photos on his blog, mostly featuring the cast in shots that show how much they all resemble their comic book counterparts. And what a cast it is! Michael Cera plays the titular hero, who falls in love with the beautiful but...complicated Ramona Flowers. But before he can truly win her heart, he must defeat her seven evil ex-boyfriends. The amazingly hot Mary Elizabeth Winstead(Sky High) plays Ramona. Kieren Culkin, Brandon Routh, Allison Pill, Anna Kendrick(another Trav fave),Chris Evans, and Jason Schwartzman round out the cast. The comic is delightfully wacky, combining elements of manga, American superhero, and teen angst comics(ala Strangers in Paradise).

Well now the official site has opened for the film, and it features a video blog featuring Edgar Wright introducing us to the world of Scott Pilgrim. I have to say that I'm getting pretty psyched for it right about now. You can hit up the official site by clicking right.....here.

Top Shelf at the Box Office for 4/13/09

Easter weekend tends to be a slow weekend for movies, with most people out suffering through family dinners or on their hands and knees scavenging for hard boiled eggs. There's also a fair amount of Cadbury creme egg consumption and I assume a large spike in sugar diabetes cases. This year was something different, however, as people came out in droves to their local theaters to see a rack of vastly different flicks. Me, I spent practically my entire weekend at the movies(4 flicks in three days), so maybe it was just something in the air.

1. Hannah Montana: The Movie- $34M

Disney initially estimated that this junk would equal the opening weekend of The Lizzie McGuire movie, but Miley showed her box office punch by more than doubling those predictions. I admittedly know next to nothing about Hannah Montana, Miley Cyrus(they're the same person, right?), Billy Ray Cyrus, Osiris, or whoever else is in this thing. I do expect that this will probably be the #1 film for a second week based off the relative weakness of the upcoming slate of films. As for whether or not this Cyrus thing is here to stay, I doubt it. At some point she's going to get older, and her appeal will fade away as she starts gettin' banged out by rock stars and doing Maxim spreads. But for now she's a box office juggernaut.

2. Fast & Furious- $28.8M/$118M

Last week's numero uno skidded into second place amidst a 59% drop in box office revenue. That's not really all that surprising, considering this type of movie typically doesn't perform well on a weekend that's mostly reserved for family oriented films. What is surprising is that F&F actually beat out Hannah Montana on Saturday, showing that this movie still has a lot of staying power.

3. Monsters vs. Aliens- $22.6M/$141M

I expected this to actually beat out F&F this week based, but I wasn't that far off. Dreamworks' animated epic is holding on strong for a third week in a row and I'm willing to bet that it retains a top 5 spot next week, based on the strength of the film and it's expansion to IMAX.

4. Observe & Report- $11.1M

This has got to be a bit disappointing. Seth Rogen's latest, an extremely dark comedy about a bipolar mall cop didn't really strike a chord with audiences or critics. A lot of it probably has to do with the somewhat confusing marketing campaign. But I'm betting that another factor is it's close proximity to Paul Blart: Mall Cop, another similarly themed film. That film at this point was #1 at the box office with more than triple the receipts of O&R. With two straight Rogen films topping out at $11M on opening weekend, the question becomes whether or not audiences are going through something of a Seth Rogen Fatigue? His next movie, Funny People, also starring Adam Sandler might be the deciding factor.

5. Knowing- $6.67M/$68M

Really? This is still in the top 5? I'm going to go out on a limb and say that maybe the religiously tinged picture benefitted from the Easter weekend. Knowing had the second smallest drop from last week, a surefire sign of strength.

6. I Love You, Man-$6.41M/$59M

Recorded the smallest drop of the week at only 17%. This one's got legs.

7. The Haunting in Connecticut- $5.71M/$46.3M

8. Dragonball Evolution- $4.65M

Supposedly the script for the sequel is already completed. I'm wondering if, after seeing the total box office for this week, if the studio heads have already wiped their asses with it or used it to line their birds' cages. Opening at over 2100 screens, nobody saw this thing. Except for me and the 10(!) other people at the showing I went to. It's opening take is roughly the same as Street Fighter: The Legend of Chun-Li....but that film had far fewer screens. I expect this will do better internationally, but having a bunch of Americans playing the very Japanese roles might hurt even that.

9. Adventureland- $3.43M/$11.4M

Be ashamed, America!

