Showing posts with label gal gadot. Show all posts
Showing posts with label gal gadot. Show all posts

12/08/2019

'Wonder Woman 1984' Trailer: Gal Gadot And Chris Pine Reunite To Save The '80s


Hey, it's not called Wonder Woman 1984 for nothing. You can't miss the neon colors, the crowded shopping malls, the disco soundtrack, and the helmet hair of Pedro Pascal's villain Maxwell Lord in the brand new trailer for the anticipated sequel. Gal Gadot is back as the DC Comics heroine, who finds herself fighting to save the world in the MTV generation.

In the first film, Diana Prince had joined the world of men for the first time and was a total fish out of water. But now, all of these years later, has she truly found her place? What does Wonder Woman stand for in the 1980s? And more importantly, how in the world is her thought-dead lover Steve Trevor (Chris Pine) back among the living? He's riding shotgun with her on this latest adventure, but it's clear the mystery of his return is going to play a key role.

As for the bad guys, it's unclear what Lord is up to, but he starts off looking like a shady used car salesman. And we finally get to see Kristen Wiig as Barbara Minerva, an admirer who later transforms into Cheetah, gaining a confidence she clearly doesn't have in the beginning.

Directed by Patty Jenkins, Wonder Woman 1984 opens June 5th 2020, becoming the first true sequel of the DCEU.

12/07/2019

'Wonder Woman 1984' Teaser Gets You Ready For Tomorrow's Full Trailer


In the opening moments of the teaser for tomorrow's Wonder Woman 1984 trailer, Diana pops a bullet out a foe's gun and swats it back at him with her gauntlet. Done in slo-mo, it's a really cool moment in this brief bit of footage, some of which is taken from the teaser shown Comic-Con in 2018.

The other big takeaway from this are the eye-popping colors, a serious upgrade from the hit 2017 movie and perfect for the retro setting. Later on, we see Diana hurling around enough lightning to make Thor jealous, even swinging from the bolts using her lasso. That's pretty damned awesome. While we don't get a look at Kristen Wiig as Cheetah yet, Pedro Pascal as villain Maxwell Lord can be glimpsed at one point, looking like he may be calling down some serious power of his own.

SYNOPSIS: Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah. As previously announced, the film also stars Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal. Chris Pine also returns as Steve Trevor.

Wonder Woman 1984 opens June 5th 2020.

11/18/2019

Ben Affleck And Gal Gadot Want The "Snyder Cut" Of "Justice League' Released, Too


Yesterday marked the two-year anniversary of Zack Snyder's Justice League, a film that will go down in infamy as one of the biggest disasters ever. But since then, there have been increasing calls for release of the "Snyder Cut", the version of the film Snyder was working on when he had to step aside for personal reasons, only to be replaced by Joss Whedon. Snyder has found quite a lot of support to see this happen, and now he's got Wonder Woman and Batman on his side.

Gal Gadot and Ben Affleck both took time to hashtag for the Snyder Cut's release by Warner Bros. Will having the support of the movie's two biggest stars, not to mention huge favorites by the studio, move the ball forward on this?


The answer is probably going to be "No".  While the outcry may be loud, I think most fans are happy to simply forget Justice League ever happened. Things have improved in just about every way since that movie bombed. What would be the possible upside for WB to revisit it? Kevin Smith may have assured us the Snyder Cut exists, albeit in uncompleted form, but the chances of it actually being released are slim, regardless of Snyder's tweet claiming Wonder Woman and Batman "can't be wrong."


10/13/2019

Gal Gadot To Produce And Star As Real-Life WWII Heroine 'Irene Sendler' In Historical Drama


Gal Gadot has really taken this Wonder Woman thing to heart, using her newfound celebrity to tell stories of real-life women whose exploits can best be described as superheroic. Not only does she have a Showtime event series on the way centered on actress and groundbreaking inventor Hedy Lamarr, but now she's turned her attention to a big screen project about Polish activist Irene Sendler, whose exploits during WWII are the stuff of legend.

Gadot will produce and star in Irene Sendler, with the actress playing the woman whose tireless efforts helped rescue 2500 children escape the Warsaw ghetto during the Holocaust. Her activities as part of the Polish Underground made her a target of the Gestapo, who arrested her in 1943 but not before she hid the names of everyone she had rescued. Sendler was due to be executed but was rescued on the day it was to be carried out. Sendler resumed her activities shortly after, and died in 2008 at the age of 98.

Irene Sendler will be penned by Justine Juel Gillmer, who is also writing the upcoming WWII boxing drama Harry Haft starring Ben Foster and directed by Barry Levinson. 

I like what Gadot is doing here, and hope that these noteworthy projects are successful enough that she can continue to develop them long after her run of DC Comics movies are done. [Deadline]




6/05/2019

Gal Gadot Goes Retro In New 'Wonder Woman 1984' Poster; Warner Bros. To Skip Comic-Con


The marketing strategy for Wonder Woman 1984, the sequel to Patty Jenkins' hit superhero movie from 2017, has begun in earnest with the debut of a colorful new poster. It's easily the best promo we've seen from the film yet, showcasing star Gal Gadot against a vibrant, retro background that plays into the heroine's rich history and 1980s setting.