10. Duplicity- $3M/$36.8M

Certified dud. Be double ashamed, America!

Saturday, April 11, 2009

The To-Do List: 4/11/09

Yeah, it's a day late. So sue me. You know how I get on my days off. In fact, this To-Do List is pretty much already done, which leaves me with precious little left to see for the rest of the week. I should space movies out more. Or maybe, find something else to do.



The most anticipated release of the week is undoubtedly Observe and Report, starring the go-to guy for comedy, Seth Rogen. It stars Rogen as a delusional rent-a-cop at a local mall, who falls in love with the shop girl in the beauty department. Sound familiar? Yeah, it was the plot for Paul Blart. But having seen this already I can tell you that this is no Blart. It's much darker, and frankly it's a little weird. It's written and directed by Jody Hill, who most recently brought us The Foot Fist Way and co-stars Anna Faris, who's lips are getting bigger by the movie.



Chow Yun Fat continues his descent into film irrelevance as he stars as Master Roshii in Dragonball Evolution, a big screen version of the once popular Japanese cartoon about superhumans who hurl fireballs at eachother and turn into apes or something. The cast is delightfully W.A.S.P.y, starring Justin Chatwin and Emmy Rossum in roles they simply have no business playing. I do have to say that Ms. Rossum looks sexy wielding those twin guns of hers. Oh, and Piccolo looks like a walking head of lettuce. The special effects here leave much to be desired.

John has been aching to see The Hannah Montana Movie. He's forbidden me from saying anything remotely negative about it, and as such I'm going to close out this section now so that nothing slips out.

There's a screening of State of Play on Monday at the Mazza Gallerie, which stars such heavyweights as Russell Crowe, Helen Mirren, Rachel McAdams and Ben Affleck. If things go as planned I will definitely be there....but then again nothing ever quite goes as planned so don't count on it.



That's all for the major releases, but there's still some leftovers from previous weeks that I've yet to dive into. Sin Nombre is still pulling people in by the dozen over at Landmark E Street. I know because I had to pass them all by as I walked alone to see The Great Buck Howard(review to come). Tuesday there will be a screening of the much talked about American Violet over at Landmark E Street. It tells the tale of a poor woman who finds herself swept up in a corrupt legal system, falsely accused of being a drug dealer. The story is based off actual events that took place during the 2000 presidential election. I'll definitely be trying to hit this one.

Thursday, April 9, 2009

'Extract' trailer!



Here's the trailer for Mike Judge's new movie Extract. Judge is most famous for Beavis and Butthead but most recently did the severly underrated Idiocracy. This flick stars Jason Bateman which always peaks my interest and features Mila Kunis who looks absolutley amazing. Also showing up is Ben Affleck in a supporting role, call me crazy but I think I prefer ole Ben in this capacity. He can hold his own as a leading man, but he's always more likeable in my opinon, in smaller doses.

Arnie Cameo Confirmed for 'Terminator: Salvation'!!


Well, the head of the Californian government sure is busy. In between balancing budgets and approving energy policies Ahhhnolld is now set to appear in TWO movies this summer. We already knew and heard all about his controversial appearance in The Expendables, well it is know being reported that the big guy is confirmed for a cameo role in Terminator: Salvation. There is no word as to what his role will be but I would guess it will be as a quick look at the "future" Terminator, the T-800. I would not count on a substantial role or even really a line of dialogue but we shall see.

Venom Spinoff Film Confirmed!


Sci-Fi Wire has a story confirming that Sony is moving ahead on a proposed Spider-Man spinoff focusing on his evil alien doppelganger, Venom. Venom was the key nemesis for Spider-Man in the underwhelming third film, and was played at the time by That 70's Show's Topher Grace. No word on whether or not he will return as Eddie Brock or if they will go in a new direction. The script is being handled by Zombieland screenwriters, Paul Wernick and Rhett Reese.

This is a big mistake. First of all, they didn't exactly make Venom all that impressive in Spider-Man 3. He was cool to look at, but they didn't really give us a reason to care about what he does next. The only route this can take is if they turn him into an anti-hero, which as any Marvel fan can tell you was exactly when Venom became uninteresting in the comics. Ofcourse these studios aren't concerned about the long-term viability of the character as they are about how much money it can make immediately, so maybe that won't matter. It doesn't appear as if Sam Raimi is in any way attatched to this, a fact that will not escape fans.

Wednesday, April 8, 2009

Sony Hopes for a Colossus of a New Franchise


Sony Pictures is turning to it's vast video game library for it's next big special effects feature, adapting the extremely popular Shadow of the Colossus game into a motion picture. The game, which was released back in 2005 only on the Sony PS2 console, tells the story of a warrior who must defeat 16 creatures in order to revive the life of a girl. The game was known for it's amazing, larger than life graphics featuring bosses that were multiple-stories tall. The film is to be written by Justin Marks, who also recently has been tapped to pen the upcoming He-Man film.

Tuesday, April 7, 2009

First look at Don Cheadle as ‘Rhodey’ in Iron Man 2


Shooting is underway on the set of Iron Man 2 and with that comes our first look at the only major recasting, Don Cheadle stepping in for Terrance Howard as Rhodey. Personally I like Cheadle as an actor a whole lot better than Howard, that being said I definatley feel that Howard is more belivable as the man that will become War Machine. That thought may be unfounded as it is based soley on physical size, with Cheadle being a much smaller man and since size matters not when your wearing a 2 billion dollar suit of armor there's no reason to doubt Cheadles belivability. (Award for longest run on sentance goes to me!) What do you guys think?

Thanks to /Film for the image.

First set pics from 'The Expendables'!!


Well it's official, as evidenced above this thing is actually happening. Damn, what I wouldn't give for even a one day set visit. Above you can see Sly himself shooting the first of many days from The Expendables. I wonder if the logo on that plane is the expendables logo, the bad guys logo, or just some random fake airline?

Follow The Expendables on Twitter!

Everybody's gotten into the Twitter thing, even apparently the publicist for the greatest action move OF ALL TIME!! Yes, you can follow the goings on during the shooting of Sly Stallone's upcoming actioner, The Expendables, by clicking right.....here! Curious about how Jason Statham's abs look while he's on the set? Well, now you will know.

Top Shelf at the Box Office

Yeah, it's a day late, so sue me! My work comp was down so I did next to nothing yesterday. Actually it's still down, so I'm working from the comfort of my basement right now. So if you can imagine it, I'm sitting here in my boxer shorts and Thundercats t-shirt slaving away here. If you've managed to keep your cereal down after that, hopefully you'll keep reading.

1. Fast & Furious- $72.5M

Vin Diesel and Paul Walker ran over the competition this week, blazing a trail that led to $72M in the first three days of release. That's already half the total gross of the first F&F film, and is $10M more than Tokyo Drift earned throughout it's run. Obviously the reuniting of the original stars was the boost the coasting series needed, although they probably would've pulled in a few extra million if only they could've somehow included Bow Wow's "cool" Incredible Hulk car from the last film.

2. Monsters vs. Aliens- $33.5M/$106M

Last week's #1 slips to numero dos, after losing it's one week record for best opening of the year so far. MvA is filling up IMAX theaters and 3-D at a pretty decent clip right now, so the chances are this will hang on to a top 5 spot for a little while. Especially considering that Fast and Furious's word of mouth has been...mixed, to say the least. Obviously Dreamworks has to be happy with the returns on this one.

3. The Haunting in Connecticut- $9.55M/$37.2M

4. Knowing- $8.13M/$58.2M

Knowing is starting to falter a bit, mainly due to powerful competition. Still, that's a pretty good total for a film with an estimated budget around $50M. Also it's faring far better than the other two films that came out that seem week.

5. I Love You, Man- $7.85M/$49.3M

Holding steady, the Rudd/Segel film is actually doing better than Role Models and Forgetting Sarah Marshall did in week 3.

6. Adventureland- $6.01M

The other major debut for the week turned out to be one big disappointment. The coming of age comedy failed to make an impression despite a young, popular cast and interesting storyline. Truly a shame that this comedy will go the way of other recent comedies not sporting the Apatow label, because in my humble opinion Adventureland is the best film of the year. Ok, second best.

7. Duplicity- $4.3M/$32.4M

8. Race to Witch Mountain- $3.35M/$58.4M

9. 12 Rounds- $2.3M/$9.02M

I have to admit, I take some weird pleasure in just how much more money The Rock's film is making ahead of John Cena's turd pie. It's almost like the two are in a vicious WWE angle right now, and the Rock just bashed Cena over the head with a folding chair.