While this image is fantastic, it's tinged with news that hits me particularly hard. Jenkins also revealed that Warner Bros. will not be appearing at San Diego Comic-Con's Hall H this summer. She notes that it's more important to give Wonder Woman 1984 a proper, targeted marketing strategy later this year, and that may be true. But what about other films that could use a little fanboy boost? Like Birds of Prey? Or Joker? Why couldn't that be the venue to drop some info on Supergirl? Or provide an update on whatever Ezra Miller is doing with The Flash? This is all very suspicious to me.

This doesn't bode well for the future of Hall H, once the place-to-be for major studios to reveal their biggest guns to an adoring crowd. Lately, the appeal has faded due to leaks and some high-profile flops. With Fox now under the Disney umbrella, and little chance Marvel will even be there this year, Comic-Con just lost what was their biggest draw. I mean, Warner Bros. has always put on the best show, and now that's gone. For now, anyway. Who's going to pick up the slack? Maybe Sony can show off some Morbius footage?

Wonder Woman 1984 opens June 5th 2020.

11/16/2018

Review: 'Ralph Breaks The Internet', Disney Sequel Explores Friendship In A Digital Wonderland


Like playing Donkey Kong in a game of Mario Kart, video game villain Ralph (John C. Reilly) became a good guy at the end of Wreck-It Ralph, and a hero to erratic Sugar Rush racer Vanellope von Schweetz (Sarah Silverman). His "hero journey" complete, there never really seemed to be a reason to revisit Ralph, except to put his newfound friendship and sense of self to the test. And no place can ruin relationships and crush one's self-confidence better than the Internet, which is where Ralph Breaks the Internet takes us. Although the title might be more appropriately titled, The Internet Breaks Ralph.


The rare big-screen Disney Animation sequel (I'm not talking those straight-to-video sequels or anything Pixar), Ralph Breaks the Internet explores the friendship between Ralph and Vanellope, which has been going strong for six years. While Ralph is happy with his daily routine, it's Vanellope who has grown bored of the racing the same old tracks and knowing how everything will turn out. When Ralph's clumsy, ham-fisted attempts to cheer her up end with Sugar Rush getting a broken steering wheel, and kindly old Mr. Litvak threatening to unplug the arcade game for good, they venture off into the Internet to try and save it, literally by buying a replacement on eBay, or "E-Boy" as Ralph calls it.


For me, Wreck-It Ralph was nearly a perfect movie. It spoke to the '80s video game nerd in me, and all of the callbacks to the game characters of yesteryear were brilliant. That it managed to be nostalgic while telling an emotional, frequently hilarious story about Ralph's evolution was just one of its many accomplishments. So the idea of going into the Internet for a sequel was considerably less appealing. Do we need another critique of the dangers of social media? Or another anti-bullying movie? Turns out, when it's Ralph Breaks the Internet, yeah we definitely do need another one. Co-directors Rich Moore and Phil Johnston have told a beautiful, funny, heartwarming story that embraces and skewers everything we know about the web. At the same time, it's also a surprisingly tender story about friendship, and whether it can withstand the vast opportunities afforded by going online.


If only the Internet looked the way Moore and Johnston envision it. The co-directors go absolutely nuts in visualizing the online realm, which resembles the avatar-based worlds of Ready Player One and Summer Wars. Mostly gone are the Q-Bert and Sonic references (the Street Fighter dudes still crack me up), replaced by jabs at Google (which looks like a giant monolith), Twitter (a tree surrounded by tweeting birds), Friendster, and the Dark Web which looks like a crime-filled back alley. Like the first movie, sight gags are where you'll find the biggest laughs, and there are so many it would be impossible to catch them all. Suffice it to say, the more of a techie you are the more gags you'll catch, and it makes me wonder if the humor is better suited to adults than kids. They'll be floored by the sheer volume of things happening on the screen at once, but doubtful a kid is going to get why an Internet joke about Al Gore ("Are you the Algorithm?") is supposed to be funny.


Of the many online landscapes to be explored, the most visceral is in the Grand Theft Auto/Twisted Metal-type game called Slaughter Race, where Vanellope makes a new friend in Shank (Gal Gadot). Shank's free-wheeling, edgy and unpredictable lifestyle is exactly what Vanellope wants for herself, but of course, Ralph wants to keep his friend around for himself. His entire persona, the hero he sees in himself, is dependent on Vanellope keeping him around, and he goes to rather extraordinary lengths to make sure nothing changes. Ralph's insecurity only grows as Vanellope becomes more independent, while she seems right at home. Vanellope takes more of a central role here, and she's right smack in the middle of the scene everyone has been talking about. Yes, the one with all of Disney's princesses, voiced by the original actresses (!!!) and gathered together like they're living on sorority row. It's by far the greatest highlight and a brilliant example of Disney poking fun at itself and celebrating the incredible legacy of female characters. Whoever thought to bring all of them together, in a Wreck-It Ralph sequel no less, deserves a pay raise. Don't think for a second it'll be the last we see of them together, either. I smell franchise.


For a giant corporate entity with a substantial digital footprint, it should be no surprise Disney paints a rosier-than-reality view of the online experience. Ralph and Vanellope have a mostly joyful experience, even when faced with Pop-Up ads and a major instability that threatens to destroy everything. However, the movie does break from their adventures for a brief bit of messaging when Ralph, who has suddenly become a viral superstar, dares to check out the stinky bathroom that is the comments section and is shocked (SHOCKED I tell you!) to discover everyone on the Internet isn't so nice. It's a well-meaning moment but it either needed to be longer, because it lasts for maybe a minute, or simply not be there at all. I found it distracting and on-the-nose when everything else has the spark of cleverness.


Having conquered the 8-bit days and the modern social media craze, it's unclear where Ralph will show up next. Maybe he'll get trapped inside an MMORPG?  Or go fully analog inside a board game? Let's hope it's not that last one. With the help of Reilly and Silverman's performances, Ralph Breaks the Internet brings more compassion than you're likely to see the next ten times you go online.

Rating: 3.5 out of 5

9/29/2018

Gal Gadot To Headline Kenneth Branagh's 'Murder On The Orient Express' Sequel


In a big win for movies skewing to older audiences, last year's Murder On the Orient Express remake was a gigantic hit. Kenneth Branagh's take on the Agatha Christie novel earned over $350M worldwide, and it wasn't long before Fox jumped on a sequel, an adaptation of Christie's Death On the Nile.  You can guess what that one's about. Anyway, that project moves forward with the addition of Wonder Woman star Gal Gadot in the lead role.

Deadline reports Gadot will lead Death On the Nile, which Branagh will again direct and likely return as the mustachioed detective Hercule Poirot. Branagh's return isn't confirmed just yet, but I find it hard to believe they would move ahead without him. As you probably guessed, the story finds Poirot solving a murder while on a Nile River cruise. He's like the Liam Neeson of his day. If you see him on any mode of transport it's probably a good idea to get off at the next stop. Gadot will play socilaite Linnet Doyle, who requests Poirot's protection from her new husband Simon's ex, who happens to be her former friend. When a murder occurs, Poirot identifies a number of suspects but it isn't long before they start dying, as well. 

Adapting the script will be Orient Express, Blade Runner 2049, and Logan writer Michael Green. Expect a starry lineup of co-stars to join Gadot in the cast soon. Death On the Nile is schedule to open December 20th 2019.

9/20/2018

'Ralph Breaks The Internet' Trailer: Disney's Sequel Trades Arcades For The Dark Web


Disney is taking viewers to the darkest corners of the web in Ralph Breaks the Internet, the sequel to 2012's Wreck-It Ralph. That means less of the nostalgic coin-op feel of the first movie, replaced by online memes, pop-up ads, cat and dancing videos, and selfies selfies selfies.

The latest trailer expands on the story a little bit, but still keeps a lot under wraps. The ham-fisted Ralph (voiced by John C. Reilly) and his hyper sidekick Vanellope (Sarah Silverman) venture into the Internet to buy a new steering wheel for her broken Sugar Rush game, otherwise it'll be shut off forever. But to do it they'll need to get some money, and puts them in a racing showdown with Shank, a new driver voiced by Wonder Woman's Gal Gadot.  Looks like Shank will become more than a rival, but another guiding influence much like Ralph.  Because this is the Internet we're talking about, plenty of random weirdness happens, too. A poor dog meets an unfortunate Sharknado-inspired demise, and I don't know why one ugly creature has his "little brother" growing out of his neck.

The film also features the voice of Taraji P. Henson as Yessss, an algorithim for BuzzTube, Alan Tudyk as a search engine, plus the return of Jack McBrayer and Jane Lynch as Fix-It Felix and wife Sergeant Tamora Jean Calhoun.

Ralph Breaks the Internet opens November 21st.

8/10/2018

Gal Gadot Is Voicing A New Character In Disney's 'Ralph Breaks The Internet'


Gal Gadot is pretty busy right now with Wonder Woman 1984, but she's managed to find time to voice a brand new character in Disney's Ralph Breaks the Internet. Yeah, they got rid of the Wreck-It Ralph 2 part, thank goodness, and streamlined the title.

Gadot has tweeted rather excitedly about her voice role in the Disney sequel that finds ham-fisted video game hero Ralph (John C. Reilly) and hyped-up sidekick Vanellope von Schweetz (Sarah Silverman) journeying through the Internet.  She'll voice Shank, described as "a tough and talented driver in an intense and gritty online racing game called “Slaughter Race".  Shank might be carrying a key part to help fix Vanellope's "Sugar Rush" game, and it looks like she'll have to race for it. She kinda looks like Gadot, too. Diggin' it.

Ralph Breaks the Internet opens November 21st. You can check out a clip of Shank in action below!