10. Sunshine Cleaning- $1.88M/$4.77M

The beginning of the end? Or the end of the beginning? It's hard to say whether or not this will truly be the "breakout indie" of the season. After expanding to another 500 screens, it's 1.8M take is kinda small. It still pulled in an average of over $3700 per site, which is really good. But there was some powerful competition this week which might have led to the modest number. This week, which features only Observe and Report, a lame looking Dragonball flick, and a Hannah Montana movie might be a better indicator of the...freshness of Sunshine Cleaning.

Also....Alien Trespass debuted in only 40 screens and pulled in $43,437 over the weekend. Here's hoping it hangs on for awhile so that more people can give it a chance.

Sunday, April 5, 2009

Elm Street finds it's Freddy!


There have been rumors of this casting for months now, but Variety reports that the rumor has become the truth. Jackie Earle Haley has officially signed on to star as the notorious serial killer in the reboot of New Line's A Nightmare on Elm Street. Personally I'm over the moon about this news, don't get me wrong I love Robert Englund as much as the next guy but he's too old for the reboot. Haley's acting chops will also help quite a bit as the New Line remakes have a tendancy to focus more on the killer than his prey and of the big three I think Kruger would benefit most from a deep look into his origins. If they start when he is still killing kids in human form and move through that story to when the community eventually lynches him than I think there will be plenty for Jackie Earle Haley to chomp down on. Also I would expect the truly nightmarish menacing Kruger from the original, and not the whimsical joke happy clown from the later films. Here's to the legitimacy of the horror film!

Friday, April 3, 2009

Fast and Furious


“I live my life a quarter mile at a time.” Words so wonderfully cheesey that they were destined to become iconic, much like the film that contained them. The original ‘The Fast and The Furious’ sparked a sort of mini cultural revolution when it came out in the earliest parts of this decade. Overnight kids everywhere had decals on the sides of their $400 Toyota Camry’s and neon lights underneath them. Who didn’t watch that flick and want to be in that lifestyle? For all its bad acting and cringe inducing dialogue (“I need NOS!”) it was an original flick that was completely enjoyable and sits on the level of semi-classic status. The sequels? Not so much. While both films are watchable and will show you a good time, they were missing the magic that the original brought with it. Fast forward to today and the fourth installment of the franchise with the uninspired title, ‘Fast and Furious’.

We meet up with Dominic Torretto and his crew, including Michelle Rodriguez as Letty, in the Dominican Republic. They are in the middle of hijacking an tanker truck full of gas. After the boost Dom decides that the cops are closing in on him, and rather than bring his whole crew down with him he will escape to Panama in the middle of the night bringing the heat from the heist with him. Meanwhile back in the US Brian O’Conner is working for the FBI trying to track down the head of a major heroin cartel, Antonio Braga. The two are brought together again when a member of their old crew is murdered and a member of Braga’s cartel is the main suspect. Luckily for the Dom and Brian, Braga transports all of his drugs across the border through tunnels in cars driven by street proven racers, and there just happens to be an open spot. The race is on to see who will get the spot and be given access to the inner workings of Braga’s operation. Either Dom, who’s out for blood and revenge, or Brian, who is trying to play by the book or should I say play by the badge.

Let me start of by saying that I loved ‘The Fast and The Furious’ and was a marginal fan of the sequels. That being said I knew what to expect when I sat down to see ‘Fast and Furious’, I knew the downfalls beforehand the acting was going to be downright bad, the dialogue would be subpar and was going to be a lot of logic to be suspended. These things are all true about the movie, what I didn’t know however was that they were going to totally abandon what made the original so great and basically rip off the core plot of ‘2 Fast 2 Furious’. I understand why they did it, because being drug runners for the bad guy fits into the plot structure they were going for but I’m just disappointed that they didn’t go to a different place with the whole story, it just feels reused. The other gigantic dagger was the car racing itself. Lots of quick cuts and shaky cam….ok I expect that, but what I didn’t expect was them to put in a GPS gimmick that turns the racing scenes into a hybrid between the first film and a video game. Even the cars themselves left a lot to be desired, don’t get me wrong I love Dom’s charger, but they gave it no panache. I still remember without watching the movie the exact look of Dom’s RX-7 or Brian’s green Eclipse and orange Supra, but the cars in this film are totally forgettable…nothing to ‘em. There’s also a lot lacking as far as storytelling goes, the timeline is never really explained but we get a quick throwaway line that it takes place five years after the first one, confusing this is the appearance of Han from the third movie before he goes to Tokyo. The Brian/Mia love story is teased then left open with no real resolution…and c’mon a girl that hot is still going to be single five years later? Paul Walker is simply horrendous, he honestly makes Keanu Reeves look like an Oscar caliber actor. I don’t know how it’s so hard to read lines off of a script with a slight bit of emotion, but apparently it’s past Walker’s skill set. Throw in a pair of predictable plot twist and you’ve rounded up all that is wrong with this flick.