6/16/2018

Gal Gadot Is Suited Up For Action In New Look At 'Wonder Woman 1984'


Only a few days ago we got the first look at Wonder Woman 1984 with images of Chris Pine and Gal Gadot. Now Gadot has released a new photo that gives us another look at her in the sequel, only this time she's suited up for action.

For those eyeballing the costume to see if there are any major changes, it doesn't appear that there have been any. I'm more interested in the golden, shimmery location Wonder Woman seems to be at. Back on Thymiscira, maybe? I wonder if the 1980s have found their way to Paradise Island?

Hopefully a shot of Kristen Wiig as Cheetah is up next. The images seem to be dropping pretty regularly at this point.

Wonder Woman 1984 opens November 1st 2019.


6/13/2018

Chris Pine's Steve Trevor Returns (Somehow) In First Looks At 'Wonder Woman 1984'


She survived World War I, but can Wonder Woman possibly have what it takes to take on the '80s and come out alive? The tracksuits alone may do her in. Today, Patty Jenkins took to Twitter and revealed the first look at the Wonder Woman sequel, while also confirming its title to be Wonder Woman 1984. Not sure about that title but if anybody can make it work, it's Jenkins.


The image features Chris Pine, in his tracksuit glory, as the returning from the dead Steve Trevor. How exactly is that possible? I have theories that don't involve being frozen in ice (Captain America called dibs on that one), but I'm curious to see what Jenkins and newly-demoted co-writer Geoff Johns came up with. Maybe this Steve is a shapeshifter of some kind? A clone, perhaps? Maybe he crashed through a wormhole that transported him to the dawn of MTV?


Star Gal Gadot also tweeted out an image featuring Diana staring at a bank of era-appropriate TV monitors. You're practically waiting for Max Headroom to show his face. There's a good chance her scene takes place in the same shopping mall (Mall? What are those??) as the one Pine finds himself in. Maybe Diana took a job working security?

Sadly, no looks at Kristen Wiig as Cheetah but I think we'll have to wait for Comic-Con for that.

Wonder Woman 1984 opens November 1st 2019. 




6/11/2018

Dwayne Johnson And Gal Gadot Teaming For Action-Comedy 'Red Notice'


Thanks to her role as Wonder Woman, Gal Gadot has already had the good fortune to be part of some epic teamups; Batman, Superman, Aquaman, Chris Pine. Consider all of it training for the most super teamup of her career, as Gadot will join Dwayne "The Rock" Johnson in the action-comedy Red Notice. I know I know, you were hoping it was some DC Comics crossover between Wonder Woman and Black Adam, but nope. Not yet, anyway.

Deadline has the news of Gadot's signing. The film was a hot property back in February for obvious reasons, and kicked off an intense bidding war. First of all it has Johnson on board, but it also finds him reteaming with writer/director Rawson Marshall Thurber, his director on Central Intelligence and this summer's Skyscraper. Cha-ching. Thurber made the pitch to Gadot himself, flying to London to deliver it personally. The plot is being kept under wraps, sadly, but it's being described as  “a globe-trotting, action-comedy, heist thriller.”


This is a reunion for Johnson and Gadot, let's not forget. They co-starred together in two Fast & Furious movies, after all, but were just small pieces in larger ensembles. They were also presenters together at the Golden Globes because there may not be a more perfect duo to do...well, anything. This movie belongs to them, and on paper it should be huge. 

1/03/2018

Women Ruled The Box Office In Historic Fashion Last Year


Unless your head has been buried in the sand you couldn't have missed the seismic shift to the Hollywood landscape in 2017. The #metoo movement has not only shaken up the halls of power, giving women a greater voice within the industry, but this has also been a banner year for female-driven movies. From Atomic Blonde to Lady Bird, women were a driving force at the box office in a way that hasn't been seen in 59 years.

The top 3 domestic movies of 2017 were all led by women:  Daisy Ridley's Star Wars: The Last Jedi with $533M, Emma Watson in Beauty and the Beast with $504M, and Gal Gadot's Wonder Woman at $412M. The last time this happened was in 1958 with South Pacific starring Mitzi Gaynor, Auntie Mame featuring Rosalind Russell, and Cat on a Hot Tin Roof led by Elizabeth Taylor.

I'm curious to see if this lasts, or if Hollywood does what it usually does and reverts back to previous form. Next year should be prime real estate for the trend to continue with Ocean's 8 coming up, but then we all thought there would be a movement like this in 2016 with the female-led Ghostbusters. It just goes to show that these things can't be forced, they must happen organically as they did in 2017.  [via TheWrap]

11/17/2017

John's Take: 'Justice League'



“I need a hero, I'm holding out for a hero 'til the end of the night”
-Bonnie Tyler

Full disclosure, I just always wanted to write something that started with a song lyric in quotes…it just seems so classy. The DCEU has been a roller-coaster of expectation and delivery. I should be up front and say I loved Man of Steel, thought Batman V Superman: Dawn of Justice was far better then people give it credit for and, obviously adored Wonder Woman. My feelings toward the universe are not, well, universal and most people thus far have really only expressed a lasting like for the Amazonian. Yet, every time the world at large gets super excited when the trailer drops and eventually let down when the movie premiers. Needless to say, no matter how amazing the pre-release stuff looked, a lot of people questioned whether the end result would be what was promised. Well, the league has been united and we have a firm answer of whether it lives up to the hype, and that answer is “..uhhhh, kinda?” We arrive back in the DC Universe shortly after the events of Batman V Superman: Dawn of Justice. Superman is gone, and the world is in mourning. Batman (Ben Affleck), while patrolling Gotham, has found winged creatures who leave a distinctive “three box” symbol when they are destroyed…a symbol that was found replicated across documentation recovered from Lex Luthor and revealed to be “mother boxes”, cosmic power that gives the possessor ultimate power when united. It becomes apparent that a global threat is imminent, so Bruce Wayne sets off to assemble a team strong enough to combat it. Armed with the research confiscated from Luthor, the help of new super-friend Diana Prince (Gal Gadot), and the example impressed on him by the late Superman (Henry Cavill) Bruce must convince the three recruits, Barry “The Flash” Allen (Ezra Miller), Arthur “Aquaman” Curry (Jason Mamoa), and Victor “Cyborg” Stone (Ray Fisher) to join forces and fight as one to save the planet from Steppenwolf who intends to unite the mother boxes and create the “unity” and turn our world into a hellish landscape.

They are ALMOST there. It feels like they took a giant leap forward with Wonder Woman then a few steps back on this one. I really think Zack Snyder gets more hate then he deserves but it’s hard to argue that his influence is what’s holding these film’s back after seeing what Patti Jenkins did with Wonder Woman. It’s hard to know for sure what Joss Whedon’s influence over the film amounted to but I think it’s safe to say most of what ended up being extremely likeable about the film came from him. The biggest takeaway from the film is that they finally got Superman right in the end. He has become that smiling beacon of hope that he was always meant to be. The most important thing about that is that it shines through that Henry Cavill is a near perfect Superman when given the right material. He has the ability to be a hyper-intimidating demigod and a caring savior at the same time. The future is bright for the Man of Steel and if there was ever a resume worthy of a job it was what Whedon did with big blue in this film. The entire league for that matter is exceedingly great. Aquaman’s tough biker schtick just works and the guy shows that his charisma can rival Dwayne Johnson’s. Gal Gadot is just as perfect as ever and Ezra Miller, though he toes the line of being annoying, is great as a wide-eyed wisecracking Barry Allen (though Grant Gustin is still my #1). My favorite sequence came in the opening scenes when we first check in with the Dark Knight. Sure, the Nolan trilogy was great, but it wasn’t really comic-book fare. It was a comic book scenario adapted for the real world. Our introduction to Batman and the parademon’s showcases what a REAL comic-book Batman would look like on the big screen. Coincidentally this sequence also highlights that Zack Snyder can blow past expectations when he’s given the right topic to work on. Not only do we get some looks at detective Batman, something that surprisingly has been underplayed in almost ALL previous Batman outings. Snyder creates an environment that looks reminiscent of Tim Burton’s take with a more animated look to it. They only way to really describe it is that it looks ripped directly from a copy of Detective Comics. My favorite little touch of the movie comes thanks to Danny Elfman’s score which includes notes from the original Batman theme from the 1989 Burton film. It’s just perfect, if Snyder is to stay on in the DCEU it should be as director or at least visual consultant for The Batman, any detractors need to see this sequence first THEN tell me I’m wrong. The biggest surprise of the film had to be Ray Fisher’s Cyborg. The pre-release materials gave us every reason to believe he would be A) the most boring member of the league and B) the worst looking. That wasn’t entirely wrong, he is a studious computer like character…but hey he IS part computer after all, and yes when he’s full body Cyborg it does look bad BUT there was more to it then that. Fisher is pitch perfect in the part balancing out the dichotomy between programmed machine and emotionally broken man. He really projects the alienation and despair behind that one red eye. Now for the look, admittedly it does not look good in a full body shot, now that being said he spends most of the movie in a hoodie and sweatpants, it may sound silly but when his head is all that is visible it looks completely believable and real. I think it has something to do with how much detail they put into the body but when it’s kept simple it looks awesome. That’s about the only good thing I can say about the CGI which brings me to…….