On the positive side, Vin Diesel is simply bad ass and plays Dom perfectly. I really hope this is the start of his trip back to mainstream action and away from flicks like ‘The Pacifier’. The opening scene, which unfortunately you’ve already seen most of if you’ve seen the trailers, is simply awesome. If they had followed the formula they used for that first twenty minutes throughout the entire film we would have a much better flick. Everything was perfect about it, the crew, the cars, the plot, the humor, and the action. It’s tense, fun and adrenaline filled, and although its climax is a bit on the far-out side you don’t care because it’s just fun to watch. Maybe that’s what hurt the rest of the flick…they started out soooo right and just went sooo wrong. There are also some good bit’s of humor in the rest of the flick coming mostly from Brian’s run-ins with a particularly douche fellow FBI agent, and one of Braga’s current racers that Brian must do away with in order to get his spot on the team.

I know it sounds like I’m ripping this flick a new one, and in a sense I am mostly because of what it could’ve been. As far as what it is, I have to say that it’s a decent action movie with some good scenes made a whole lot better by Vin Diesel’s presence. All in all if you were a big fan of the first three movies, I would go to see this in the theaters, if for no other reason than to see how the series concludes. As for the uninitiated or those looking to see something as good as the original, stay away until it hits DVD, you’ll just leave disappointed and wanting your ten bucks back.

4.5/10

Adventureland


Let's face it, summer jobs almost always suck. It doesn't matter what you're doing, becuase that's the time of year when you should be relaxin' and hangin' out at the beach. Work, in any of it's forms, will always lose by comparison. So the only recourse is to make the best of it, and if you're lucky learn a thing or two while you're slaving away. Adventureland, written and directed by Superbad's Greg Mattola, captures the mood of just another lazy summer back in the 1980's so perfectly, and might be one of the best coming of age stories ever.

James(Jesse Eisenberg) is a smart kid, but with little real life experience. He's just graduated from college and is looking forward to a dream trip to Europe with is buddies. Fate, however, has other plans, as his father gets demoted and...no more money for Europe or any other country. In order to save up money, he takes a crappy job at an even crappier Pittsburgh amusement park. The rides are being held together by spit and bailing wire, and the corn dogs are inedible. Resigned to a dull summer of Big Ass Pandas and rigged park games, James meets and becomes friends with Em(Kristen Stewart), an intriguing but somewhat disillusioned co-worker. He also becomes friends with the brilliant but socially awkward Joel(Martin Starr), as well as the park repairman Connell(Ryan Reynolds). Connell is the big fish in a relatively small pond, telling stories about his lame band and the time he played with someone famous. And then there are the park owners, Bobby and Paulette(Bill Hader & Kristen Wiig), who have a very unique way of running things, to say the least.

As James begins to loosen up and open himself to new things, he kinda becomes the new toy that everybody wants to play with. All the guys in the park are crazy over the hottest girl at the park, Lisa P., who so typifies the 80's female that I thought she would reenact the chair scene from Flashdance. She does spend a good part of the film dancing, though. She takes a liking to James, which causes all sorts of problems in his budding relationship with Em, who also has a big secret of her own she's trying to hide. It's all one big soap opera, but that's what makes it so much fun. Everybody's got their part to play, and their own story to tell. And as anybody who's been a 20 year old working around a bunch of other 20 year olds knows, it always turns into your own little episode of The Young and the Restless.

Greg Mattola seems to be working on another level here. This isn't nearly as overtly raunchy as Superbad was. It's a much sweeter, more mature film, which makes sense because these are a slightly older bunch. The relationship budding between Em and James feels honest and is more adult than a lot of others I've seen. Don't be fooled, there's still plenty of sophmoric humor to go around, such as James's buddy who repeatedly punches him in the balls.

I wasn't sure how I'd feel about Jesse Eisenberg in the lead role, mainly because he always plays such intellectual characters that I didn't think he'd fit in with a comedy like this. But I was way off. It's because of his adeptness at playing those roles that he's good here, as one of the key components to James's likeability is that he's a smart guy learning to loosen up. Kristen Stewart is absolutely perfect here. She's too good for a movie like Twilight, or The Messengers, or whatever other crap she's been doing lately. This is right in her wheelhouse. Em is smart and mature beyond her years, and Stewart plays the part beautifully.

Adventureland probably won't wow anybody coming in expecting another Superbad. The TV spots are slightly misleading. But what they will get is a quietly brilliant, funny and sweet coming of age story with a hell of a lot of twists and turns. Well worth the price of admission, and no height requirement to enjoy this ride.

8/10

'Bruno' Red Band Trailer!!!!



Here's the follow up to Sascha Baron Cohen's hit Borat, Bruno. It looks a bit more staged and a little less quotable and all around less funny but probably another hit out of the park if you put it on the Borat barometer. It is a red band so it may be a bit NSFW, but really there's nothing more than one F bomb and some quick censored boobies. Let us know what you think!

The To-Do List for 4/3/09

It's been two weeks since I did this column, basically because I'm off every other Friday and I usually spend those days catching a double feature. I really should start sending these posts in through my phone, a feature I've neglected to try for fear that if I open that door it'll never close again. I can already tell that I spend too much time jabbing at my precious little Iphone. Atleast I got a stylus for the thing, thanks to ThinkGeek, the coolest online store in the world.




Kindof a slow week for new releases. The biggest one on the docket would be Fast & Furious, the fourth installment of the franchise that has been wowing audiences with it's deep, intricate stories for....ok, it's just big dudes, hot chicks, and fast cars. A combination that usually equals success. I'll miss the Japanese backdrop of the previous film, but I'm curious to see how they handle the reunion of the original cast. My Punch Drunk cohort, John, already saw it and his opinion seemed a little mixed. His review should be up soon.




I on the other hand, attended the Adventureland screening(which should tell you all you need about John and I's different tastes in movies)Greg Mattola, who directed the hilarious Superbad, just has a knack for combining dirty raunchy humor with just a hint of sweetness. Starring Kristen Stewart(back to looking hot after looking like a vanilla pudding pop in Twilight), Ryan Reynolds, Martin Starr, and Jesse Eisenberg, Adventureland is my top pick for the week. In fact I might go check it out again it was so good. Forget the redband trailer I showed on here a couple months ago, it's not nearly as dirty as it seemed. Definitely go see this one.

Alien Trespass has been released on a limited basis, and I think I've already said my piece on it. My review for it is right here. Right now it's playing in the area at AMC Shirlington, Landmark E Street, and Cinema Arts Theater in Fairfax.

Other films on my list include the critically acclaimed Sin Nombre, about a group of Honduran immigrants trying to make their way into the United States. It's also playing at Landmark E Street. I still haven't found time to see The Great Buck Howard and probably never will. But the independent film that's caught my eye the most is Hunger, which came out last year to rave reviews. It's the story of Bobby Sands, who led the 1981 hunger strike in Maze prison in Northern Ireland. Assuming it hangs around long enough, that's one I'm definitely going to try and hit up.



Sunshine Cleaning is expanding to more theaters. Starring the extremely hot Amy Adams and Emily Blunt as a pair of sisters who venture into the business of cleaning up crime scenes. It's billed as being "this year's Little Miss Sunshine". You know who says that? The producers. Because THEY produced Little Miss Sunshine. After having seen this movie I can honestly say, "I saw Little Miss Sunshine. And you, madam, are no Little Miss Sunshine". You can catch this at all the usual indpendent haunts, but now also at AMC Hoffman.

Landmark E Street is holding a midnight viewing of Star Trek: The Motion Picture tonight. I can only assume this is to help whet your appetite for the upcoming reimagining by JJ Abrams due out in May. Free admission to anyone who comes dressed as a Klingon(the orignals, not the Worf version). All Tribbles must be kept on a leash and house trained.