The bad stuff and yes you KNEW there would be some. No one turns around a franchise completely with all of the same cooks in the kitchen. The most egregious of these issues is the CGI. We live in a world where proper CGI is a staple of good storytelling, if it looks bad or fake you are going to be pulled right out of the story. I don’t know why the DCCU hasn’t realized this yet, I mean after the crap show that was Doomsday in BvS my first order of business would be to find whoever does Marvel’s CGI and put them on retainer no matter what the cost. From the looks of things, they did exactly the opposite. Oddly the Para-demons look pretty good, but they totally dropped the ball on the two biggest subjects, the environment and the big bad. Steppenwolf looks completely unrealistic, like he was made out of Play-Doh by a less than advanced 5-year-old, unrealistic. On top of that background and set scenes really stick out as computer generated, the red sky look you undoubtedly noticed in the trailer sticks out as one such scene. In a way it’s cool because it makes it seem more comic-book like but in a world where Marvel can make you feel a movie about a Norse demi-god and irradiated green monster fighting may be real it seems like DC can do better. My biggest gripe is rather spoilery so I’ll try and keep it vague. I’m sure it’s no surprise to anyone that Superman does indeed return, but it’s how he returns that I want to talk about. The way it’s handled not only takes away from Superman’s God-like qualities, but it also is terribly dark and macabre. I literally could not believe the place they took it and right up until the events were happening I thought they were going to take it another way. To add insult to injury the end of BvS alluded to the fact that he was never really gone in the first place, what with the dirt rising up from his coffin. There were a lot of ways they could have handled it and, in my opinion, they managed to find the worst one.

An unqualified success? Not quite, but a vast improvement over the previous films (save for Wonder Woman of course). The ground work has been laid for what can be a very successful string of solo films in the future. There’s no weak link when it comes to the heroes themselves, assuming they can fix Cyborg’s look. Superman is back to the iconic smiling beacon of hope we all know and love, Batman is showing signs of the one angle we’ve never really seen fleshed out as the world’s greatest detective. Wonder Woman didn’t change and that’s high praise considering the amazing job they’ve done with her since moment 1. The Flash will never live up to the CWTV version but that was an impossible task anyway, what we have now is a slightly different take with the sarcasm turned to 11 and all of the important pieces in place. Aquaman is primed with a much-needed top-down makeover and a solid backstory lead in, and Cyborg…again, assuming they can fix the look, stands to be one of the more emotionally gripping heroes in comic-bookdom. This is all to say, quite simply, that some people will find the issues and pull on them, crying from the rooftops that the movie is horrible but they are, quite simply, wrong. The flick is fun, action-packed, and at exactly 2 hours long is paced perfectly, not slowing down from the opening gates. Are Marvel and DC on level ground now? No, not at all, but there is a glimmer of promise in the future of DC film that isn’t totally comprised of Gal Gadot’s Wonder Woman. 

4 Out of 5 Pointy Eared Cowls

11/15/2017

Gal Gadot Talks Brett Ratner's Removal From 'Wonder Woman 2'


There was an awkward moment just as our screening of Justice League was beginning. Listed among the film's producers was RatPac-Dune Entertainment, which is the label run by Brett Ratner, who has been accused of sexual harassment and misconduct. His name was also attached to the hugely successful Wonder Woman, but Warner Bros., like pretty much everybody in Hollywood, has been doing their best to distance themselves from him. And that was rumored to go double for star Gal Gadot, who reportedly wouldn't sign on for a sequel unless she had assurances Ratner had nothing to do with it.

But since then, Warner Bros. has not only moved Wonder Woman 2 up a couple of months, they've also confirmed Gadot's return. Sure, the studio has already parted ways with Ratner, but was Gadot's threat legit? She gave her side of the story on The Today Show and this is what she had to say...

“Everyone knows the way that I feel because I’m not hiding anything. But the truth is, there’s so many people involved in making this movie — it’s not just me — and they all echoed the same sentiments. Everyone knew what was the right thing to do. But there was nothing for me to actually come and say because it was already done before this article came out.”

So basically she got what she wanted, but it wasn't a decision that was really up to her. Fortunately, those in the position to do something felt the same way she did, and Gadot can back into the business of lassoing up bad guys as Wonder Woman.

Wonder Woman 2 opens November 1st 2019, but you can see Gadot in Justice League this weekend.

Review: 'Justice League', DC's Biggest Guns Give Fans A Film They Can Be Proud To Enjoy


At times it feels like the jury is already out against any DC Comics movie long before it ever opens. If I heard once "Well, let's hope Justice League isn't too terrible" or "I just hope it isn't Batman v Superman", I heard it a thousand times. Skepticism is what these movies are met with, and strangely enough, Justice League is in an even worse position than it would be if the universally-beloved Wonder Woman hadn't existed, because now that is the standard it must live up to. It's an unfair one; the two films only share a single character between them and nothing else, but we expect it to carry the same hopeful ideals and vision.


Justice League has more in common with Wonder Woman than it doesn't. First of all, the aversion to telling jokes is, thankfully, no longer there. Warner Bros. stepped in it by trying to emulate Christopher Nolan's gloomy Dark Knight Trilogy, but with the less competent Zack Snyder, and it set them back. Snyder's here again and many of his usual directorial tics are firmly in place. But as anyone who has been following the production knows, he left in the middle of shooting to tend to a family tragedy, with Joss Whedon stepping in to handle reshoots and a partial script rewrite. The question has always been whether their two vastly different styles could merge into a seamless, enjoyable superhero movie. While you can see some of the stitching around the edges, and I bet you can pinpoint the moment where Snyder ends and Whedon begins, Justice League is DC's biggest guns in a movie fans can be proud of enjoying.