Thursday, April 2, 2009

Alien Trespass


Remaking old sci-fi films has become kinda common place. More often than not, these films lack the heart of the original work, mainly because there's no real love for the material and the director/writer rarely can match the sensibilities of the time period. A way around this is simply spoof some of those old classics, like in the 1996 film, Mars Attacks. While it was fun, I always thought the attempt to transfer the 1950's style cheesiness into a more modern setting didn't quite work out. Better to just set the film during a time when it makes sense for people to be so....simple. Alien Trespass, which draws it's inspiration from those old 50's classics, decides neither to spoof or modernize. It's spaceboots are firmly planted in the days of poodle skirts and Ford Fairlanes(not the Andrew Dice Clay movie!), and it's all the better for it.

The plot is delightfully simple, much like the best sci-fi films of that age. A ship crash lands in an eyeblink of a town near the Mojave Desert. Of course this is mistaken for being a falling star, and the event becomes the "most happenin'" thing to occur in like, ever. Out of the wreckage emerges an evil, cyclopean creature known as a Ghota, with an unquenchable appetite. But also emerging is a thin, silver-clad being known only as Urp(as in Wyatt Earp). Urp is a galactic marshall who was transporting the creature to a prison. Urp, needing to blend into society, takes over the body of local celebrity and scientist Ted Lewis(Eric McCormack) in order to recapture the Ghota. Only in the 1950's would a scientist be a celebrity by any means. As can be expected, Lewis's behavior draws the attention of the local sheriff, who of course was just about to retire, played by The Wonder Years' Dan Lauria. Also adding to the mix are a gang of teenagers who are just trying to do something exciting for once. And then there's Tammy(Jenni Baird), a waitress who has a crush on the very married Ted, and is the only one at first who knows what is really going on.

At the Q&A following the screening, director R.W. Goodwin expressed his deep love for the films of the 1950's, and it shows. Everything from The Thing from Another World to The Day the Earth Stood Still is referenced in some way, but at no time does it become a bland mash up of former movies. What I enjoyed most is that, much like those older films, it felt like it was taking itself seriously. Like the people making this thought they were making something great, and did the best with what was at their disposal. There's none of the thinly veiled jabs at how naive people must've been fifty years ago. Nor is there a deconstruction of the era, which is usually the case when dealing with this type of movie. No, this is a straight up story, and it's obvious that they are having a ton of fun.

In order to make the look and feel as accurate as possible, Goodwin replicated many of the practices of the time that helped give those movies such a distinctive personality. There's an especially funny scene in which Tammy is driving in a truck alongside Ted who happens to be walking. If you've ever seen those old Looney Tunes cartoons where the background keeps repeating itself, then you can imagine how it must've looked, not to mention that the truck was going....oh, about ten times faster than Ted seemed to be moving. Little touches like that give the film charm, but it never feels forced.

Not everything works, even though it may sound like it. Not all of the actors seemed able to play their roles without trying too hard to seem authentic. The teenagers I found especially painful to watch. Eric McCormack, who I haven't really like in anything except Free Enterprise, was clearly having a good time but he too sometimes fell into an overly mannered rut. But Dan Lauria, as the perpetually grouchy teenager harassing sheriff, was absolutely dead on brilliant. Not to mention Robert Patrick, who worked with Goodwin on the X-files, was also a ton of fun to watch. He seemed so out of place in comparison to everybody else, and it made his scenes all the more hilarious. Plus it's impossible to see him in a film like this and not think of him as the T-1000 from Terminator 2.

It might not be for everyone. I think you have to have a real love and appreciation for the time and the genre to truly get it. I'm one of those people. And I hope there are enough out there like me to get more stuff like this out there. 7/10

Wednesday, April 1, 2009

X-Men Origins Leaks a Full Month Prior to Release!!?!