If Wonder Woman reminded us of the power in what these superheroes can represent, Justice League hammers home that idea even further. Snyder's trademark music video opening, set to a version of Leonard Cohen's "Everybody Knows", shows us how humanity has been devastated by the loss of Superman. Without him, fear has begun to grow and spread, with Batman (Ben Affleck) fighting to keep the ensuing crime wave in check. I've often said that Superman's storyarc has been one of the best things they've done, and even in death that continues to be true here. If Man of Steel was Superman learning to be a hero, and Batman v Superman was him learning to be part of humanity, then Justice League is about Superman as a symbol of hope. The power vaccum left by his absence brings the insect-like parademons, emissaries of the powerful intergalactic villain Steppenwolf , a CGI monstrosity voiced by Ciaran Hinds.

Like Marvel, DC still has trouble nailing the bad guys.


Steppenwolf, who isn't nearly as rockin' as his rock band namesake, has arrived to find the three Mother Boxes, cubed McGuffins that will give him the power to destroy the planet or something. It doesn't really matter. He just needs to be stopped, and so Batman must put together a team, his Justice League, because it's too much for him to handle alone.  The plot isn't too dissimilar from practically every Marvel movie, in particular The Avengers; just replace Infinity Stones with Mother Boxes and wallah! And of course, that team isn't going to get along well at first, but thankfully they don't mimic Marvel with the same oil 'n water mixture of combustible personalities. For instance, Barry Allen aka the Flash (Ezra Miller) is a ball of lightning whose mouth runs almost as fast as his legs. He literally jumps at the chance to join the team, showing the rabid enthusiasm of a child high on Pop Rocks. Arthur Curry aka Aquaman (Jason Momoa), is the team's wildcard and  punk rock protector of the seas. Victor Stone aka Cyborg (Ray Fisher) is the strong, silent type who was literally born from the power of the Mother Box, making him arguably the most powerful and important member of the squad.


And then of course there's Wonder Woman (Gal Gadot), who isn't on the best of terms with Batman and initially wants no part of any team-building exercises. But this turns out to be as much her story is it is Batman's or Superman's. The Diana who saved the day in WWI hasn't been seen in decades, but this movie is about her quest to be that leader again. Snyder, try as he might, has never been able to get the female voice right (*cough*Sucker Punch *cough*), and while Wonder Woman kicks lots of ass she feels a little bit off at first. That changes later on and you can probably sense that's when Whedon started adding his two cents, moving her into the forefront and giving the film a feminist power boost it sorely needs.  The team is tiny but there's a Krypton-sized amount of testosterone going on.


While assembling the team is slow-going and the first hour a series of expository montages punctuated by splash pages, it pays off once Steppenwolf steps up his game. There's a blisteringly awesome sequence on the isle of Themyscira as the Amazons battle the villain and his flying army, reminding you why a movie following the female warriors is an absolute must. Snyder still hasn't added any new tricks to his visual palette; for the most part everything is choreographed with a "throw everything at the wall" strategy. Cram as much onto the screen as possible and hopefully the audience can sort it out. There at individual sequences that are dazzlingly brilliant, though, including one with the Flash that owes a lot to the Quicksilver scenes from the X-Men movies, only better because this character has more personality. Some will find Ezra Miller's performance too amped-up but that's exactly the point. He's a live wire, he's always "on" so to speak, and that he clashes awkwardly with everyone is why Flash is so much fun.


The rest of the cast fare pretty well, amd I think this is by far Affleck's best performance as Bruce Wayne/Batman. Finally able to shed the nihilism of the previous movie, Affleck's Caped Crusader is looser, funnier, but still has Batman's loner mentality. Gadot continues to be excellent as Wonder Woman, slipping back into the role as if she never stopped. Fisher finds a sliver of humanity within Cyborg's cold metal exterior, and Momoa is having more fun than anybody. Does he even know he's making a movie? Or was he just showing up to trade shots with Affleck? Aquaman, who like most of the team are due for solo movies in the near future, has the biggest laugh of the movie when he delivers an unusually emotional speech at an unusual time.


While I think the vitriol towards Batman v Superman, Man of Steel, and Suicide Squad are overblown (audiences liked them, but critics didn't), it's still a low bar to say that Justice League is simply better than those movies. It's substantially better; imperfect but another clear step towards the DC Universe taking its rightful place as Marvel's equal. There's still some way to go, but at least we have reason to hope.

Rating: 3.5 out of 5
Trav's Tip: Not that you need me to tell you, but stick around for both a mid-credits and post-credits scene, one that's basically fan wish fulfillment and another with sequel implications. 

11/13/2017

'Wonder Woman' Sequel Moved Up Six Weeks, Gal Gadot Set To Return


Any hope of a Wonder Woman vs. Jedi showdown is going to have to wait for another year. Warner Bros. has done the smart thing and moved Wonder Woman 2 up from its December 13th 2019 date a whole six weeks to November 1st. That will take it nice and far away from Star Wars: Episode IX which would have opened on the same day.

Also, Deadline's report confirms that Gal Gadot and director Patty Jenkins are  locked to return, despite rumors stating that Gadot wouldn't agree if Brett Ratner's RatPac-Dune Entertainment label was involved as they were in the first movie. But Warner Bros. has already cut ties from Ratner, and the last film with them that he'll have anything to do with is Rampage starring Dwayne Johnson.

This is, obviously, a brilliant move and shouldn't be seen as Warner Bros. lacking faith in the sequel. Wonder Woman is one of the brightest lights they've had this year, and should give them hope for the future of the DCEU, along with Justice League. But nothing stands up to Star Wars and wins, so why not give Diana of Themyscira enough room to lasso an even bigger audience this time.

Rumor: Gal Gadot Won't Sign For 'Wonder Woman 2' Until Brett Ratner Is Out


We may all take a certain amount of glee at mocking Brett Ratner as a terrible director, but the truth is he's extremely powerful. Through his Ratpac-Dune Entertainment production banner, he's had a hand in producing some of this year's biggest hits, including Dunkirk, It, and...yep, Wonder Woman. So removing Ratner out of the equation following allegations of sexual misconduct may be tougher than it looks, but if Warner Bros. wants a Wonder Woman sequel they'll need to make it happen.

According to a report from Page Six (judge accordingly), Gal Gadot is refusing to sign on for Wonder Woman 2 until Ratner is completely taken off the movie. Ratner's label made a healthy profit on the first film, but Gadot wasn't the sequel, which again will have female empowerment as a core theme, to be tarnished by having a sexual harasser making key decisions.

Makes sense, and Gadot is reportedly sticking to her guns on this one. Warner Bros. should have no problem finding another funding source, but if they dawdle on this it could look really bad. Best to nip this thing in the bud now before it becomes a bigger story than it needs to be.

11/12/2017

'Justice League': Ben Affleck, Ezra Miller, And Gal Gadot Have Sequel Ideas


Early reviews are in for Justice League, and without posting a bunch of tweets about it, let's just say the franchise's future is still in question. But the only thing that really matters is if audiences dig it, and if it makes a bunch of money, which it most likely will. Also in doubt is whether Ben Affleck will stick around as Batman; the actor basically saying that it's up to Warner Bros. to make that call. He's all gung-ho for this film, though, and revealed a bit more of the plot that has been kept under lock and key...

"A Mother Box is an all-powerful, indestructible, technological cube that can also teleport a bunch of aliens to Earth from another world."

He continues, "Once you combine the three Mother Boxes they form what's called the Unity, a force that is pure power used to conquer worlds. Fortunately, these things don't exist in real life, of course, but they're a part of the DC Universe, and a problem for the Justice League."

Whether Affleck returns for a sequel or not, he's at least thought about it a little bit, saying "Now the Justice League is together, we have these stories that we can finally tell without being encumbered with setting up the backstory. We've done all that, so now we get to enjoy the adventures of this group of heroes as they take on the world."

Ezra Miller, who plays the Flash, hopes that a sequel brings the screen debut of the villainous Injustice League, which unite Lex Luthor, Joker, Deathstroke, basically all of DC's baddest dudes. I'd love to see the towering Giganta show. She'd make for an impressive visual.


"I think I can speak for everyone in the League when I say that we’re extremely excited by the prospect of continuing this journey. We don’t really know for sure, and we’re usually the last people to find out, but … each of the heroes in this movie has specific nemeses, and I think seeing some incarnation of the Injustice League (which includes Lex Luthor, Joker, Deathstroke and more) would be something that DC fans would be pretty stoked about."

Gal Gadot has a more specific foe in mind, Cheetah, who happens to be Wonder Woman's primary foe. Although she could also be part of the Injustice League...

"There’s so many good villains in the DC universe, but I would love to fight Cheetah. She’s a girl and that could be very interesting."

Justice League opens November 17th. [TorontoSun/CBM]

11/06/2017

New 'Justice League' Clips: Steppenwolf Attacks, The World Needs Superman


Justice League is right around the corner, and depending on how you feel about these things there is either too much marketing or not enough. Clearly it's the latter for Warner Bros. who need this film to be a smash on the level of Wonder Woman, in order to keep the positive momentum going. And so they've dropped a bunch of new clips, and while I'm usually hesitant to post footage so close to release these don't seem to be too spoilery.

A whopping seven clips are available now, with most just extensions of scenes that have been in trailers and TV spots. A couple are different, though, like one in which Batman (Ben Affleck) tells Alfred (Jeremy Irons) just how badly the world needs Superman. Don't worry, Bruce, I think he's going to show up just when you need him.  And the fight scene with Steppenwolf gives us the best look at the missile-catching villain yet. Somewhere underneath all of that motion-capture armor is Ciaran Hinds, best known for roles in Munich and Game of Thrones.

Justice League opens November 17th, directed by Zack Snyder with Joss Whedon either on mop-up duty or a full-scale reshoot. Depends on who you ask on what day, honestly. Hopefully a way was found to gel their very distinct styles into something that makes sense. Fingers crossed.