It seems that this is no April Fool's joke, sometime last night a full workprint copy of XMen Origins: Wolverine leaked on the net. Within hours of it's release some thousands of copies have allready been downloaded from all over. The print is apparently of perfect DVD quality, although being a workprint of the film it is missing most of the FX and CGI as well as the much touted reshoots from earlier this year. Could this be catastrophic for the film? Many people are saying "No, it's not a finished copy so any bad reviews or word is null and void to the finished product". While logically this is true, practically it is not. Let's face it we jump to conclusions and maintain our initial impressions of something regardless of the truth. This can be seen anywhere you look, especially with the success of celebrity rumor mills and movie blogs all over. We don't care as a people what the real case is, only what we heard and can talk about. So if people start coming out saying that Wolverine is horrible, or simply not great then that is what's going to stay with people, not what quality the finished film is. I don't think the piracy itself will hurt the opening box office too bad since most who will risk downloading it are in the primary demo and will see the flick on the big screen regardless. So what do you guys think? Could this kill Fox's opening blockbuster for the summer season?

NOTE: I wouldn't recommend downloading this flick. Not only will you get a subpar product and ruin your enjoyment for the big screen version, but this is undoubtedly being traced by everything that Fox has in it's arsenal. So while your chances of getting caught with bootlegged downloads is usually slim, it will be significantly higher on this one...trust me.

Monsters vs. Aliens


Me and kiddie films don't exactly get along. I find most children to be off-putting and basically intolerable. Seeing an animated film on opening weekend is a special kind of Hell made just for me, apparently. In particular, Dreamworks films are on my sh*t list for being poor Pixar knockoffs. Whereas Pixar has excelled at creating stories that are both relevant to today and yet timeless, it seems like Dreamsworks is content with basically just riffing off the pop culture of the moment. However they find just the right mix with Monsters vs. Aliens, and come up with something that's both timeless and current.

The always enjoyable(and bankable) Reese Witherspoon voices Susan Murphy, a Californian who's seemingly perfect life is turned upside when she is hit by a glowing meteor on her wedding day. Atleast it wasn't a falling toilet(Dead Like Me reference for the uninitiated). The effect causes her to shoot up in height faster than Walt after he was abducted from the island(Lost reference for the uninitiated). Her life in shambles, and her hair now suddenly Storm-esque, she is captured by the US government after a fierce battle eerily reminiscent of King Kong and shipped to an undisclosed location. There she is indoctrinated into a covert team led by General W.R. Monger(Kiefer Sutherland), and featuring a ragtag group of movie monsters and other such creatures. There's The Missing Link, a fish-ape hybrid with self confidence issues; Dr. Cockroach(Hugh Laurie), a formerly human genius who bears more than a striking resemblance to Pinky from Pinky & the Brain; B.O.B.(Seth Rogen), a gelatinous mass that gained sentience but no brain, he's basically the Blob only much funnier; and Insectosaurus, a gigantic grub with proportionate strength and a unique bond with The Missing Link.

It's revealed that the source of Susan's immense powers is quantonium, the most powerful element in the universe. When this is detected, an alien named Gallaxhar sends a robotic probe to destroy the earth. Tasked by vaguely Elvis-like President Hathaway(Stephen Colbert), the monsters are sent into battle against the robot. This draws Gallaxhar to earth himself to capture Susan, extract the quantonium by any means necessary, then destroy and reshape the planet in his own image.

It's Susan's story, about her attempts to rebuild a new life labeled as a "monster" that is the heart of the film. Screenwriter Maya Forbes made the right decision in making it about Susan, not just because she's the most human of all the monsters, but because she has the only real arc in the entire film. The rest of the monsters serve as little more than comic relief, with the best gags going to B.O.B. and his witless attempts to mate as well as his seeming imperviousness to pain. Seth Rogen was the perfect choice for the part, and oddly enough B.O.B. actually looks a little like the Knocked Up star, I'm sure he'll be happy to know. I also enjoyed Stephen Colbert as the Prez, who brazenly whips out a pistol on national TV to join in on the fighting against the aliens just so he can proclaim "I'm a brave president!". Colbert can't not be funny.

Not everything works, though. There's precious little plot to be had here. It's basically aliens invade, monsters fight back. That might be enough for the kiddies, but I could've used a bit more meat. I don't want it to go too in depth but a little more than aliens attack, monsters defend would suffice. Most of the stuff with Susan's family didn't really land with me but it wasn't enough to hurt the film. All in all this was a lot of fun. It's monsters. It's aliens. What's not to like? They leave the door wide open for a sequel, and based off this one I gotta say I'm all for it. Only this time they need to mix it up: Monsters vs. Aliens vs. Predators! Or Monsters vs. Aliens vs. Ninja Robots! Ninja robots! Cool.

7/10